Presents cutting edge theory about the consequences of social movements and protest while asking what kind of trade-offs protest movements face in trying to change the world around them. Many scholars have tried to figure out why some social movements have an impact and others do not. By looking inside movements at their component parts and recurrent strategic interactions, the authors of Gains and Losses show that movements usually produce a variety of effects, including recurring packages of gains and losses. They ask what kinds of trade-offs and dilemmas these packages reflect by looking at six empirical cases from around the world: Seattle's conflict over the $15 an hour minimum wage; the establishment of participatory budgeting in New York City; a democratic insurgency inside New York City's Transport Workers' Union; a communist party's struggle to gain votes and also protect citizen housing in Graz, Austria; the internal movement tensions that led to Hong Kong's umbrella occupation; and Russia's electoral reform movement embodied in Alexei Navalny. They not only examine the diverse players in these cases involved in politics and protest, but also the many strategic arenas in which they maneuver. While each of these movements made some remarkable gains, this book shows how many also suffered losses, especially in the longer run.

Jasper Fforde, the acclaimed SUNDAY TIMES NUMBER ONE BESTSELLER, invites you to imagine a world where your position in society depended on what bit of the colour spectrum you could see... It's the UK, but not as we know it: civilisation has rebuilt after an unspoken 'Something that Happened' five hundred years before. Society is now colour-based, the strict levels of hierarchy dictated by the colours you can see, and the economy, health service and citizen's aspirations all dominated by visual colour, run by the shadowy National Colour in far-off Emerald City. Out on the fringes of Red Sector West, Eddie Russett and Jane Grey have discovered that all is neither fair nor truthful within their cosy environment, and currently face trumped up charges that will see them die of the fatally soporific tones within the Green Room. Negotiating the narrow boundaries of the Rules within their society, Jane and Edward must find out the truth of their world: What is it, where is it and even when it is. As they unpeel the lies that cloak their existence they come to the worrying conclusion that they may not be alone: That there might be a Somewhere Else beyond the sea, and more, Someone Else living there - and observing them all, purposefully unseen. Red Side Story delves into the strictures of a society imposed on itself by itself, immovable dogma and the spirit of humans trying to love and survive and make sense of a world that makes no sense at all. Only it does, of course - you just have to look harder, look further, and forget everything you've ever been told. 'Fforde's books are more than an ingenious idea. They are written with buoyant zest and are tautly plotted . . . and are embellished with the rich details of a Dickens or Pratchett' Independent 'No summaries can do justice to the sheer inventiveness, wit, complexity, erudition, unexpectedness and originality' The Times 'Brilliantly inventive' Mail on Sunday

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.