Look Again is a new series of short books from Tate Publishing, opening up the conversation about British art over the last 500 years, and exploring what art has to tell us about our lives today. Written by leading voices from the worlds of literature, art and culture, each book sheds new light on some of the most well-known, best-loved and thought-provoking artworks in the national collection, and asks us to look again. Bookended by visits to Henry Tate's mausoleum and the tomb of Lord Mayor Henry Tulse, the author of critically acclaimed poetry collection Surge goes for a six-mile walk across London, 'this city I love', to think about the meaning of complicity. We live in the legacy of colonialism. It permeates the very fabric of the social structures in which we exist. It visibly haunts the streets of London, anchored by statues and monuments that commemorate a violent imperial past. What does it mean, then, to love this city that was once the heart of an Empire? Punctuated by works in Britain's national collection of art, Look Again: Complicity is an insightful meditation on how art can help us reckon with a dark history and an uncertain future.

Defiant, humorous, empathetic and insightful, 'Not Quite Right For Us' pierces through the hierarchical mechanics of class, race, gender. A celebration of outsiderness and an ode to otherness, 'Not Quite Right For Us' is a singular collection of stories, essays and poems by a dynamic mix of established and surging voices alike, edited by Sharmilla Beezmohun and including Linton Kwesi Johnson, Aminatta Forna, Xiaolu Guo, Johny Pitts, Rishi Dastidar, Tim Wells and Rafeef Ziadah. This remarkable anthology marks the tenth anniversary of the live-literature organisation co-founded by Sharmilla, Speaking Volumes. Part cri du coeur, part warning shot, part affirmation, this is the book we need now.

The Salt Book of Younger Poets showcases a new generation of British poets born since the mid-80s. Many of these poets embrace new technologies such as blogs, social networking and webzines to meet, mentor, influence and publish their own work and others'. Some poets here were winners of the Foyle young poet awards when at school. Some have published pamphlets in series such as tall-lighthouse Pilot and Faber New Poets. All of them are working away on first collections. This is a chance to encounter the poets who will dominate UK poetry in years to come.

City State showcases the work of twenty-seven London writers between the ages of 16 and 36. From hyperlinked walks of Battersea bombsites and guerilla gardening projects to jagged urban lyrics and dark hymns to the East End, City State presents a confident, entertaining and truly diverse snapshot of the best new poetry from London.

LIFE'S A LAUGHIN' MATTER. A BRIEF REVIEW From a fire in the barn, a ride down crocus lane, a drive to Vegas-and back-to a series of adventures leading Benjamin Bratt into adulthood, there is something for everyone in Jay Bernard's second book: LIFE'S A LAUGHIN' MATTER. Benjamin ("Ben" to his friends) is a boy who grew up on the farm. During his teens, he gets into, and out of more troubles than one could imagine, before deciding it's time to leave school and go to work. He tries his hand at a few jobs, and even climbs the rungs to management, until he realizes there is no point in all of this unless 'he can make a difference in the world'. By then he is twenty-one years old. The path he chooses to reach his goal, and make a difference, is to become a teacher. Going to college, however, involves a lot of work, studying, while getting into scrapes with the 'law and disorder' and even enlisting in the Army Reserves-hoping to spend his summers outdoors-where he learns to peel potatoes, among other things. After graduation; finally becoming the teacher he wanted to be; Ben settles down, gets married, refuses to do any house painting ( ) and cedes his knack for adventure to his son Chris. and. after sixteen years of marriage, Ben and his wife, Storm, decide to take a 'holiday'-alone. And that is the ride no one would want to take. Jay's latest book is a 'must read'. It is funny, hilarious, or dramatic, emotional, and at times, it deals with some of life's very serious issues. You will not want for Life's A Laughin' Matter to end on the last page. And it won't. Jay's third book is already in the works. I can hardly wait to get into it. Roxane Christ Author and Editor Editor of "La Paraclte"Winner of the Honorable Mention Award for the Best Fiction Book in 2005 www.1stEditor.net and www.1stEditor.biz

In the short life span of the average adult, we have watched the first satellite being launched into outer-space, saw man walking on the moon, space travel becoming common place and computers taking a prominent place in our life. But our grand parents struggled with their day to day existence and strove toward happiness amid what we would consider today as the very basics of life's fiber. Within Memories, the reader is offered the opportunity to sit back, relax and take a trip into the past. To some, this will be a nostalgic journey, while others will gain a new experience. Whatever the case, only enjoyment awaits the reader within its pages.

*Shortlisted for Forward Prize for Best First Collection 2019*

*Winner of the Ted Hughes Award for New Work in Poetry*

Jay Bernard’s extraordinary debut is a fearlessly original exploration of the black British archive: an enquiry into the New Cross Fire of 1981, a house fire at a birthday party in south London in which thirteen young black people were killed.

Dubbed the ‘New Cross Massacre’, the fire was initially believed to be a racist attack, and the indifference with which the tragedy was met by the state triggered a new era of race relations in Britain.

Tracing a line from New Cross to the ‘towers of blood’ of the Grenfell fire, this urgent collection speaks with, in and of the voices of the past, brought back by the incantation of dancehall rhythms and the music of Jamaican patois, to form a living presence in the absence of justice.

A ground-breaking work of excavation, memory and activism – both political and personal, witness and documentary – Surge shines a much-needed light on an unacknowledged chapter in British history, one that powerfully resonates in our present moment.