From celebrated author Jay Griffiths comes a unique and heartfelt insight into the healing nature of our relationship with animals

Pet-owners and animal-lovers instinctively know that animals heal. This book offers the evidence, drawing widely on scientific discoveries, history, and Indigenous knowledge.

We meet a pot-bellied pig who saved her owner's life, lions who guarded a girl from kidnappers, dolphins and whales rescuing people in danger, and dogs who can smell cancer and phone the Emergency Services.

Animal sounds, from insects to birdsong and the purring of cats, are directly medicinal and their presence can heal the pain of loneliness. Animals, including donkeys, can be natural therapists for the hurt psyche, alleviating trauma, fear and depression.

In this original, revelatory and exuberant book, Jay Griffiths explores how animals can have a role in every level of healing, from the individual to the collective, guiding us in how we might create societies that are healthier, fairer and kinder. Wolves may be teachers of ethics; monkeys and dogs can object to unfairness and bees take collective decisions. Animals are irresistible medicine for a healthy culture, animating the arts with spectacular vitality and verve, as poetry knows.

Open-hearted, playful and wise, How Animals Heal Us puts animals at the heart of a restorative vision of health.

WINNER OF THE ORION BOOK AWARD Part travelogue, part manifesto for wildness as an essential character of life, Wild is a one-of-a-kind book from a one-of-a-kind author 'Undefinable, untameable, profound and extraordinary' Observer _________________________ 'I took seven years over this work, spent all I had, my time, money and energy. Part of the journey was a green riot and part a deathly bleakness. I got ill, I got well. I went to the freedom fighters of West Papua and sang my head off in their highlands. I met cannibals infinitely kinder and more trustworthy than the murderous missionaries who evangelize them. I found a paradox of wildness in the glinting softness of its charisma, for what is savage is in the deepest sense gentle and what is wild is kind. In the end - a strangely sweet result - I came back to a wild home.' Wild describes an extraordinary odyssey, courageous and sometimes dangerous. It is by turns funny, touching and harrowing, and offers a poetic consideration of the tender connection between human society and wildlands. _________________________ 'Easily the best travel book that I have read in the last ten years' Guardian 'Wild is like nothing else I've ever read: thrilling, troubling, frightening, exhilarating. This is a truly necessary book, and we are all lucky that the subject found a writer worthy of it' Philip Pullman 'Passionate, rigorous and utterly honest, Griffiths's remarkable book is written in a style as wild and exciting as its subject' Robert Macfarlane

A sharp green tale from the award-winning author of Pip Pip: A Sideways Look at Time and Wild: An Elemental Journey. "Boiling hot day, McTypical McSuburb, McTypical McSunday. I'm watching the neighbours, going into their gardens to mow the litter... YA BASTARDOS! VIVA LA-FUCK-THIS-FOR-A-LIFADISTAS..." So begins a young man's search for freedom, leaving the confines of Wimbly and finding himself living in a treehouse, a partner in grime with the road protesters of Newbury.

This new book of essays from the author of Wild tracks the turning light of the day and seasons, an almanac of the turning times. Beginning in night and winter, it moves to dawn and spring, then noon and summer and finally evening and autumn. Set partly at the author's home in Wales, the book journeys widely, searching for a dead father in Prague, listening to the Sky-Grandmothers of Mexican myth and staying with the people of West Papua who, when they know they will fall over laughing, lie down first. It asks: what is the real gift of the misunderstood Goddess Nemesis? Why should flowers be prescribed as medicine? What do male zebra finches dream of? Where do the sands of time run fastest, and how is that connected to the age of anxiety? It explores the dawn chorus; the tradition of sacred hospitality; dust from the time before the sun even existed; the twilight time of the trickster and the daily rituals of morning. In all of these it asks: why does light, through the hours of the day and the seasons of the year, affect us? Griffiths concludes this extraordinary collection by deciding that light is in fact how we think.

Why rebel? Because our footprint on the Earth has never mattered more than now. How we treat it, in the spirit of gift or of theft, has never been more important. Because we need a politics of kindness, but the very opposite is on the rise. Libertarian fascism, with its triumphal brutalism, its racism and misogyny - a politics that loathes the living world. Because nature is not a hobby. It is the life on which we depend, as Indigenous societies have never forgotten. Only when it is dark enough can you see the stars, and they are lining up now to write rebellion across the skies.

"There are galaxies within the human mind, and madness wants to risk everything for the daring flight, reckless and beautiful and crazed. Everyone knows Icarus fell.But I love him for the fact that he dared to fly. Mania unfurls the invitation to fly too high, too near the sun..." Tristimania is a stark and lyrical account of the psyche in crisis. It tells the story of a devastating year-long episode of manic depression, culminating in a long solo pilgrimage across Spain. The book is rare in recording the experience of mania and shows how the condition is at once terrifying and also profoundly creative, both tricking and treating the psyche. In exploring its literary influence, Griffiths looks at Shakespeare's work, and examines the Trickster role, tracing its mercuriality through the character of Mercury. An intimate, raw journey, the book illuminates something of the universal human spirit.

Jay Griffiths is a tour guide for anyone who has ever wished to commune with the side of our human psyche that remains in touch with the wild. Equally at home among the "sea gypsy" Bajo people who live off the coast of Thailand and forage their food from the ocean floor, drinking the psychedelic ayahuasca plant with Amazonian shamans, or joining an Inuit whale hunt at the northern tip of Canada, Griffiths takes readers on an adventure both charted and un-chartable. She divides her meditations on these travels into sections named after the ancient elemental properties of the universe--Earth, Air, Fire, Ice, and Water--because her subject matter is not merely the places traveled to but the depths of mind and the cultural narratives revealed by place. It is a universal story told of far-flung groups of humans, with vastly different ways of life, connected through the varied wilderness that sustains them. By describing the ways in which human societies and the human mind have developed in response to the wilder elements of our homelands, Savage Grace reveals itself as a benediction for the emotional, intellectual, and physical nourishment that people continue to draw from the natural world. Under the sway of Griffiths' charisma, her poetic prose, and her deeply learned and persuasive case for the wild roots of our shared human being, we learn that we are all, each and every one of us, a force of nature.

From Jay Griffiths, the author of the award-winning Wild comes a passionate polemic defence of childhood 'Her work isn't just good -- it's necessary' Philip Pullman In Kith, Jay Griffiths seeks to discover why we deny our children the freedoms of space, time and the natural world. Visiting communities as far apart as West Papua and the Arctic, as well as the UK, and delving into history, philosophy, language and literature, she explores how children's affinity for nature is an essential and universal element of childhood. It is a journey deep into the heart of what it means to be a child, and it is central to all our experiences, young and old. 'An impassioned, visionary plea to restore to our children the spirit of adventure, freedom and closeness to nature that is their birthright. We must hear it and act on it before it is too late' Iain McGilchrist 'Jay Griffiths writes with such richness and mischief about the one thing that could truly save the world: its children' KT Tunstall

A brilliant and poetic exploration of the way that we experience time in our everyday lives.
Why does time seem so short? How does women's time differ from men's? Why does time seem to move slowly in the countryside and quickly in cities? How do different cultures around the world see time? In "A Sideways Look at Time," Jay Griffiths takes readers on an extraordinary tour of time as we have never seen it before.
With this dazzling and defiant work, Griffiths introduces us to dimensions of time that are largely forgotten in our modern lives. She presents an infectious argument for other, more magical times, the diverse cycles of nature, of folktale or carnival, when time is unlimited and on our side. This is a book for those who suspect that there's more to time than clocks.
Irresistible and provocative, "A Sideways Look at Time" could change the way we view time-forever.

A stark, lyrical and personal account of the psyche in crisis from the bestselling author of Wild and Kith "I want to describe it for those who have never experienced it but who perhaps know someone with it. If this book can befriend just one person in that terrifying loneliness, it will be worth writing." Tristimania tells the story of a devastating year-long episode of manic depression, culminating in a long solo pilgrimage across Spain. Recording the experience of mania as has rarely been done before, Jay Griffiths shows how the condition is at once terrifying and also profoundly creative, both tricking and treating the psyche. An intimate and raw journey of mental health and recovery, Tristimania illuminates something of the universal human spirit. 'Profoundly poetic. A glimpse of madness from inside the eye of the storm' Observer

While traveling the world in order to write her award winning book Wild, Jay Griffiths became increasingly aware of the huge differences in how childhood is experienced in various cultures. One central riddle, in particular captured her imagination: why are so many children in Euro-American cultures unhappy - and why is it that children in traditional cultures seem happier? In A Country Called Childhood, Griffiths seeks to discover why we deny our children the freedoms of space, time and the natural world. Visiting communities as far apart as West Papua and the Arctic as well as the UK, and delving into history, philosophy, language and literature, she explores how children's affinity for nature is an essential and universal element of childhood. It is a journey deep into the heart of what it means to be a child, and it is central to all our experiences, young and old.