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15 matches in All Departments
Audio Mastering: The Artists collects more than twenty interviews,
drawn from more than 60 hours of discussions, with many of the
world's leading mastering engineers. In these exclusive and often
intimate interviews, engineers consider the audio mastering process
as they, themselves, experience and shape it as the leading artists
in their field. Each interview covers how engineers got started in
the recording industry, what prompted them to pursue mastering, how
they learned about the process, which tools and techniques they
routinely use when they work, and a host of other particulars of
their crafts. We also spoke with mix engineers, and craftsmen
responsible for some of the more iconic mastering tools now on the
market, to gain a broader perspective on their work. This book is
the first to provide such a comprehensive overview of the audio
mastering process told from the point-of-view of the artists who
engage in it. In so doing, it pulls the curtain back on a crucial,
but seldom heard from, agency in record production at large.
The field of music production has for many years been regarded as
male-dominated. Despite growing acknowledgement of this fact, and
some evidence of diversification, it is clear that gender
representation on the whole remains quite unbalanced. Gender in
Music Production brings together industry leaders, practitioners,
and academics to present and analyze the situation of gender within
the wider context of music production as well as to propose
potential directions for the future of the field. This
much-anticipated volume explores a wide range of topics, covering
historical and contextual perspectives on women in the industry,
interviews, case studies, individual position pieces, as well as
informed analysis of current challenges and opportunities for
change. Ground-breaking in its synthesis of perspectives, Gender in
Music Production offers a broadly considered and thought-provoking
resource for professionals, students, and researchers working in
the field of music production today.
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Producing Music (Hardcover)
Russ Hepworth- Sawyer, Jay Hodgson, Mark Marrington
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R4,163
Discovery Miles 41 630
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Ships in 12 - 17 working days
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During the last two decades, the field of music production has
attracted considerable interest from the academic community, more
recently becoming established as an important and flourishing
research discipline in its own right. Producing Music presents
cutting-edge research across topics that both strengthen and
broaden the range of the discipline as it currently stands.
Bringing together the academic study of music production and
practical techniques, this book illustrates the latest research on
producing music. Focusing on areas such as genre, technology,
concepts, and contexts of production, Hepworth-Sawyer, Hodgson, and
Marrington have compiled key research from practitioners and
academics to present a comprehensive view of how music production
has established itself and changed over the years.
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Mastering in Music (Hardcover)
John-Paul Braddock, Russ Hepworth- Sawyer, Jay Hodgson, Matthew Shelvock, Rob Toulson
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R4,134
Discovery Miles 41 340
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Ships in 12 - 17 working days
|
Mastering in Music is a cutting-edge edited collection that offers
twenty perspectives on the contexts and process of mastering. This
book collects the perspectives of both academics and professionals
to discuss recent developments in the field, such as mastering for
VR and high resolution mastering, alongside crucial perspectives on
fundamental skills, such as the business of mastering, equipment
design and audio processing. Including a range of detailed case
studies and interviews, Mastering in Music offers a comprehensive
overview of the foremost hot topics affecting the industry, making
it key reading for students and professionals engaged in music
production.
This series, Perspectives On Music Production, collects detailed
and experientially informed considerations of record production
from a multitude of perspectives, by authors working in a wide
array of academic, creative, and professional contexts. We solicit
the perspectives of scholars of every disciplinary stripe,
alongside recordists and recording musicians themselves, to provide
a fully comprehensive analytic point-of-view on each component
stage of record production. Each volume in the series thus focuses
directly on a distinct aesthetic "moment" in a record's production,
from pre-production through recording (audio engineering), mixing
and mastering to marketing and promotions. This first volume in the
series, titled Mixing Music, focuses directly on the mixing
process. This book includes: References and citations to existing
academic works; contributors draw new conclusions from their
personal research, interviews, and experience. Models innovative
methodological approaches to studying music production. Helps
specify the term "record production," especially as it is currently
used in the broader field of music production studies.
|
Mastering in Music (Paperback)
John-Paul Braddock, Russ Hepworth- Sawyer, Jay Hodgson, Matthew Shelvock, Rob Toulson
|
R1,386
Discovery Miles 13 860
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Ships in 9 - 15 working days
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Mastering in Music is a cutting-edge edited collection that offers
twenty perspectives on the contexts and process of mastering. This
book collects the perspectives of both academics and professionals
to discuss recent developments in the field, such as mastering for
VR and high resolution mastering, alongside crucial perspectives on
fundamental skills, such as the business of mastering, equipment
design and audio processing. Including a range of detailed case
studies and interviews, Mastering in Music offers a comprehensive
overview of the foremost hot topics affecting the industry, making
it key reading for students and professionals engaged in music
production.
Audio Mastering: The Artists collects more than twenty interviews,
drawn from more than 60 hours of discussions, with many of the
world's leading mastering engineers. In these exclusive and often
intimate interviews, engineers consider the audio mastering process
as they, themselves, experience and shape it as the leading artists
in their field. Each interview covers how engineers got started in
the recording industry, what prompted them to pursue mastering, how
they learned about the process, which tools and techniques they
routinely use when they work, and a host of other particulars of
their crafts. We also spoke with mix engineers, and craftsmen
responsible for some of the more iconic mastering tools now on the
market, to gain a broader perspective on their work. This book is
the first to provide such a comprehensive overview of the audio
mastering process told from the point-of-view of the artists who
engage in it. In so doing, it pulls the curtain back on a crucial,
but seldom heard from, agency in record production at large.
The field of music production has for many years been regarded as
male-dominated. Despite growing acknowledgement of this fact, and
some evidence of diversification, it is clear that gender
representation on the whole remains quite unbalanced. Gender in
Music Production brings together industry leaders, practitioners,
and academics to present and analyze the situation of gender within
the wider context of music production as well as to propose
potential directions for the future of the field. This
much-anticipated volume explores a wide range of topics, covering
historical and contextual perspectives on women in the industry,
interviews, case studies, individual position pieces, as well as
informed analysis of current challenges and opportunities for
change. Ground-breaking in its synthesis of perspectives, Gender in
Music Production offers a broadly considered and thought-provoking
resource for professionals, students, and researchers working in
the field of music production today.
Innovation in Music: Performance, Production, Technology and
Business is an exciting collection comprising of cutting-edge
articles on a range of topics, presented under the main themes of
artistry, technology, production and industry. Each chapter is
written by a leader in the field and contains insights and
discoveries not yet shared. Innovation in Music covers new
developments in standard practice of sound design, engineering and
acoustics. It also reaches into areas of innovation, both in
technology and business practice, even into cross-discipline areas.
This book is the perfect companion for professionals and
researchers alike with an interest in the Music industry. Chapter
31 of this book is freely available as a downloadable Open Access
PDF under a Creative Commons Attribution-Non Commercial-No
Derivatives 4.0 license.
https://tandfbis.s3-us-west-2.amazonaws.com/rt-files/docs/Open+Access+Chapters/9781138498211_oachapter31.pdf
Innovation in Music: Performance, Production, Technology and
Business is an exciting collection comprising of cutting-edge
articles on a range of topics, presented under the main themes of
artistry, technology, production and industry. Each chapter is
written by a leader in the field and contains insights and
discoveries not yet shared. Innovation in Music covers new
developments in standard practice of sound design, engineering and
acoustics. It also reaches into areas of innovation, both in
technology and business practice, even into cross-discipline areas.
This book is the perfect companion for professionals and
researchers alike with an interest in the Music industry. Chapter
31 of this book is freely available as a downloadable Open Access
PDF under a Creative Commons Attribution-Non Commercial-No
Derivatives 4.0 license.
https://tandfbis.s3-us-west-2.amazonaws.com/rt-files/docs/Open+Access+Chapters/9781138498211_oachapter31.pdf
|
Producing Music (Paperback)
Russ Hepworth- Sawyer, Jay Hodgson, Mark Marrington
|
R1,427
Discovery Miles 14 270
|
Ships in 12 - 17 working days
|
During the last two decades, the field of music production has
attracted considerable interest from the academic community, more
recently becoming established as an important and flourishing
research discipline in its own right. Producing Music presents
cutting-edge research across topics that both strengthen and
broaden the range of the discipline as it currently stands.
Bringing together the academic study of music production and
practical techniques, this book illustrates the latest research on
producing music. Focusing on areas such as genre, technology,
concepts, and contexts of production, Hepworth-Sawyer, Hodgson, and
Marrington have compiled key research from practitioners and
academics to present a comprehensive view of how music production
has established itself and changed over the years.
This series, Perspectives On Music Production, collects detailed
and experientially informed considerations of record production
from a multitude of perspectives, by authors working in a wide
array of academic, creative, and professional contexts. We solicit
the perspectives of scholars of every disciplinary stripe,
alongside recordists and recording musicians themselves, to provide
a fully comprehensive analytic point-of-view on each component
stage of record production. Each volume in the series thus focuses
directly on a distinct aesthetic "moment" in a record's production,
from pre-production through recording (audio engineering), mixing
and mastering to marketing and promotions. This first volume in the
series, titled Mixing Music, focuses directly on the mixing
process. This book includes: References and citations to existing
academic works; contributors draw new conclusions from their
personal research, interviews, and experience. Models innovative
methodological approaches to studying music production. Helps
specify the term "record production," especially as it is currently
used in the broader field of music production studies.
The revised edition of Understanding Records explains the musical
language of recording practice in a way any interested reader and
student can easily understand. Drawing on readily available hit
records produced since 1945, each section of this book explains a
handful of core production and engineering techniques in
chronological record-making sequence, elucidates how those
techniques work, what they sound like, how they function musically,
where listeners can hear them at work in the broader Top 40
soundscape, and where they fit within the broader record-making
process at large. As the only book to introduce music production
and its practical elements with no assumed prior knowledge, the
revised edition includes: * Exclusive print and video interviews
with emerging and established recordists, including: Alex Chuck
Krotz (Drake, Three Days Grace, Mother Mother); Kevin O' Leary
(Shawn Mendes, The Glorious Sons, Monster Truck); Alastair Sims
(Rush, The Tragically Hip, Barenaked Ladies); Matt Shelvock
(kingmobb, san holo, bitbird, DROLOE); and Russ Hepworth-Sawyer
(Billy Ray Cyrus, Steve Earle, Amadou & Miriam) * Numerous
"real word" audio examples, organized into easily accessible
streaming playlists, culled from Juno-nominated sessions the author
himself worked on, and numerous other professional sources. * Easy
to understand explanations of each facet of the record production
process, which avoid technical jargon and clarify terminology. *
Information on new developments in recording practice and updated
musical references. Completely reworked and expanded sections on
mixing and audio mastering.
The revised edition of Understanding Records explains the musical
language of recording practice in a way any interested reader and
student can easily understand. Drawing on readily available hit
records produced since 1945, each section of this book explains a
handful of core production and engineering techniques in
chronological record-making sequence, elucidates how those
techniques work, what they sound like, how they function musically,
where listeners can hear them at work in the broader Top 40
soundscape, and where they fit within the broader record-making
process at large. As the only book to introduce music production
and its practical elements with no assumed prior knowledge, the
revised edition includes: * Exclusive print and video interviews
with emerging and established recordists, including: Alex Chuck
Krotz (Drake, Three Days Grace, Mother Mother); Kevin O' Leary
(Shawn Mendes, The Glorious Sons, Monster Truck); Alastair Sims
(Rush, The Tragically Hip, Barenaked Ladies); Matt Shelvock
(kingmobb, san holo, bitbird, DROLOE); and Russ Hepworth-Sawyer
(Billy Ray Cyrus, Steve Earle, Amadou & Miriam) * Numerous
"real word" audio examples, organized into easily accessible
streaming playlists, culled from Juno-nominated sessions the author
himself worked on, and numerous other professional sources. * Easy
to understand explanations of each facet of the record production
process, which avoid technical jargon and clarify terminology. *
Information on new developments in recording practice and updated
musical references. Completely reworked and expanded sections on
mixing and audio mastering.
|
Innovation in Music (Paperback)
Russ Hepworth- Sawyer, Jay Hodgson, Justin Paterson, Rob Toulson
|
R1,012
Discovery Miles 10 120
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Ships in 10 - 15 working days
|
The music industry is a rapidly evolving field, with new creative
approaches and technological advances combining to catalyse and
inspire innovations. Innovation in Music 2015 (InMusic'15) was an
international conference organised by KES International and hosted
by Anglia Ruskin University over the 7th to 9th June 2015 in
Cambridge, UK. Innovation in Music broadly represents all aspects
of innovation in the field of music, particularly encompassing
music performance, audio technology, music production and the
commercial music industries. The conference acted as a forum for
industry experts and professionals to mix with researchers and
academics to report on the latest advances and exchange ideas.
Award-winning industry experts including David Wrench, Tim Exile,
Peter Jenner, Mandy Parnell, Gary Bromham, Bryan Martin and Simon
Gogerly contributed to the conference keynote presentations. This
volume includes articles developed from presentations delivered
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