These collected myths and tales of the Indians of the Pacific Northwest--the Klamath, Nez Perce, Tillamook, Modoc, Shastan, Chinook, Flathead, Clatsop, and other tribes--were first published in 1910. Here are their stories concerning the creation of the universe, the theft of fire and daylight, the death and rebirth of salmon, and especially, the formation of such geographical features as The Dalles, the Columbia River, the Yukon River, and Mounts Shasta, Hood, Rainier, Baker, and Adams. Katharine Berry Judson began with native oral tradition in retelling these stories. They represent, as Jay Miller says, "a distillation of tribal memory and a personification of environmental wisdom." Some legends--"Duration of Life," "Old Grizzly and Old Antelope," and "Robe of Kemush"--are almost literal translations, recorded by government ethnologists. Animating the beautifully wrought tales are entities like Coyote, Old Man Above, Owl and Raven and other Animal People, and Chinook Ghosts.

Ancestral Mounds deconstructs earthen mounds and myths in examining their importance in contemporary Native communities. Two centuries of academic scholarship regarding mounds have examined who, what, where, when, and how, but no serious investigations have addressed the basic question, why? Drawing on ethnographic and archaeological studies, Jay Miller explores the wide-ranging themes and variations of mounds, from those built thousands of years ago to contemporary mounds, focusing on Native southeastern and Oklahoma towns. Native peoples continue to build and refurbish mounds each summer as part of their New Year's celebrations to honor and give thanks for ripening maize and other crops and to offer public atonement. The mound is the heart of the Native community, which is sustained by song, dance, labor, and prayer. The basic purpose of mounds across North America is the same: to serve as a locus where community effort can be engaged in creating a monument of vitality and a safe haven in the volatile world.

"Oh God, here comes Esther Ross." Such was the greeting she received from members of the U.S. Congress during her repeated trips to the Capitol on behalf of Stillaguamish Indians. Tenacious and passionate, Esther Ross's refusal to abandon her cause resulted in federal recognition of the Stillaguamish Tribe in 1976. Her efforts on behalf of Pacific Northwest Indians at federal, state, and local levels led not only to the rebirth of the Stillaguamish but also to policy reforms affecting all Indian tribes.

In this rare, in-depth portrait of a contemporary American Indian woman, Robert H. Ruby and John A. Brown document Ross's life and achievements. At the turn of the twentieth century, the Stillaguamish tribe, located on the Puget Sound in Washington State, had all but disappeared. With no organization or system of communication, tribal members dispersed. Desperate for help, surviving members asked Ross, a young, well-educated descendant of Stillaguamish and Norwegian heritage, to assist them in suing for lost land and government services. For fifty years, she waged a persistent campaign, largely self-staffed and self-funded. Despite personal problems, cultural barriers, and reluctance among some tribal members, Ross succeeded, but she was eventually forced from tribal leadership.

Oh God, here comes Esther Ross."" Such was the greeting she received from members of the U.S. Congress during her repeated trips to the Capitol on behalf of Stillaguamish Indians. Tenacious and passionate, Esther Ross's refusal to abandon her cause resulted in federal recognition of the Stillaguamish Tribe in 1976. Her efforts on behalf of Pacific Northwest Indians at federal, state, and local levels led not only to the rebirth of the Stillaguamish but also to policy reforms affecting all Indian tribes. In this rare, in-depth portrait of a contemporary American Indian woman, Robert H. Ruby and John A. Brown document Ross's life and achievements. At the turn of the twentieth century, the Stillaguamish tribe, located on the Puget Sound in Washington State, had all but disappeared. With no organization or system of communication, tribal members dispersed. Desperate for help, surviving members asked Ross, a young, well-educated descendant of Stillaguamish and Norwegian heritage, to assist them in suing for lost land and government services. For fifty years, she waged a persistent campaign, largely self-staffed and self-funded. Despite personal problems, cultural barriers, and reluctance among some tribal members, Ross succeeded, but she was eventually forced from tribal leadership.

The Tsimshians are a Northwest Coast Native people known for their dazzling works of art and rich array of social, religious, and oral traditions that have captured the attention of scholars for over a century. Jay Miller brings together for the first time a wealth of material about the Tsimshians, presenting an unforgettable picture of their cultural universe. That universe is built around the metaphor of light, which was brought into the world by Raven; its refraction forms the chief social, religious, and symbolic institutions of Tsimshian culture. Family heraldic crests express light in one way, masks in another. Miller argues convincingly that the genius of Tsimshian culture, and one of the main reasons for its continuing vitality, is that its people are sensitive to different, and often creative, ways of capturing and embodying light.