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By the start of the Victorian period the school of British economists acknowledging Adam Smith as its master was in the ascendancy. 'Political Economy', a catch-all title which ignored the diversity of viewpoints to be found amongst the discipline's leading proponents, became associated in the popular mind with moral and political forces held to be uniquely conducive to the progress of an increasingly industrialised and competitive society. 'Political Economy' served in turn as the focus for critics of equally diverse moral and political persuasions, who sought to challenge the materialism of contemporary society and offer their own assessments of the profound social changes of the time. In the introductory essay to the collection of readings from such 'critics of capitalism', the editors review the principles of the early economists, the way in which these principles were appropriated and applied by their Victorian successors and the contrasting modes which critics of popular economic ideas assumed. Subsequent extracts from the writings of the Owenite Socialist John Bray, Carlyle, Marx and Engels, J. S. Mill, Ruskin, Arnold, T. H. Green, William Morris and G. B. Shaw, demonstrate both the breadth of the possible grounds for ideological opposition to the prevailing philosophy and the shifting nature of the debate as 'Political Economy' itself was revealed as incapable of explaining or responding to the changing conditions of the 1870s. Headnotes to the extracts describe the genesis of individual debate and discuss distinctive stylistic features. Annotation in the form of footnotes and endnotes has been designed to gloss obscure allusions and arguments. In making more accessible the socio-economic writings of those authors now better known for their imaginative work, this volume will enable readers to reach a more profound appreciation of the central role such work played in developing the moral vision embodied in their more lastingly popular books and essays.
Gerrit van Honthorst (1590-1656), known today primarily for his candlelight scenes, was also famous during the seventeenth century for his mythological and historical paintings, and was a favorite of the courts 1 in England, Denmark and the Netherlands. It is my intention here to study his oeuvre in order to determine his contribution to the develop- ment of Dutch painting at that time. In discussing Honthorst, I have chosen only those paintings which are autograph to avoid basing conclusions upon works of questionable attri- bution. The problem paintings which I have decided to be from his hand will be treated in the Catalogue Raisonne. I have dealt with Honthorst's portraiture only in so far as it seemed to be of significance for new trends in Dutch painting. The basic material concerning Honthorst was first published by Pro- fessor G. J. Hoogewerff in three articles for Onze Kunst in 1917. In this series of articles Professor Hoogewerff established a chronology of Hont- horst's Italian works and gave some indication of his stylistic development.
"The best commentary on the principles of government which ever
was written" - Thomas Jefferson Written at a time when furious arguments were raging about the best way to govern America, "The Federalist Papers "had the immediate practical aim of persuading New Yorkers to accept the newly drafted Constitution in 1787. In this they were supremely successful, but their influence also transcended contemporary debate to win them a lasting place in discussions of American political theory. "The Federalist Papers "make a powerful case for power-sharing between State and Federal authorities and have only risen in legal influence over the last two centuries. Beeman's analysis helps clarify the goals, at once separate and in concert, of Madison, Hamilton, and Jay during their writing, and his selections show the array of issues--both philosophical and policy-specific--covered by this body of work.
Change is in the air and it may entail a radically different way of looking at life. The most common word to describe this change is 'postmodernism.' Postmodern and Wesleyan? is both an exploration and an internal dialogue. Essays written by differing voices explore various dimensions of postmodernism as they relate to theology, church, practices, communities, and missions. Each section includes a critical response by a respected Wesleyan leader to the ideas expressed. Dr. Leonard Sweet concludes each section with comments to continue the conversation. This important conversation piece invites churches, pastors, and laity to explore together how the Christian faith might shape both the present and the future. By providing a forum for engaging issues, both important and difficult, Postmodern and Wesleyan? offers a voice to some of the most creative thinkers in the movement and a help to Christians deciding the direction they must go in order to share the good news of God's love.
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