When he hears her favourite Beatles song, Toru Watanabe recalls his first love Naoko, the girlfriend of his best friend Kizuki. Immediately he is transported back almost twenty years to his student days in Tokyo, adrift in a world of uneasy friendships, casual sex, passion, loss and desire - to a time when an impetuous young woman called Midori marches into his life and he has to choose between the future and the past.

This hand-picked selection from The Penguin Book of Japanese Short Stories celebrates the best literature to emerge from Japan since the twentieth century. From a surreal fairy tale to a heart-rending evocation of the aftermath of the atomic bomb, this vibrant collection provides unique cultural insight and literary inspiration for language learners. Includes works from beloved authors such as Akutagawa Ryunosuke, Haruki Murakami and more.

'What is the life of a human being - a drop of dew, a flash of lightning? This is so sad, so sad.' Autobiographical stories from one of Japan's masters of modernist story-telling. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Ryunosuke Akutagawa (1892-1927). Akutagawa's Rashomon and Seventeen Other Stories is also available in Penguin Classics.

Toru Okada's cat has disappeared and this has unsettled his wife, who is herself growing more distant every day. Then there are the increasingly explicit telephone calls he has started receiving. As this compelling story unfolds, the tidy suburban realities of Okada's vague and blameless life, spent cooking, reading, listening to jazz and opera and drinking beer at the kitchen table, are turned inside out, and he embarks on a bizarre journey, guided (however obscurely) by a succession of characters, each with a tale to tell.

When a man's favourite elephant vanishes, the balance of his whole life is subtly upset; a couple's midnight hunger pangs drive them to hold up a McDonald's; a woman finds she is irresistible to a small green monster that burrows through her front garden; an insomniac wife wakes up to a twilight world of semi-consciousness in which anything seems possible - even death. In every one of the stories that make up The Elephant Vanishes, Murakami makes a determined assault on the normal. He has a deadpan genius for dislocating realities to uncover the surreal in the everyday, the extraordinary in the ordinary.

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil. Akutagawa was one of the towering figures of modern Japanese literature, and is considered the father of the Japanese short story. This paradigmatic selection, which includes the stories that inspired Akira Kurosawa's 1950 film Rashomon, showcases the terrible beauty, cynicism, sublime pain and absurd humour of his writing. 'One never tires of reading and re-reading his best works. The elegantly spare style has a truly spine-tingling brilliance' - Haruki Murakami

Combat films have long been a staple in the history of American cinema. This critical text offers a behind-the-scenes look at some of the most important American war films of the last 60 years. Based on original interviews, archival research and featuring rare photographs, this book covers films that are considered unusually realistic for the genre. The original edition covered war films through World War II, while the updated version includes seven new chapters, which address the Civil War, the American gunboat presence in China in the 1920s, the Korean War, the Vietnam War, the fighting in Mogadishu in 1993 and the war in Iraq. Coverage goes through The Hurt Locker (2009).

When Mouschi the cat goes with his boy, Peter, to a secret annex, he meets a girl named Anne. Bright, kind and loving, Anne dreams of freedom and of becoming a writer whose words change the world. But Mouschi, along with Anne and her family and friends, must stay hidden, hoping for the war to end and for a better future. Told from the perspective of the cat who actually lived with Anne Frank in the famous Amsterdam annex, this poignant book paints a picture of a young girl who wistfully dreams of a better life for herself and her friends, tentatively wonders what mark she might leave on the world, and, above all, adamantly believes in the goodness of people. Accompanied by beautiful, vivid art, this book is a perfect introduction to a serious topic for younger readers, especially at a time when respect and inclusion are so important.

Ryunosuke Akutagawa (1892-1927) is one of Japan's foremost stylists - a modernist master whose short stories are marked by highly original imagery, cynicism, beauty and wild humour. 'Rashoemon' and 'In a Bamboo Grove' inspired Kurosawa's magnificent film and depict a past in which morality is turned upside down, while tales such as 'The Nose', 'O-Gin' and 'Loyalty' paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as 'Death Register', 'The Life of a Stupid Man' and 'Spinning Gears', Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.

A major anthology of great Japanese short stories introduced by Haruki Murakami This is a celebration of the Japanese short story from its modern origins in the nineteenth century to remarkable contemporary works. It includes the most well-known Japanese writers - Akutagawa, Murakami, Mishima, Kawabata - but also many surprising new pieces, from Yuko Tsushima's 'Flames' to Banana Yoshimoto's 'Bee Honey'. Ranging over myth, horror, love, nature, modern life, a diabolical painting, a cow with a human face and a woman who turns into sugar, The Penguin Book of Japanese Short Stories is filled with fear, charm, beauty and comedy. Edited by Jay Rubin with an introduction by Haruki Murakami

An intimate conversation about music and creativity, between the internationally bestselling writer Haruki Murakami and world-class conductor, Seiji Ozawa. Haruki Murakami's passion for music runs deep. Before turning his hand to writing, he ran a jazz club in Tokyo, and the aesthetic and emotional power of music permeates every one of his much-loved books. Now, in Absolutely on Music, Murakami fulfills a personal dream, sitting down with his friend, acclaimed conductor Seiji Ozawa, to talk about their shared interest. They discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from record collecting to pop-up orchestras, and much more. 'Absolutely on Music is an unprecedented treasure... Talking about music is like dancing about architecture, it's often said, but what joy to watch these two friends dance.' Guardian

A rich, fact-filled collectible, packed with vibrant history, amazing trivia, and rare photographs, The Twilight Zone: Encyclopedia, assembled with the full cooperation of the Rod Serling estate, includes biographies of every principal actor involved in the series and hundreds who toiled behind the scenes—producers, writers, and directors.

It is an exhaustive and engrossing guide, a compendium of credits, plot synopses, anecdotes, production details, never-before-seen images, and interviews with nearly everyone still alive who was associated with the show.

From the great Meiji writer Natsume Soseki, The Miner is an absurdist tale about the indeterminate nature of human personality. 'It makes me very happy that I can read this novel written over a hundred years ago as if it were contemporary and be deeply affected by it. It cannot and should not be overlooked. It is one of my favorites' Haruki Murakami The Miner is the most daringly experimental and least well-known novel of Japanese writer Natsume Soseki. An absurdist tale written in 1908, it was in many ways a precursor to the work of James Joyce and Samuel Beckett. Translated by Jay Rubin, and with an introduction from Haruki Murakami, this is bound to appeal to fans of Japanese literature.

Ryunosuke Akutagawa (1892-1927) is one of Japan's foremost stylists - a modernist master whose short stories are marked by highly original imagery, cynicism, beauty and wild humour. 'Rashoemon' and 'In a Bamboo Grove' inspired Kurosawa's magnificent film and depict a past in which morality is turned upside down, while tales such as 'The Nose', 'O-Gin' and 'Loyalty' paint a rich and imaginative picture of a medieval Japan peopled by Shoguns and priests, vagrants and peasants. And in later works such as 'Death Register', 'The Life of a Stupid Man' and 'Spinning Gears', Akutagawa drew from his own life to devastating effect, revealing his intense melancholy and terror of madness in exquisitely moving impressionistic stories.

Natsume Soseki's only coming-of-age novel, "Sanshiro" depicts the eponymous twenty-three-year-old protagonist as he leaves the sleepy countryside to attend a university in the constantly moving "real world" of Tokyo. Baffled and excited by the traffic, the academics, and-most of all-the women, Sanshiro must find his way among the sophisticates that fill his new life. An incisive social and cultural commentary, "Sanshiro" is also a subtle portrait of first love, tradition, and modernization, and the idealism of youth against the cynicism of middle age.

Making Sense of Japanese is the fruit of one foolhardy American's thirty-year struggle to learn and teach the Language of the Infinite. Previously known as Gone Fishin', this book has brought Jay Rubin more feedback than any of his literary translations or scholarly tomes, even if, he says, you discount the hate mail from spin-casters and the stray gill-netter.
To convey his conviction that the Japanese language is not vague, Rubin has dared to explain how some of the most challenging Japanese grammatical forms work in terms of everyday English. Reached recently at a recuperative center in the hills north of Kyoto, Rubin declared, I'm still pretty sure that Japanese is not vague. Or at least, it's not as vague as it used to be. Probably.
The notorious subjectless sentence of Japanese comes under close scrutiny in Part One. A sentence can't be a sentence without a subject, so even in cases where the subject seems to be lost or hiding, the author provides the tools to help you find it. Some attention is paid as well to the rest of the sentence, known technically to grammarians as the rest of the sentence.
Part Two tackles a number of expressions that have baffled students of Japanese over the decades, and concludes with Rubin's patented technique of analyzing upside-down Japanese sentences right-side up, which, he claims, is far more restful than the traditional way, inside-out.
The scholar, according to the great Japanese novelist Soseki Natsume, is one who specializes in making the comprehensible incomprehensible. Despite his best scholarly efforts, Rubin seems to have done just the opposite.
Previously published in the Power Japanese series under the same title and originally as Gone Fishin' in the same series.

A comprehensive guide to managing stage fright, at work, school, in your life.

As a young man, Haruki Murakami played records and mixed drinks at his Tokyo Jazz club, Peter Cat, then wrote at the kitchen table until the sun came up. He loves music of all kinds - jazz, classical, folk, rock - and has more than six thousand records at home. And when he writes, his words have a music all their own, much of it learned from jazz. The author, a self-confessed fan, has written a title for other fans who want to know more about this reclusive writer. He reveals the autobiographical elements in Murakami's fiction, and explains how he developed a distinctive new style in Japanese writing. In tracing Murakami's career, he uses interviews he conducted with the author between 1993 and 2001, and draws on insights and observations gathered from over ten years of collaborating with Murakami on translations of his works.