Border and Bordering: Politics, Poetics, Precariousness focuses on the idea of border and its various geopolitical, sociocultural, and cognitive incarnations. In recent times, border has emerged as a common trope in contemporary language with phenomena such as bordering, borderless, building borders, breaking borders, crossing borders, porous borders, and shifting borders. Whether concrete or shadow, borders are omnipresent. The volume contains sixteen essays on various aspects of thinking border as well as border-thinking in literature, philosophy, historiography, strategic studies, films, and TV series. Such a collection is symptomatic of the very interdisciplinarity of border and the varied experiences of bordering as manifested in different modes of expression. This study of the multiplicity of experiences is intrinsic to our understanding of border, so much so that borders can only be read through an interdisciplinary approach. This interdisciplinarity is immanent to the concept of border and imminent (to come) to the phenomenon of bordering. Also, the volume quite explicitly deals with themetaphorsof border(s): as border(s) may not necessarily be always visible and tangible but also cognitive and metaphysical. This volume intends to attract not only academics but all readers, and that is precisely the reason why it has been designed in such a way.This book, therefore, is not yet-another volume on critical border studies and area studies. In doing border, the book enables us to go beyond the boundaries of border studies and area studiesas its authors believe that studies of border studies and area studies have become as regimented as the borders of the nation-state.

Trans(in)fusion and Contemporary Thought: Thinking in Migration engages with Ranjan Ghosh’s concept of trans(in)fusion and critical theory. Trans(in)fusion reexamines critical thinking and considers how thinking across traditions and systems of thought can generate distinct interpretive experiences. The chapters not only analyze Ghosh’s work but provide insight into the authors’ individual positions and critical approaches.

By sensing the fundamental ideas of earth and the earth-thought, this collection seeks to negotiate with and react to the underlying semasiological or psycho-geographical principle of geopoetics that cuts across varied and at times conflicting schools. From reading some geopoetical texts to understanding the idea of earth in Humboldt and Marx-Engels, topolitics in Tintin, reef-thinking, geopoet(h)ics and Asiabodh, the volume tries to perceive how we poetically exist with the earth. Isn't literature, taking a cue from Hölderlin, a symptom of the way "man lives poetically on the earth"? How is our body and psyche integral parts of the earth-thought? How does literature deal with the concepts of space and place? How literature enables us to comprehend the underlying principle of geopoetics -- the principle of finding art in earth? These are some of the critical questions which this volume seeks to explore. Literature exemplifies a geographical consciousness - an "intimate and subjective" experience of the earth. This book is an attempt to conceive this eclectic infusion of art and earth, so that we are able to ensure that the world of the art always remains in touch with the earth of the world. Let us, through this book, un-earth this deep-rooted spatiality and geographicality in literature. Let us imitate earth through art, as this is the only place where we can live.