A mesmerising story about a mother and daughter seeking refuge in a mental asylum in the chaotic aftermath of the Civil War.

In 1874, in the wake of the war, trauma haunts civilians and veterans, renegades and wanderers, freedmen and runaways. Twelve-year-old ConaLee and her mother, Eliza, who hasn't spoken in more than a year, arrive at the Trans-Allegh eny Lunatic Asylum in West Virginia, delivered to the hospital's entrance by a war vet eran who has forced himself into their lives. There, far from family, a beloved neighbour, and the mountain home they knew, they try to reclaim their lives.

The twin horrors of war and race rise to the surface as we learn their history: their flight to the highest mountain ridges of western Virginia; the disappearance of ConaLee's father, who left for the war and never returned. Meanwhile in the asylum, they begin to find a new path. ConaLee pretends to be her mother's maid; Eliza responds slowly to treatment. They get swept up in the life of the facility - the mystery behind the man they call the Night Watch; the child called Weed; the fearsome woman who runs the kitchen; the remarkable doctor at the head of the institution.

Epic, enthralling and meticulously crafted, Night Watch is a brilliant portrait of family endurance against all odds and a stunning chronicle of surviving war and its aftermath.

PULITZER PRIZE WINNER • LONGLISTED FOR THE NATIONAL BOOK AWARD IN FICTION • A NEW YORKER BEST BOOK OF THE YEAR

From one of our most accomplished novelists, a mesmerizing story about a mother and daughter seeking refuge in the chaotic aftermath of the Civil War—and a brilliant portrait of family endurance against all odds

In 1874, in the wake of the War, erasure, trauma, and namelessness haunt civilians and veterans, renegades and wanderers, freedmen and runaways. Twelve-year-old ConaLee, the adult in her family for as long as she can remember, finds herself on a buckboard journey with her mother, Eliza, who hasn’t spoken in more than a year. They arrive at the Trans-Allegheny Lunatic Asylum in West Virginia, delivered to the hospital’s entrance by a war veteran who has forced himself into their world. There, far from family, a beloved neighbor, and the mountain home they knew, they try to reclaim their lives.

The omnipresent vagaries of war and race rise to the surface as we learn their story: their flight to the highest mountain ridges of western Virginia; the disappearance of ConaLee’s father, who left for the War and never returned. Meanwhile, in the asylum, they begin to find a new path. ConaLee pretends to be her mother’s maid; Eliza responds slowly to treatment. They get swept up in the life of the facility—the mysterious man they call the Night Watch; the orphan child called Weed; the fearsome woman who runs the kitchen; the remarkable doctor at the head of the institution.

Epic, enthralling, and meticulously crafted, Night Watch is a stunning chronicle of surviving war and its aftermath.

'Breathtaking in both its scope and intensity' TAYARI JONES 'Shatteringly particular and audaciously universal' ALICE RANDALL 'Gorgeous prose, attention to detail and masterful characters. Haunting storytelling and a refreshing look at history' KIRKUS, STARRED REVIEW From one of our most accomplished novelists, a mesmerising story about a mother and daughter seeking refuge in a mental asylum in the chaotic aftermath of the Civil War. In 1874, in the wake of the War, erasure, trauma, and namelessness haunt civilians and veterans, renegades and wanderers, freedmen and runaways. Twelve-year-old ConaLee and her mother, Eliza, who hasn't spoken in more than a year, arrive at the Trans-Allegh­eny Lunatic Asylum in West Virginia, delivered to the hospital's entrance by a war vet­eran who has forced himself into their lives. There, far from family, a beloved neighbor, and the mountain home they knew, they try to reclaim their lives. The omnipresent vagaries of war and race rise to the surface as we learn their back­story: their flight to the highest mountain ridges of western Virginia; the disappearance of ConaLee's father, who left for the war and never returned. Meanwhile in the asylum, they begin to find a new path. ConaLee pretends to be her mother's maid; Eliza responds slowly to treatment. They get swept up in the life of the facility - the mystery behind the man they call the Night Watch; the child called Weed; the fearsome woman who runs the kitchen; the remarkable doctor at the head of the institution. Epic, enthralling and meticulously crafted, Night Watch is a brilliant portrait of family endurance against all odds, and a stunning chronicle of surviving war and its aftermath.

With an introduction by Jayne Anne Phillips Shortlisted for the Orange Prize for Fiction, a novel inspired by the shocking true story of the Scottsboro boys. Even after all these years, the injustice still stuns. Innocent boys sentenced to die, not for a crime they did not commit, but for a crime that never occurred. Lives splintered as casually as wood being hacked for kindling. Alabama, 1931. A freight train is stopped in Scottsboro, nine black youths are brutally arrested and, within minutes, the cry of rape goes up from two white girls. In the shocking aftermath, one sticks to her story whilst the other keeps changing her mind, and an impassioned young journalist must try to save nine boys from the electric chair, one girl from a lie and herself from the clutches of the past . . . Stirring racism, sexism and the politics of a divided America into an explosive brew, Scottsboro gives voice to the victims - black and white - of this infamous case. Shortlisted for the Orange Prize for Fiction in 2009, Ellen Feldman's classic charts a fight for justice during the burgeoning civil-rights movement.

In her highly acclaimed debut novel, the bestselling author of "Shelter" introduces the Hampsons, an ordinary, small-town American family profoundly affected by the extraordinary events of history. Here is a stunning chronicle that begins with the Depression and ends with the Vietnam War, revealed in the thoughts, dreams, and memories of each family member. Mitch struggles to earn a living as Jeans becomes the main breadwinner, working to coplete college and raise the family. While the couple fight to keep their marriage intact, their daughter Danner and son Billy forge a sibling bond of uncommon strength. When Billy goes off to Vietnam, Danner becomes the sole bond linking her family, whose dissolution mirrors the fractured state of America in the 1960s. Deeply felt and vividly imagined, this lyrical novel is "among the wisest of a generation to grapple with a war that maimed us all" ("The Village Voice"), by a master of contemporary fiction.

Jayne Anne Phillips's reputation-making debut collection paved the way for a new generation of writers. Raved about by reviewers and embraced by the likes of Raymond Carver, Frank Conroy, Annie Dillard, and Nadine Gordimer, Black Tickets now stands as a classic.

With an uncanny ability to depict the lives of men and women who rarely register in our literature, Phillips writes stories that lay bare their suffering and joy. Here are the abused and the abandoned, the violent and the passive, the impoverished and the disenfranchised who populate the small towns and rural byways of the country. A patron of the arts reserves his fondest feeling for the one man who wants it least. A stripper, the daughter of a witch, escapes from poverty into another kind of violence. A young girl during the Depression is caught between the love of her crazy father and the no less powerful love of her sorrowful mother. These are great American stories that have earned a privileged place in our literature.

A spectacularly riveting novel based on a real life crime by a con man who preyed on widows: "a brilliant fusion of fact and fiction, Jayne Anne Phillips has written the novel of the year" (Stephen King)--"think "In Cold Blood" meets "The Lovely Bones--"but sexy" ("People").
In Chicago in 1931, Asta Eicher, a lonely mother of three, is desperate for money after the sudden death of her husband. She begins to receive seductive letters from a chivalrous, elegant man named Harry Powers, who promises to cherish and protect her, ultimately to marry her and to care for her and her children. Weeks later, Asta and her three children are dead.
Emily Thornhill, one of the few women journalists in the Chicago press, wants to understand what happened to this beautiful family, particularly to the youngest child, Annabel, an enchanting girl with a precocious imagination and sense of magic. Determined, Emily travels to West Virginia to cover the murder trial and to investigate the story herself, accompanied by a charming and unconventional photographer equally drawn to the case. These heroic characters, driven by secrets of their own, will stop at nothing to ensure Powers is convicted.
A tragedy, a love story, and a tour de force of obsession, Jayne Anne Phillips's "Quiet Dell" "hauntingly imagines the victims' hopes, dreams, and terror" ("O, The Oprah Magazine"). It is a mesmerizing and deeply moving novel from one of America's most celebrated writers.

Jayne Anne Phillips has always been a master of portraiture, both in her widely acclaimed novels and in her short fiction.  The stories in Fast Lanes demonstrated the breadth of her talent in a tour de force of voices, offering elegantly rendered views into the lives of characters torn between the liberation of detachment and the desire to connect.

Three stories are collected in this edition for the first time: in "Alma," and adolescent daughter is made the confidante of her lonely mother; "Counting" traces the history of a dommed love affair; and "Callie" evokes memories of the haunting death of a child in 1920's West Virginia.  Along with the original seven stories from Fast Lanes--each told in extraordinary first person narratives that have been hailed by critics as virtuoso performances--these incandescent portraits offer windows into the lives of an entire generation of Americans, demonstrating again and again why Jayne Anne Phillips remains one of our most powerful writers.