"[A]n enthralling autobiography." Publishers Weekly "Sensational." Jimmy Cagney A woman ahead of her time, Florence James revolutionized American theatre before being struck down by a McCarthyist witch hunt and emigrating to Canada. Fists upon a Star is James's answer to that question that destroyed so many lives in the United States of America: "Are you now, or have you ever been?" "If you like true stories about strong women, you'll like this book. If you're interested in live theatre, this book will engage you. If you have a vague notion that it's important to fight injustice, this book will snap into focus your understanding of the human cost of government tyranny. If you have a sparking interest in all three topics, this book will ignite you." Joy Fisher, Playwrights Guild of Canada

Is Scottish independence incompatible with ‘Labour values’? Are ‘Labour values’ being realised within the Union? How much really divides Yes campaigners from Labour voters? Why Not? Scotland, Labour and Independence is a passionate and often personal appeal to Labour voters (and other progressive Scots) to consider the social, economic and political gains that could be won with Scottish self-government. Bringing together a range of diverse voices – some from within the Labour Party, some from within the SNP, some from the non-aligned Left – it presents the social justice case for a Yes vote and argues that independence offers the clearest route forward for socialist and centre-left Scotland. Urgent, original and provocative, Why Not? is a vital contribution to the independence debate – and essential reading for all Scots.

Born on the Idaho frontier, Florence James was a New York City suffragette. The first to put Jimmy Cagney on stage, she founded both the Negro Repertory Theatre and the Seattle Repertory Playhouse. She worked with Francis Farmer, Paul Robson, and Helen Hayes, but her views on art and politics and her choice of plays led to a clash with the Un-American Activities Committee. In the wake of two Kafkaesque trials, where she condemned her persecutors as liars, she fled to Canada and kick-started professional theatre in Saskatchewan, the home to North America's first socialist government. Vital and inspiring, Florence of America is a story of one woman speaking truth to power. "An amazing story of achievement, heartbreak, and endurance...But above all, it is a moving and powerful cautionary tale of what can happen, at any time of any age, when, in [Arthur] Miller's words, a whole world begins to cry 'spirits.'" -Moira Day, Department Head of Drama, University of Saskatchewan

" Fists upon a Star" is the hard-hitting memoir of Florence James, a pioneering American theatre director, whose devastating experience with McCarthyism led her to flee to Canada.
The memoir is as epic as America itself. Born in 1892 in the frontier society of Idaho, she became a suffragette in New York City, was the first to put Jimmy Cagney on stage, and along with her husband, Burton, founded the Negro Repertory Theater and the nationally recognized Seattle Repertory Playhouse. With star appearances by Woody Guthrie and Helen Hayes, the memoir beautifully illustrates the evolution in her personal life and the development of professional theater during the Great Depression, World War II, and the McCarthy period.
James believed that theatre could offer both an uplifting artistic experience and the tools to advance community development. Her views on art and politics and her choice to stage what some saw as controversial plays led to a clash with the Un-American Activities Committee. After two Kafkaesque trials, a conviction for refusing to follow Committee rules, and being manhandled by police, she fled to Canada.
After settling in Saskatchewan (where she pioneered professional theatre) with her beloved husband, Burton, she marvelled over the "simplicity of causes" that brought the U.S. Government down upon her: "unionism, the eight-hour day, free speech, an uncensored press, freedom from poverty in old age, and health programs... Most of these principles are now the law of the land...But the struggle is hardly over."
Written thirty-five years ago with celebrated actress Jean Freeman, James's memoir sheds light on a fully realized creative life, her love for Burton, and a fascistic strain of American politics that continues to exist today.