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Jean Ritchie is the best known and most respected singer of traditional ballads in the United States. It has been nearly thirty years since she originally published Folk Songs of the Southern Appalachians, and the music found here tells the story of the "Singing Ritchie Family" at a time when railroads, coal mines, and hillbilly radio were making their first incursions into the mountains of eastern Kentucky. Built upon a foundation of balladry inherited from old-world Scotland, the family's repertoire was certainly eclectic but not haphazard. The Child ballads, lyric folksongs, play party or frolic songs, Old Regular Baptist lined hymns, Native American ballads, "hant" songs, and carols brought together in this collection were assembled by family members who actively sought out fragments of tunes and completed them by adding or embellishing verses and melodies. This new edition has faithfully retained all seventy-seven line scores of the songs and added four new ones, Loving Hannah, Lovin' Henry, Her Mantle So Green, and The Reckless and Rambling Boy. The original headnotes and photographs tell the history of the song as well as how it became a part of the family's life. Chords are indicated for accompaniment; however, music notation and the printed word can present only a reasonable facsimile of any actual song. Jean's singing is simply the best guide to how the song should be sung, so a new audiography and videography have been added to this edition.
The "singing family" of which Jean Ritchie writes is that of her parents, Balis and Abigail Ritchie, and their fourteen children, all born and reared in Viper, Kentucky, deep in the Cumberland Mountains. Jean, the youngest of the clan, grew up to be a world renowned folksinger. But she was hardly unique in the family. All the Ritchies sang -- when they worked, when they prayed, when they rejoiced, even when tragedy struck. Singing Family of the Cumberlands is both an appealing account of family life and a treasury of American folklore and folksong. In the deceptively simple but picturesque language of rural Kentucky, Jean Ritchie tells of a way of life now nearly vanished and of a gentle, upright people shielded from the outside world by forbidding mountain ranges, preserving the traditions of their forebears. Foremost among those traditions were the British folksongs brought from England by James Ritchie in 1768. Even in a region noted for its wealth of folksongs, the Ritchies' inheritance was exceptional. Forty-two of the family's beloved songs are woven through Jean Ritchie's narrative, complete with words and often musical scores. Each song evokes a memory for Jean -- hoeing corn, stirring off molasses, telling ghost stories, singing a dying baby to its eternal rest. Songs lightened the burden of poverty for the Ritchies and brought them joy and solace. Illustrated by Maurice Sendak, Singing Family of the Cumberlands will delight readers in all walks of life.
"Foreword by Charles Wolfe Jean Ritchie, the youngest of fourteen children born and raised in Viper, Kentucky, is considered one of the greatest balladeers in this century. Her performances have influenced the resurgence of interest in folk music and given audiences a glimpse into the heart of Appalachia. Jean Ritchie's Swapping Song Book brings together twenty-one songs from the Cumberland Mountains of Kentucky. Many are old songs, brought over by settlers from Scotland, Ireland, and England. Child ballads, gospel music, play party tunes, and frolic songs have been handed down by family members, with each generation adding or embellishing verses and melodies. This new edition retains the original text, written by Ritchie, and includes her husband George Pickow's beautiful photographs to help illustrate the stories of such songs as ""Jubilee,"" ""The Old Soap Gourd,"" and ""Ground Hog."" A new foreword by Charles Wolfe shows how Ritchie's collection of songs is ""part of the rich folk poetry"" that makes up Appalachian culture. Other books by Jean Ritchie include Folksongs of the Southern Appalachians and Singing Family of the Cumberlands.
He was a pillar of the community, serving on local committees, donating prizes to the rugby club, organising charity collections. His patients thought the world of him: he was attentive, kind, never too busy to chat.
Obsession, jealousy, lust, revenge ... There is nothing more dangerous than a passion that curdles and spills into murder. Love, when it goes wrong and spirals into violence, leads to the most chilling and tragic consequences. Death at the hands of a partner or ex-partner is the most common form of murder for women, far outnumbering the risk of death from a stranger. Obsessional sexual desire is the common thread through the stories in this book, tragic examples of how death can come at the hands of a once trusted and loved partner. There is the story of talented US landscape artist Jill Cahill, whose husband was not content with battering his wife to a pulp but went back to finish the job while she lay in her hospital bed. There is the case of Martha Freeman from Tennessee, who hid her lover in her wardrobe, and then teamed up with him to murder her husband. There is the wife whose body was found in the boot of her own car, and whose husband had framed his girlfriend for the crime, hoping to get rid of two women from his life. UK student John Tanner served a twelve-year sentence for the murder of his girlfriend, and is now back behind bars for another attack, on another partner. British soldier Emile Cilliers tried to murder his wife by cutting the cords of her parachute; however, while he may not have succeeded, Belgian teacher and amateur skydiver Els Clotterman did when she cut her love rival's cords five years earlier. These, and many others, are the stories of fatal attraction that dominate the pages of this book.
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