In this acclaimed collection, Jean Thompson limns the lives of ordinary people -- a lonely social worker, a down-and-out junkie, a divorced cop on the night shift -- to extraordinary effect. With wisdom and sympathy and spare eloquence, she writes of their inarticulate longings for communion and grace.Yet even the saddest situations are imbued with Thompson¹s characteristic humor and a wry glimmer of hope. With Who Do You Love, readers will discover a writer with rare insight into the resiliency of the human spirit and the complexities of love.

An Introduction to Environmental Epidemiology covers the basics of environmental exposure, health, and disease. Written to be easily accessible to readers with no formal training in epidemiology or statistics, this practical introduction is an ideal text/reference for students and professionals in nursing, medicine, industrial hygiene, occupational and environmental health, and general environmental science. It provides a target-organ oriented presentation of environmental hazards, with detailed discussions of selected exposures such as asbestos, lead, radon, and indoor and outdoor air pollutants. Major topics covered include:

Carla is stuck. In her twenties and working for a landscaper, she's been told she's on the wrong path by everyone-from her mom, who wants her to work at the hospital, to her boyfriend, who is dropping not-so-subtle hints that she should be doing something that matters. ­Then she is hired for a job at the home of Viridian, a lauded and lovely aging poet who introduces Carla to an eccentric circle of writers. At first she is perplexed by their predilection for reciting lines in conversation, the stories of their many liaisons, their endless wine-soaked nights. Soon, though, she becomes enamoured with this entire world: with Viridian, whose reputation has been defined by her infamous affair with a male poet, Mathias; with Viridian's circle; and especially with the power of words, the "ache and hunger that can both be awakened and soothed by a poem," a hunger that Carla feels sharply. When a fight emerges over a vital cache of poems that Mathias wrote about Viridian, Carla gets drawn in. But how much will she sacrifice for a group that may or may not see her as one of their own? A delightfully funny look at the art world-sometimes petty, sometimes transactional, sometimes transformative- ­The Poet's House is also a refreshingly candid story of finding one's way, with words as our lantern in the dark.

The Early Years Intervention Toolkit provides a range of ready-made activities to enable early years practitioners and health visitors to address observed difficulties in a child's development prior to starting school. It includes a checklist of observed behaviours which links to a range of effective and engaging activities to support children's development across the three prime foundational areas of learning: Communication and Language; Physical Development; and Personal, Social and Emotional Development. Activities focus on a variety of crucial skills such as speaking and listening, moving and handling, and forming relationships, making use of materials that are readily available in every early years setting. This toolkit offers: A time-saving approach to interventions, with additional guidance on planning, providing, and recording appropriate interventions Advice and activities to share with parents for them to try at home A framework to enable early years practitioners to identify specific difficulties in key areas of development Downloadable resources to support activities and interventions The Early Years Intervention Toolkit is an inclusive programme and all children in the early years will benefit from taking part in the activities. It will be an essential resource for early years practitioners to effectively identify and support learning needs in child development and will boost the confidence of young children as they prepare for Key Stage One.

A "New York Times "bestseller in hardcover, "The Year We Left Home "is National Book Award finalist Jean Thompson's mesmerizing, decades-spanning saga of one ordinary American family that captures the turbulent history of the country at large.
Named a "New York Times" Editors' Choice, a "People" magazine "Pick of the Week," and an Indie Next and Midwest Connections selection, "The Year We Left Home "is the career-defining novel that Jean Thompson's admirers have been waiting for: a sweeping and emotionally powerful story of a single American family during the tumultuous final decades of the twentieth century.
Stretching from the early 1970s in the Iowa farmlands to suburban Chicago and across the map of contemporary America, "The Year We Left Home" follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious and richly told, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character.

When Jean Thompson--"America's Alice Munro" (Kirkus Reviews, starred review)--is telling stories, "You cannot put the book down" (The Seattle Times), and her superlative new collection, Do Not Deny Me, is one to be savored, word by word.
- Award-winning storyteller gaining popularity: Jean Thompson's short fiction has been honored by the National endowment for the Arts and the Guggenheim Foundation; Who Do You Love: Stories was a National Book Award finalist for fiction and was promoted by David Sedaris during his own lecture tour; and Throw Like a Girl: Stories was a New York Times Notable Book and a San Francisco Chronicle Best Book of the Year. The collection is also in its sixth printing, as Thompson's longstanding critical acclaim crosses over into a popular following. Do Not Deny Me is perfectly positioned to gain an even wider audience.
- Do Not Deny Me: Here is a title that demands--and commands--attention in and of itself. Yet Thompson's latest collection is no literary dare, delivering as it does twelve dazzling new stories that together offer, with wit, humor, and razor-sharp perception, a fictional primer on how Americans live day to day. In Thompson's writing, The New York Times Book Review has noted, "some of the biggest satisfactions happen line by line, thanks to Thompson's effortless ability to tip her prose into the universal." Thompson succeeds as "one of our most astute diagnosticians of contemporary experience" (The Boston Globe).

A master of short fiction whose best pieces are as good as it gets in contemporary cction (Newsday) returns, as Jean Thompson follows her National Book Award finalist collection Who Do You Love with Throw Like a Girl. Here are twelve new stories that take dead aim at the secrets of womanhood, arcing from youth to experience. Each one of Thompson's indelible characters -- lovers, wives, friends, and mothers -- speaks her piece -- wry, angry, hopeful -- about the world and women's places in it.

Newlyweds Jack and Chloe are building a life together in a modest Chicago apartment. The city is theirs to enjoy as Jack struggles to pursue a writing career and Chloe works downtown, applying herself to the world of high finance. While Jack aspires to be the perfect husband, his own self-doubts and Chloe's office flirtations cast shadows. Jealousy and mis-behavior undermine their notions of themselves and of each other, and their lives take on uncomfortable parallels with the volatile, chaotic existence of their raffish, menacing neighbors. In the intense heat of one Chicago summer, Jack and Chloe's marriage roils into a queasy chemistry of vanity, lust, and greed. Thompson writes with piercing insight and emotional truth, setting off literary fireworks.

From National Book Award-finalist Jean Thompson comes a compelling, highly charged novel about a family ruled by the weather, the drastic changes that hit their atmosphere, and a midwestern town where chaos doesn't reign -- it pours.

Something big is headed for Springfield, Illinois, a place where weather of all kinds -- climatic, emotional, and even metaphysical -- tends to come in extremes. It is the summer of 1999, and through the long months of blazing heat and fearsome tempests, a quirky quartet of locals will try to ride out the stormy season, each in their own way.

Uncle Harvey believes he is the embodiment of the Weather Channel's "Local Forecast," even though all meteorological evidence points to the contrary. His niece, Josie, is fixed with a different predicament -- she's young and pretty, with nowhere to go except into deep trouble. Her mother, Elaine, lives under a façade of cheerful efficiency, desperately masking a far more urgent quest. And all of them are caught in the path of the loner Rolando -- a human cyclone from the West, fueled by a boundless rage and determined to make Springfield the focal point of his wrath.

Carla is in her twenties, working for a landscaper, lacking confidence, still unsure what direction her life will take. Viridian is a lauded and lovely aging poet whose reputation has been defined by her infamous affair with a famous male poet, Mathias, many years earlier. When Carla is hired to work at Viridian's house, she is perplexed by this community of writers: their tendency to recite lines in conversation, the stories of their many liaisons, their endless wine-soaked nights. And still she becomes enamored with Viridian and her whole circle, and especially with the power of words, the "ache and hunger that can both be awakened and soothed by a poem," a hunger that Carla feels sharply at this stagnating moment in her young life. At the same time, she sees how even Viridian has had to compromise so much to take her place in the world of letters. And as Viridian's standing begins to fade, a number of people angle to gain possession of Mathias's cycle of poems written about Viridian, a cycle he famously burned as he read them. Yet long after Mathias' s death, one copy may still rest with Viridian. If so, why won't she release it?