The first major retrospective to emerge from the archive of Paulo Mendes da Rocha, shining important new light on his work   One of the most acclaimed architects working in Brazil since the mid-twentieth century, Paulo Mendes da Rocha (1928–2021) began building in the 1950s, championing an approach often associated with “Brutalism� but expanding well beyond it. He is widely recognized for having transformed the urban imprint of São Paulo. His best-known buildings include the Brazilian Museum of Sculpture, remarkable for its engagement with the site and its daring structure; the renovation of the Pinacoteca do Estado, with audacious metallic inserts; and outstanding private houses, starting with his own. In 2006, he became the second Brazilian architect, after Oscar Niemeyer, to win the Pritzker Prize.   This retrospective catalogue is the first major publication on Mendes da Rocha since the establishment of his archive at the Casa da Arquitectura in 2021. A team of international scholars provides a comprehensive view of the architect’s trajectory and the collective dimension of his work, along with thematic essays. Mendes da Rocha’s identity as a South American architect interested in the geographic relation between nature and culture is underlined. The book’s contributors explore his concern with the social and anthropogenic impact of the continent’s development, as well as its colonial past and postcolonial future. The volume centers around twelve of his most important buildings and reprints two important essays on Mendes da Rocha’s work. This will be an essential book on this significant figure of global modernism and will point the way for future scholarship on Mendes da Rocha and the architecture of contemporary Brazil.   Distributed for Casa da Arquitectura–Portuguese Centre for Architecture   Exhibition Schedule:   Casa da Arquitectura, Porto (May 26, 2023–February 25, 2024)

The career and built works of this enigmatic and fascinating architect are carefully charted from his early work on housing design and high-rise offices in Berlin to his later and most famous work in Chicago, Detroit, Montreal and New York. Original illustrations from the architect's archives complement the excellent text.
Spon's ARCHITECTURE COLLECTION presents the work of historic and contemporary masters of architecture in clear well-illustrated text, accessible to non-specialists. This appealing series of monographs, now available in English, is launched by books on two great historic figures of the century, Frank Lloyd Wright and Mies van der Rohe and two award-winning contemporary architects, Sir Norman Foster and Alvaro Siza.

Born Charles-Edouard Jeanneret, Le Corbusier (1887-1965) is widely acclaimed as the most influential architect of the 20th century. From private villas to mass social housing projects, his radical ideas, designs, and writings presented a whole-scale reinvention not only of individual structures, but of entire concepts of modern living. Le Corbusier's work made distinct developments over the years, from early vernacular houses in Switzerland through dazzling white, purist villas to dynamic syntheses of art and architecture such as the chapel at Ronchamp and the civic buildings in Chandigarh, India. A hallmark throughout was his ability to combine functionalist aspirations with a strong sense of expressionism, as well as a broader and empathetic understanding of urban planning. He was a founding member of the Congres international d'architecture moderne (CIAM), which championed "architecture as a social art." This book presents some of Le Corbusier's landmark projects to introduce an architect, thinker, and modern pioneer who, even in his unrealized projects, offered discussion and inspiration for generations to come. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

The career and built works of this enigmatic and fascinating architect are carefully charted from his early work on housing design and high-rise offices in Berlin to his later and most famous work in Chicago, Detroit, Montreal and New York. Original illustrations from the architect's archives complement the excellent text. Spon's ARCHITECTURE COLLECTION presents the work of historic and contemporary masters of architecture in clear well-illustrated text, accessible to non-specialists. This appealing series of monographs, now available in English, is launched by books on two great historic figures of the century, Frank Lloyd Wright and Mies van der Rohe and two award-winning contemporary architects, Sir Norman Foster and Alvaro Siza.

A two-volume boxset facsimile of the first printing of Complexity and Contradiction paired with a compendium of new scholarship on and around Robert Venturi’s seminal treatise.

First published in 1966, this remarkable book by Robert Venturi has become an essential document in architectural literature. This two-volume boxed set presents a facsimile of the first printing of Complexity and Contradiction paired with a compendium of new scholarship on and around Venturi’s seminal treatise. Ten essays and a selection of original papers – introduced at a three-day international conference co-organized by MoMA to celebrate the fiftieth anniversary of the book – address diverse issues, such as the book’s relationship to Venturi’s own built oeuvre and its significance in the contemporary landscape. Together, these volumes expand the horizons of Venturi’s original ideas on creating and experiencing architecture.

Here, Jacob Brillhart excavates the "visual thinking" of the twentieth century's pioneer architect, reproducing a selection of 175 drawings from the early sketchbooks of Charles-Edouard Jeanneret, whom we now know as Le Corbusier. Between 1907 and 1911, Jeanneret studied in Switzerland and travelled through Europe and the East, filling sketchbooks with exquisitely detailed drawings. Brillhart provides a physical and intellectual map for students, travellers and lovers of art and architecture. The first book to provide a succinct collection of Jeanneret's drawings, some of which are previously unpublished, Voyage Le Corbusier encourages a new generation to learn to see.

An essential exploration of how Russian ideas about the United States shaped architecture and urban design from the czarist era to the fall of the U.S.S.R. Idealized representations of America, as both an aspiration and a menace, played an important role in shaping Russian architecture and urban design from the American Revolution until the fall of the Soviet Union. Jean-Louis Cohen traces the powerful concept of "Amerikanizm" and its impact on Russia's built environment from early czarist interest in Revolutionary America, through the spectacular World's Fairs of the 19th century, to department stores, skyscrapers, and factories built in Russia using American methods during the 20th century. Visions of America also captivated the Russian avant-garde, from El Lissitzky to Moisei Ginzburg, and Cohen explores the ongoing artistic dialogue maintained between the two countries at the mid-century and in the late Soviet era, following a period of strategic competition. This first major study of Amerikanizm in the architecture of Russia makes a timely contribution to our understanding of modern architecture and its broader geopolitics. Distributed for the Canadian Centre for Architecture

Marcel Gautherot (1910-96) is regarded by many as one of the most significant French photographers, yet his work is relatively little known and even less published. Marcel Gautherot: The Monograph features some 200 of his striking pictures from all stages of his career, superbly reproduced in tritone printing. The images are complemented by essays on his affinity for modern architecture, his contribution to the history of photography, and on his attachment to Brazil. The most famous part of his work is the body of some 3,000 images documenting the construction of Brasilia 1958-1960. This, and other images he took of this extraordinary place until the 1970s, is widely appreciated as a high point of 20th-century architectural photography. Gautherot began an education in architecture but very soon took up photography as well. He travelled extensively in France and abroad and visited Brazil and Peru for the first time in 1939, before being drafted into the French army on the outbreak of World War II. Upon demobilisation in summer 1940 he returned to Brazil and made Rio de Janeiro his home for the rest of his life.

The most thoroughgoing survey of nearly all of Le Corbusier's extant projects, beautifully photographed and authoritatively detailed. Le Corbusier is widely acknowledged as the most influential architect of the twentieth century. As extensively researched and documented as his works are, however, they have never been exhaustively surveyed in photographs until now. Photographer Richard Pare has crossed the globe for years to document the extant works of Le Corbusier - from his first villas in Switzerland to his mid-career works in his role as the first global architect in locations as far-flung as Argentina and Russia, and his late works, including his sole North American project, at Harvard University, and an extensive civic plan for Chandigarh, India. Le Corbusier: The Built Work provides numerous views of each project to bring a fuller understanding of the architect's command of space, sometimes surprising use of materials and color, and the almost ineffable qualities that only result from a commanding synthesis of all aspects of design. With an authoritative text by scholar and curator Jean-Louis Cohen, Le Corbusier: The Built Work is a groundbreaking opportunity to appreciate the master's work anew.

"Cohen's work brings new substance and new clarity to claims for the proceduralization (or reflexivity) of law. Cohen denies the independence of political-moral orientations from idealizations of the legal form and the background models of individual, society, and state that motivate such idealizations. She shows convincingly how the legal-formal idealizations native to a debate between classical and welfare liberalism inevitably mistranslate and miscarry the distinctive aims of a constructivist, deontological liberalism that differs crucially from them both."--Frank Michelman, Harvard University

"I have read "Regulating Intimacy" with much pleasure and profit. Professor Cohen illuminates the conceptual and policy issues that arise when we try to encourage intimate associations that are both free and responsible. This is a welcome contribution to the integration of moral and social theory. It deals extensively with contemporary legal doctrine, and helps us make sense of new thinking about law and society."--Philip Selznick, author of "The Communitarian Persuasion"

"Cohen has written an enormously impressive contribution to legal and political scholarship sure to be of interest to a broad audience of scholars, policy makers, and activists. Creatively borrowing from recent debates within European legal theory about the prospects of a 'reflexive paradigm' of regulation, she demonstrates persuasively why traditional views of the proper legal treatment of the domain of intimacy need to be reformulated. Those interested in a host of ongoing legal debates about privacy and sexuality will find answers to many of their questions here. Cohen has authored a genuinely pathbreaking work whichshould influence policy and judicial decisionmaking."--William E. Scheuerman, University of Minnesota

"This is a bold, exciting, novel defense of privacy law. Cohen's learned approach to arguing that privacy is neither arbitrary nor archaic engages a surprisingly wide range of important contemporary thinkers. Her selection of case studies is timely and of great interest--giving the book immediate practical value. It will attract many readers and critics."--Anita Allen, University of Pennsylvania

As treasure troves of creativity, the homes of artists reflect the intellectual worlds of their creators. Starting with the Villa Stuck in Munich-the aesthetic, conceptual cosmos and life's work of the aristocratic artist Franz von Stuck-this unique volume integrates the artist's house as a category into the international context and is the first to assign these buildings the status of major works. About twenty examples bring to life the fascination that these artistic fantasies hold for art lovers, including both existing projects and some which, although they have been lost, were of unique importance in their day and still retain their charisma. Along with paintings, sculptures, and photographs closely related to the houses, plans and models convey the correlation between art and life as well as the kind of harmony of the arts expressed in Richard Wagner's historical concept of the total work of art. Houses featured (selection): Sir John Soane's Museum, London; William Morris Red House, Bexleyheath; Louis Comfort Tiffany's Tiffany House, New York City; Mortimer Menpes's flat, London; the Fernand Khnopff Villa, Brussels; Jacques Majorelle's villa and garden, Marrakesh; Kurt Schwitters' MERZbau, Hannover; Max Ernst's house, Arizona

Die 1945 zu weiten Teilen zerstoerte Stadt Mainz wollten die franzoesischen Besatzer unmittelbar nach Kriegsende zu einem franzoesisch gepragten Mayence aufbauen. Fur diese Aufgabe wurde Marcel Lods berufen, Verfechter einer funktionalistischen Moderne, dessen deutsch-franzoesisches Architektenteam auch UEberlegungen aus der Zeit vor 1945 in den Aufbauplan einfliessen liess. Als Antwort auf die ablehnende Haltung der lokalen Bevoelkerung - aber auch einiger franzoesischer Militars - beauftragte die Stadt Mainz Paul Schmitthenner mit einem Projekt, das den historischen Charakter der Stadt starker bewahren sollte. Beide Projekte scheiterten zwar, doch blieb Mainz bis weit in die 1950er Jahre Schauplatz einer exemplarischen Konfrontation zweier sich unversoehnlich bekampfender Tendenzen innerhalb der europaischen Architektur des 20. Jahrhunderts, wie sie an keinem anderen Ort in dieser Scharfe und mit dieser fachlichen Kompetenz ausgetragen wurde. Als Ergebnis jahrzehntelanger Forschungen bietet dieses Buch erstmalig eine systematische Aufarbeitung dieser umfassenden Planungen und ihrer zeitgeschichtlichen Hintergrunde.

Ludwig Mies van der Rohe gehoerte zu den fuhrenden Persoenlichkeiten in der Architektur des 20. Jahrhunderts und ist fur Architekten und viele andere, die sich der Tradition der Moderne verpflichtet haben, eine Schlusselfigur. Mit wissenschaftlich fundierten Texten und opulentem Plan- und Fotomaterial zeichnet das Buch die facettenreiche Entwicklung seines Werkes nach: Die ersten Berliner Bauten, seine Villenprojekte und Tatigkeit am Bauhaus in den dreissiger Jahren sowie die amerikanischen Projekte der Nachkriegszeit. Jean-Louis Cohen, bis 2003 Direktor des Institut francais d'architecture und zur Zeit Professor an der New York University, hat einen etablierten Ruf als international fuhrender Architekturhistoriker. Seine umfassende Perspektive macht das Buch zu einer verlasslichen Einfuhrung in das Werk Mies van der Rohes.