This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. Australian Aboriginal literature, once relegated to the margins of Australian literary studies, now receives both national and international attention. Not only has the number of published texts by contemporary Australian Aboriginals risen sharply, but scholars and publishers have also recently begun recovering earlier published and unpublished Indigenous works. Writing by Australian Aboriginals is making a decisive impression in fiction, autobiography, biography, poetry, film, drama, and music, and has recently been anthologized in Oceania and North America. Until now, however, there has been no comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. This international collection of eleven original essays fills this gap by discussing crucial aspects of Australian Aboriginal literature and tracing the development of Aboriginalliteracy from the oral tradition up until today, contextualizing the work of Aboriginal artists and writers and exploring aspects of Aboriginal life writing such as obstacles toward publishing, questions of editorial control (orthe lack thereof), intergenerational and interracial collaborations combining oral history and life writing, and the pros and cons of translation into European languages. Contributors: Katrin Althans, Maryrose Casey, Danica Cerce, Stuart Cooke, Paula Anca Farca, Michael R. Griffiths, Oliver Haag, Martina Horakova, Jennifer Jones, Nicholas Jose, Andrew King, Jeanine Leane, Theodore F. Sheckels, Belinda Wheeler. Belinda Wheeler is Associate Professor of English at Claflin University, Orangeburg, SC.

New essays on the acclaimed Australian Indigenous author's entire body of work, including his novels, short stories, poetry, and his work with Indigenous language and health. Since the mid-1980s there has been a sharp rise in the number of literary publications by Indigenous Australians and in the readership and impact of those works. One contemporary Aboriginal Australian author who continues to makea contribution to both the Australian and the global canon is Kim Scott (1957-). Scott has won many awards, including Australia's highest, the prestigious Miles Franklin Award, for his novels Benang (in 2000) and That Deadman Dance (in 2011). Scott has also published in other literary genres, including poetry, the short story, and children's literature, and he has written and worked professionally on Indigenous health issues. Despite Scott'snational and international acclaim, there is currently no comprehensive critical companion that contextualizes his work for scholars, students, and general readers. A Companion to the Works of Kim Scott fills this void by providing a collection of eleven original essays focusing on Scott's novels, short stories, poetry, and his work with the Wirlomin Noongar Language and Stories Project and Indigenous health. The companion also includes an originalinterview with the author. Contributors: Christine Choo, Arindam Das, Per Henningsgaard, Tony Hughes-d'Aeth, Jeanine Leane, Brenda Machosky, Nathanael Pree, Natalie Quinlivan, Lydia Saleh Rofail, Lisa Slater, Rosalie Thackrah and Sandra Thompson, Belinda Wheeler, Gillian Whitlock and Roger Osborne. Belinda Wheeler is Associate Professor of English at Claflin University, Orangeburg, South Carolina.

This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. Australian Aboriginal literature, once relegated to the margins of Australian literary studies, now receives both national and international attention. Not only has the number of published texts by contemporary Australian Aboriginals risen sharply, but scholars and publishers have also recently begun recovering earlier published and unpublished Indigenous works. Writing by Australian Aboriginals is making a decisive impression in fiction, autobiography, biography, poetry, film, drama, and music, and has recently been anthologized in Oceania and North America. Until now, however, there has been no comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. This international collection of eleven original essays fills this gap by discussing crucial aspects of Australian Aboriginal literature and tracing the development of Aboriginalliteracy from the oral tradition up until today, contextualizing the work of Aboriginal artists and writers and exploring aspects of Aboriginal life writing such as obstacles toward publishing, questions of editorial control (orthe lack thereof), intergenerational and interracial collaborations combining oral history and life writing, and the pros and cons of translation into European languages. Contributors: Katrin Althans, Maryrose Casey, Danica Cerce, Stuart Cooke, Paula Anca Farca, Michael R. Griffiths, Oliver Haag, Martina Horakova, Jennifer Jones, Nicholas Jose, Andrew King, Jeanine Leane, Theodore F. Sheckels, Belinda Wheeler. Belinda Wheeler is Associate Professor of English at Claflin University, Orangeburg, SC.