Turkish Ecocriticism: From Neolithic to Contemporary Timescapes explores the values, perceptions, and transformations of the environment, ecology, and nature in Turkish culture, literature, and the arts. Through these themes, it examines historical and contemporary environmentally engaged literary and cultural traditions in Turkey. The volume re-imagines Turkey in its geo-social and ecocultural narratives of multiple connections and complexities, in its multi-faceted webs of histories, and in its rich multispecies stories.

This collection examines the intersections between the personal and the political in travel writing, and the dialectic between mobility and stasis, through an analysis of specific cases across geographical and historical boundaries. The authors explore the various ways in which travel texts represent actual political conditions and thus engage in discussions about national, transnational, and global citizenship; how they propose real-world political interventions in the places where the traveler goes; what tone they take toward political or socio-political violence; and how they intersect with political debates. Travel writing can be viewed as political in a purely instrumental sense, but, as this volume also demonstrates, travel writing's reception and ideological interventions also transform personal and cultural realities. This book thus examines the ways in which politics' material effects inform and intersect with personal experience in travel texts and engage with travel's dialectic of mobility and stasis. In spite of globalization and efforts to eradicate the colonial vision in travel writing and in travel writing criticism, this vision persists in various and complex ways. While the travelogue can be a space of discursive and direct oppression, these essays suggest that the travelogue is also a narrative space in which the traveler employs the genre to assert authority over his or her experiences of mobility. This book will be an important contribution for interdisciplinary scholars with interests in travel writing studies, global and transnational studies, women's studies, multicultural studies, the social sciences, and history.

This collection examines the intersections between the personal and the political in travel writing, and the dialectic between mobility and stasis, through an analysis of specific cases across geographical and historical boundaries. The authors explore the various ways in which travel texts represent actual political conditions and thus engage in discussions about national, transnational, and global citizenship; how they propose real-world political interventions in the places where the traveler goes; what tone they take toward political or socio-political violence; and how they intersect with political debates. Travel writing can be viewed as political in a purely instrumental sense, but, as this volume also demonstrates, travel writing's reception and ideological interventions also transform personal and cultural realities. This book thus examines the ways in which politics' material effects inform and intersect with personal experience in travel texts and engage with travel's dialectic of mobility and stasis. In spite of globalization and efforts to eradicate the colonial vision in travel writing and in travel writing criticism, this vision persists in various and complex ways. While the travelogue can be a space of discursive and direct oppression, these essays suggest that the travelogue is also a narrative space in which the traveler employs the genre to assert authority over his or her experiences of mobility. This book will be an important contribution for interdisciplinary scholars with interests in travel writing studies, global and transnational studies, women's studies, multicultural studies, the social sciences, and history.

To capture the many Woolfian currents circulating around the world, the twenty-three chapters in this companion examine the global responses Woolf's work has inspired and explore her worldwide influence. Authors address ways Woolf is received by writers, publishers, reading audiences and academics in countries around the world; how she is translated into multiple languages; and the transformation of her life into global contemporary biofiction. This collection is dialogic and comparative, incorporating both transnational and local tendencies insofar as they epitomize Woolf's global reception and legacy. It contests the 'centre' and 'periphery' binary, offering new models for Woolf global studies and promoting cross-cultural understandings.

Virginia Woolf and Her Influences presents papers from the Seventh Annual Conference on Virginia Woolf at Plymouth State College in New Hampshire June 12-15, 1997. These papers fall under the theme of 'the influence of something upon somebody' as it arises throughout Woolf's work. The careful arrangement of the essays carries them over from the context of the conference to provide a range of critical and expanded approaches to Woolf's writing under the groupings of Reading/Writing the Individual, Historical Positionings, Creative Revolutions, and Theoretical Foray. Each part concludes with a section of 'Teachings' that recognizes the emphasis that Woolf placed on education and its impact on constructions of the body, on constructions of history, and on art and its interpretations. The editors' main goal is to expand the understanding of Woolf so that her creativity and ideas can be appreciated from not only the traditional perspective, but modern, varied perspectives as well.

Bringing together over 70 influential critical articles, Virginia Woolf: Critical and Primary Sources is a collection of significant academic writing on the work of the great modernist writer, Virginia Woolf. Beginning with the academic rediscovery of Woolf in the mid-1970s, this collection charts the development of Woolf scholarship up to 2015. It comprises examinations of Woolf's fiction and non-fictional writing, important manuscript and archival discoveries and biographical analyses, as well as critical work on Woolf's feminism, aesthetics and cultural writing. Each volume includes a substantial contextualising introduction surveying Woolf studies in the decade covered. Virginia Woolf: Critical and Primary Sources is an essential academic resource for scholars and common readers alike.

Reconsiders Virginia Woolf's work for the 21st century focusing on coevolution, duality and contradiction. These eleven newly commissioned essays represent the evolution, or coevolution, of Woolf studies in the early twenty-first century. Divided into five parts. Self and Identity; Language and Translation; Culture and Commodification; Human, Animal and Nonhuman; and Genders, Sexualities and Multiplicities, the essays represent the most recent scholarship on the subjective, provisional, and contingent nature of Woolf's work. The expert contributors consider unstable constructions of self and identity, and language and translation from multiple angles, including shifting textualities, culture and the marketplace, critical animal studies, and discourses that fracture and revise gender and sexuality. Key Features: - Extends existing critical work that considers a multiplicity of constructions of Virginia Woolf - Demonstrates original and diverse ways of reading this canonical (and contradictory) author - Explores multiple meanings related to the conjoined, fused, connected and evolving nature of Woolf studies - Considers new configurations, new pairings, and new ways of placing ideas in tension around Woolf's work for a postmodern, postmillennial era Editor bio: Jeanne Dubino is Professor of English and Global Studies, Department of Cultural, Gender, and Global Studies, Appalachian State University, Boone. Gill Lowe is Senior Lecturer in English at University Campus Suffolk, School of Arts and Humanities, University Campus Suffolk. Vara Neverow is Professor of English and Women's Studies, English Department, Engleman Hall, Southern Connecticut State University. Kathryn Simpson is Senior Lecturer in English at Cardiff Metropolitan University.

Reconsiders Virginia Woolf's work for the 21st century focusing on coevolution, duality and contradiction
These 11 newly commissioned essays represent the evolution, or coevolution, of Woolf studies in the early 21st-century. Divided into 5 parts - Self and Identity; Language and Translation; Culture and Commodification; Human, Animal and Nonhuman; and Gender, Sexuality and Multiplicity - the essays represent the most recent scholarship on the subjective, provisional, and contingent nature of Woolf's work. The expert contributors consider unstable constructions of self and identity, and language and translation from multiple angles, including shifting textualities, culture and the marketplace, critical animal studies, and discourses that fracture and revise gender and sexuality.
Key Features
Extends existing critical work that considers a multiplicity of constructions of 'Virginia Woolf'
Demonstrates original and diverse ways of reading this canonical (and contradictory) author
Explores multiple meanings related to the conjoined, fused, connected, and evolving nature of Woolf studies
Considers new configurations, new pairings, and new ways of placing ideas in tension around Woolf's work for a postmodern, postmillennial age