Bauls have achieved fame as wandering minstrels and mystics in India and Bangladesh. They are recruited from Hindu and Muslim communities and renowned for their beautiful songs. Using fieldwork and oral and written texts, Jeanne Openshaw analyzes the rise of the Bauls to their present revered status, traversing from the conventional historical and textual approaches towards an ethnographic study of their world, where love and the body are valued and women extolled above men. Her approach is challenging and sympathetic to this spiritual and creative people.

Carol Salomon dedicated over thirty years of her life to researching, translating, and annotating this compilation of songs by the Bengali poet and mystical philosopher Lalan Sai (popularly transliterated as Lalon) who lived in the village of Cheuriya in Bengal in the latter half of the nineteenth century. One major objective of his lyrical riddles was to challenge the restrictions of cultural, political, and sexual identity, and his songs accordingly express a longing to understand humanity, its duties, and its ultimate destiny. His songs also contain thinly veiled references to esoteric yogic practices (sadhana), including body-centered Hathayogic techniques that are related to those found in Buddhist, Kaula, Natha, and Sufi medieval tantric literature. Dr. Salomon's translation of the work is the first dedicated English translation of Lalan's songs to closely follow the Bangla text, with all of its dialectical variations, and is here produced alongside the original text. Although her untimely death left her work unpublished, the editors have worked diligently to reconstruct her translations from her surviving printed and handwritten manuscripts. The result is a finished product that can finally share her groundbreaking scholarship on Baul traditions with the world.