The latest in the Spotlight Series, which focuses on new bodies of work by contemporary artists, Sherrie Levine: Hong Kong Dominoes showcases several series that distinctly engage the artist's ongoing inquiry into notions of authorship, originality, and authenticity. Many of the works are consistent with Levine's practice-the deliberate reproduction of other artists' works and styles, so that her work and the original are nearly indistinguishable (as with the After Henri Matisse (1985) and After Feininger (2021) series). A number of the works make reference to modernist masterpieces, questioning the stereotypical construct of the heroic male artist. In her Monochromes After Renoir Nudes (2016) series, Levine used a computer program to calculate the average tone of the nude figures in Renoir's paintings and then used this color to create monochrome panels. Published for the first time, Hong Kong Dominoes: 1-12 (2017) replicates the patterns of a set of dominoes that Levine purchased in Hong Kong, evoking both minimalist art and popular games. The catalogue also features a new essay by Larry List, which tracks the history of Levine's inspirations and artistic practice, and an interview with Levine by Jeanne Siegel, originally published in the June/ Summer 1985 issue of Arts Magazine, which explores the artist's use of appropriated imagery.

Collecting has become a national pastime, but what happens to collectors and their collections is a topic that is rarely discussed. If collectors are savvy, fate can be very kind; if not, they and their heirs will be disappointed.

"The Collector's Dilemma" is for collectors who are undecided about the destination of their collection. Author and appraiser Jeanne Siegel discusses reasons to keep a collection intact and the procedures that new collectors should follow. She also offers expert advice on the following topics: Deals with selling options Compiling an inventory Auction advice Dealer information Restoration Wills Inherited collections Donations Tax forms

In addition, "The Collector's Dilemma" debunks misconceptions about collecting. For instance, television road and auction shows highlight single pieces worth small fortunes instead of featuring entire collections. When thinking of moving a collection, collectors should realize that this in itself does not imply a loss. Instead, considering an exchange for a collection can be a smart move leading to cash to sweeten a retirement account, finance dream vacations, or fund college for grandchildren. Collectors may consider the prestige and pleasure of donating their collections to a museum, university, or library.

Perfect for new and old collectors, heirs of collectors, estate lawyers, and dealers, "The Collector's Dilemma" will help those who are in the process of building or disposing of collections.

This volume assembles interviews with over thirty major artists to form a unique document of American art of the '60s and '70s. Between 1966 and 1973, Jeanne Siegel conducted interviews and panel discussions with most of the major art figures of the period. Here is Marcel Duchamp on his role as the major progenitor of the period; Ad Reinhardt on the importance of art as "art;" Don Judd, Andy Warhol, Robert Murray, Saul Steinberg, and others on Barnett Newman and his influence; Louise Nevelson on "feminine sculpture"; Romare Bearden on the role of African-American art in the civil rights movement; Leon Golub on the importance of social protest in art; Carl Andre on the Art Workers Coalition; Robert Rauschenberg and Larry Rivers on the possibilities of multi-media; Allen Kaprow and George Segal on environments and happenings; Claes Oldenburg on fragments of ordinary objects; Roy Lichtenstein on the influence of Art Deco: Hans Haacke on systems aesthetics; and Joseph Kosuth on language art. Through these dialogues and others, "Artwords" exposes the foundations of the art of the '80s and '90s, illuminating the ideas which originated during this seminal period, and which are still very much alive today.

"Art Talk" is a stimulating collection of interviews conducted by noted art critics of the most influential and innovative artists of the early 1980s. These interviews explore central themes of contemporary art: what makes art political, the commodification of art, the overarching importance of language, and the increased recognition of female artists. But the interviews are also remarkable for the frankness with which these artists are willing to discuss their work. Here Andy Warhol comments on the influence of Walt Disney; Cindy Sherman frames herself as a commodity; Walter Robinson elucidates the East Village scene; Jenny Holzer and Barbara Kruger expatiate on language as image; Laurie Anderson describes the influence of graffiti and traffic jams on her work; Georg Baselitz explains why he paints standard motifs upside down; and Robert Longo relates style to power. In her introduction, editor Jeanne Siegel identifies the major issues and events that shaped artistic expression in the early 80s: the growing acceptance of photography as fine art, the overwhelming expectations for artists to become "performers," the phenomenon of Postmodernism, and other emerging trends.