As a child, Laura Ingalls Wilder traveled across the prairie in a covered wagon. Her daughter, Rose, thought those stories might make a good book, and the two created the beloved Little House series.

Sara Breedlove, the daughter of former slaves, wanted everything to be different for her own daughter, A'Lelia. Together they built a million-dollar beauty empire for women of color. Marie Curie became the first person in history to win two Nobel prizes in science. Inspired by her mother, Irene too became a scientist and Nobel prize winner.

"Borrowed Names" is the story of these extraordinary mothers and daughters.

From the acclaimed author of Finding Wonders and Grasping Mysteries comes a gorgeously written biography in "deliberate, delicate verse" (Kirkus Reviews) about the pioneering Jewish woman physicist whose scientific prowess changed the course of World War II. At the turn of the 20th century, Lise Meitner dreamed of becoming a scientist. In her time, girls were not supposed to want careers, much less ones in science. But Lise was smart-and determined. She earned a PhD in physics, then became the first woman physics professor at the University of Berlin. The work was thrilling, but Nazi Germany was a dangerous place for a Jewish woman. When the risks grew too great, Lise escaped to Sweden, where she continued the experiments that she and her laboratory partner had worked on for years. Her efforts led to the discovery of nuclear fission and altered the course of history. Only Lise's partner, a man, received the Nobel Prize for their findings, but this moving and accessible biography shows how Lise's legacy endures.

The six women portrayed in this book--Maria Merian (b. 1647), Anna Comstock (b. 1854), Frances Hamerstrom (b. 1907), Rachel Carson (b. 1907), Miriam Rothschild (b. 1908) and Jane Goodall (b. 1934)--all grew up to become award-winning scientists, writers and artists, as comfortable with a pen as with a magnifying glass. They all started out as girls who didn't run from spiders or snakes, but crouched down to take a closer look. Often they were discouraged from getting dirty, much less pursuing careers in science. But they all became enthusiastic teachers, energetic writers, and passionate scientists--frequently the only women in their field. Their stories remind us to look and to look harder and then to look again. Under rotten logs or in puddles, there are amazing things to see.

This "evocative and beautiful" (School Library Journal) novel "vividly imagines the lives of three girls" (Booklist, starred review) in three different time periods as they grow up to become groundbreaking scientists. Maria Merian was sure that caterpillars were not wicked things born from mud, as most people of her time believed. Through careful observation she discovered the truth about metamorphosis and documented her findings in gorgeous paintings of the life cycles of insects. More than a century later, Mary Anning helped her father collect stone sea creatures from the cliffs in southwest England. To him they were merely a source of income, but to Mary they held a stronger fascination. Intrepid and patient, she eventually discovered fossils that would change people's vision of the past. Across the ocean, Maria Mitchell helped her mapmaker father in the whaling village of Nantucket. At night they explored the starry sky through his telescope. Maria longed to discover a new comet-and after years of studying the night sky, she finally did. Told in vibrant, evocative poems, this stunning novel celebrates the joy of discovery and finding wonder in the world around us.

Every writer needs inspiration, whether composing fiction, poetry, or fact-based work for an audience of children or adults. Both inspiration and company, Views from a Window Seat: Thoughts on Writing and Life poses and answers questions such as: How do we decide the best way to begin a book? How do we keep up our momentum during the long middle? What are some ways to know we've reached an ending? How do we tell the truth?

May Alcott spends her days sewing blue shirts for Union soldiers, but she dreams of painting a masterpiece—which many say is impossible for a woman—and of finding love, too. When she reads her sister’s wildly popular novel, Little Women, she is stung by Louisa’s portrayal of her as “Amy,” the youngest of four sisters who trades her desire to succeed as an artist for the joys of hearth and home. Determined to prove her talent, May makes plans to move far from Massachusetts and make a life for herself with room for both watercolors and a wedding dress. Can she succeed? And if she does, what price will she have to pay? Based on May Alcott’s letters and diaries, as well as memoirs written by her neighbors, Little Woman in Blue puts May at the center of the story she might have told about sisterhood and rivalry in an extraordinary family.