Although multilingualism is the norm in the day-to-day lives of most sub-Saharan Africans, multilingualism in settings outside of cities has so far been under-explored. This gap is striking when considering that in many parts of Africa, individual multilingualism was widespread long before the colonial period and centuries before the continent experienced large-scale urbanization. The edited collection African Multilingualisms fills this gap by presenting results from recent and ongoing research based on fieldwork in rural African environments as well as environments characterized by contact between urban and rural communities of speakers. The contributors-mostly Africans themselves, including a number of emerging scholars-present findings that both complement and critique current scholarship on African multilingualism. In addition, new methods and tools are introduced for the study of multilingualism in rural settings, alongside illustrations of the kinds of results that they yield. African Multilingualisms reveals an impressive diversity in the features of local language ideologies, multilingual behaviors, and the relationship between language and identity.

Saramaccan has been central to various debates regarding the origin and nature of creole languages. Being the most removed of all English-based creoles from European language structure in terms of phonology, morphology and syntax, it has been seen as one of the most extreme instantiations of the creolization process. This is the first full-length description of Saramaccan. The grammar documents, in particular, a valence-sensitive system of indicating movement and direction via serial verb constructions, hitherto overlooked amidst the generalized phenomenon of serialization itself.

Although multilingualism is the norm in the day-to-day lives of most sub-Saharan Africans, multilingualism in settings outside of cities has so far been under-explored. This gap is striking when considering that in many parts of Africa, individual multilingualism was widespread long before the colonial period and centuries before the continent experienced large-scale urbanization. The edited collection African Multilingualisms fills this gap by presenting results from recent and ongoing research based on fieldwork in rural African environments as well as environments characterized by contact between urban and rural communities of speakers. The contributors-mostly Africans themselves, including a number of emerging scholars-present findings that both complement and critique current scholarship on African multilingualism. In addition, new methods and tools are introduced for the study of multilingualism in rural settings, alongside illustrations of the kinds of results that they yield. African Multilingualisms reveals an impressive diversity in the features of local language ideologies, multilingual behaviors, and the relationship between language and identity.

8 Short Stage Combat plays

Comedy

One Acts

Various roles

Running time: 10-15 minutes each.

These short plays about piracy, brigandry, and heartrobbery combine tongue-in-cheek wordplay with swashbuckling swordplay and daring-dont's in stories revolving around pirates, maidens and rascals of all shapes and sizes. This unique collection of playlets can be used to create a full night of entertainment, as well as in the classroom for teaching stage combat techniques. Of special note is that these combat scenes contain roles for both male and female actors.

6m, 6f / Drama, High School/Community Theatre / Simple set Shakespeare's bloodiest romance. King Lear of Navarre splits up his kingdom, and swears off women, in hopes of spending more time with his books. But the unexpected arrival of the Princess of France, and the presence of Lear's three beauteous daughters at court, threaten romantic and political chaos int he land. From the authors of Romeo & Juliet [Caesar] and Ham/thello: the Moor of Denmark, award-winning playwright Jeff Goode intertwines two of Shakespeare's best-known plays in an original work of classic theatre. The third in a new series of collaborations between Goode and Shakespeare: the Bard's first new plays in 400 years.

All groups / Areas / Drama / 8m, 5f / Running time: 2 hours His first new play in 400 years! This tale of forbidden love and political intrigue fuses the texts of Shakespeare's two well-known tragedies into a new classic with unexpected plot twists. A young boy falls in love with the Roman Emperor, and all hell breaks loose. Controversy reigns in ancient Rome when a popular openly-gay politician takes as his lover the son of a homophobic arch-rival. Hate begets hate as a very public bashing/assassination leads to civil war and murder-suicide. Romeo and Julius Caesar intertwines two of Shakespeare's best known plays in an original work, which casts new perspective on the original texts, and a new light on our own modern problems. The first play offered in a new series of collaborations between Jeff Goode and Shakespeare.

These 11 short stage-combat plays about piracy, brigandry, and heartrobbery combine tongue-in-cheek word-play with swashbuckling swordplay in stories revolving around buccaneers, mutineers, damsels, fops, conquistadors, gladiatrixes and rapscallions of all shapes and sizes. This unique collection of playlets can be used to create a full night of entertainment, as well as in the classroom for teaching stage combat techniques. Of special note is that these combat scenes contain roles for both male and female actors. Contents: The Legends of Robin Hood and Little John Mutiny on the Booty The Trojan Diplomat Don Juan's Wantons The Harlot and the Hypocrite Monsieur Latoit's Lesson Arc's Angels Flouncy's Fancy Gladiatrix Gossip The Prince in the Poppies My Conquistador

Comedy / Characters: 1 female,4 male or 1 male, 4 female

Are you looking for something different for Christmas this year? Tired of Christmas Carol and Gift of the Magi? Well, this is the script for you: eight reindeer dishing about the real Santa. All those rumors you've heard about him and the elves? About Rudolph's little secret? About Vixen's story that was leaked to the press? All true. Yes, the reindeer finally speak up and -- believe us -- they do not hold back!

Please keep in mind that we do not recommend this script for high school use. This play is for adult audiences only!

The Eight has been well-received in the press:

Wickedly Topical -- New York Times

Excellent thought provoking. -- Dramalogue Magazine

Arrestingly funny. -- Village Voice

Lovin' ain't easy in this one-honky-tonk town, so when the bartender and the bandleader fall for the same dance hall girl, you're in for an evening of showstoppers and toe-tappers, cat fights, and love quadrangles that'll keep any joint jumpin' till way past last call. And if you think you got the gumption, you're welcome to get up and dance along.

2f, 2m / Musical, TYA/Jr. High/High School / Simple set Greedy humans exploit the kindness of a magical gnome in this fractured fairy tale based on the Brother's Grimm. An ambitious peasant will say anything to convince the cash-strapped king to marry her lowly daughter, even if it means pretending the girl knows how to spin ordinary straw into priceless gold. Forced to spin or die, the hapless girl begs a lovelorn gnome to save her with his magic. And when her newfound "talent" leads to a royal marriage proposal, the aspiring princess will promise the gnome anything to keep up the deception. Even her firstborn child! Too late, she realizes the only way to break her promise is to guess the identity of the mysterious gnome before her time runs out and her subterfuge catches up with her. "Suffice it to say that author Jeff Goode and composer Jonathan Price...are an astonishingly talented team." -The Bar Harbor Times

Saramaccan has been central to various debates regarding the origin and nature of creole languages. Being the most removed of all English-based creoles from European language structure in terms of phonology, morphology and syntax, it has been seen as one of the most extreme instantiations of the creolization process. This is the first full-length description of Saramaccan.

All groups / Areas / Drama / 5m, 3f / Running time: 2 hours Shakespeare's greatest villain, Iago, stoops to new heights of evil to convince King Othello that his stepson Hamlet loves his own mother. Jealousy, handkerchiefs, poison and ghosts ensue. But can anyone survive the raging vengeance of.Ophelia? A tale of racism, incest, and revenge, from the authors of Romeo & Julius [Caesar]. Award-winning playwright Jeff Goode intertwines two of Shakespeare's best-known plays in an original work of classic theatre. Part of the Shakespeare Fusion series: the Bard's first new plays in 400 years.

This book represents the first comprehensive examination of templatic constructions - namely, linguistic structures involving unexpected linear stipulation - in both morphology and syntax from a typological perspective. It provides a state-of-the-art overview of the previous literature, develops a new typology for categorizing templatic constructions across grammatical domains, and examines their cross-linguistic variation by employing cutting-edge computational methods. It will be of interest to descriptive linguists seeking to gain a better sense of the diversity of the world's templatic constructions, theoretical linguists developing restrictive models of possible templates, and typologists interested in the attested range of patterns of linear stipulation and the application of new kinds of multivariate methods to cross-linguistic data. The new typological framework is illustrated in detail via a number of case studies involving languages of Africa, Europe, Asia, and the Americas, and numerous other templatic constructions are also considered over the course of the book.

This book represents the first comprehensive examination of templatic constructions - namely, linguistic structures involving unexpected linear stipulation - in both morphology and syntax from a typological perspective. It provides a state-of-the-art overview of the previous literature, develops a new typology for categorizing templatic constructions across grammatical domains, and examines their cross-linguistic variation by employing cutting-edge computational methods. It will be of interest to descriptive linguists seeking to gain a better sense of the diversity of the world's templatic constructions, theoretical linguists developing restrictive models of possible templates, and typologists interested in the attested range of patterns of linear stipulation and the application of new kinds of multivariate methods to cross-linguistic data. The new typological framework is illustrated in detail via a number of case studies involving languages of Africa, Europe, Asia, and the Americas, and numerous other templatic constructions are also considered over the course of the book.

This collection of 10-minute plays will delight readers and audiences alike. From the futuristic musings of Michael Rudd's "Clothes For Their Souls" to the poetic mysticism of Nick Zagone's "Portland Blood Slam" to the film noirish farce of Jeff Goode's "Murder by Midnight," each of these short plays expresses the unique vision of a contemporary dramatist. Together, they make an exciting and diverse evening of theatre. Other plays in this anthology include "The Unwanted" by Walter Wykes, "The Goon" by Pete Malicki, "Watch Your Head" by Lynda Rodriguez, "Dog Park or Sexual Perversity in Magnuson" by Dennis Schebetta, "The Care and Feeding of Baby Birds" by Ann Wuehler, "The History of Why the Chicken Crossed the Road" by Jennye James, and "The Brown Shoes" by Julie Jensen.

This book looks at the relationship between linguistic universals and language change. Reflecting the resurgence of work in both fields over the last two decades, it addresses two related issues of central importance in linguistics: the balance between synchronic and diachronic factors in accounting for universals of linguistic structure, and the means of distinguishing genuine aspects of a universal human cognitive capacity for language from regularities that may be traced to extraneous origins.
The volume brings together specially commissioned work by leading scholars, including prominent representatives of generative and functional linguistics. It examines rival explanations for linguistic universals and assesses the effectiveness of competing models of language change. The authors investigate patterns and processes of grammatical and lexical change across a wide range of languages; they consider the degree to which common characteristics condition processes of change in related languages; and examine how far differences in linguistic outcomes may be explained by cultural or external factors.
This book will interest the wide range of scholars in linguistics and related fields concerned with language change, historical linguistics, linguistic typology and universals, and the nature of the human language faculty