This collection of essays draws inspiration from the late James Deetz's In Small Things Forgotten (1977). Deetz's seminal work broke new ground by using structuralist theory to show how artefacts reflected the 'worldviews' or ideologies of their makers and users, and went on to claim that the American colonial world had been structured according to a British intellectual blueprint, the so-called 'Georgian Order'. Thirty years on, this influential thesis has been substantially revised by more recent scholarship, but Deetz's central premise, that the systematic study of mundane material objects such as tombstones, architecture, and furniture, can render palpable the intangible aspects of human cognition and belief systems, has become a fundamental tenet of modern historical archaeology. Drawing upon James Deetz's insight that everyday objects from the recent past are freighted with social significance, and that material culture operates alongside language as a system of communication, the authors present a series of case studies which unravel specific cultural moments in well-documented historical periods across the modern world. The very best historical archaeologies create intimate material histories that expose constructions of race, class, gender, and have the capacity to challenge taken-for-granted knowledge and received political histories. The studies in this volume range in date from the early 17th century to the late 20th century and are unified by the way in which they employ theory from archaeology and anthropology to elucidate the complex links between human thought and action. The authors in this volume make a significant contribution to archaeological knowledge through their ability to move beyond simple materialities to create interesting human stories that transcend purely descriptive show-and-tell accounts of archaeological sites. Chapters by international scholars from North America, Europe, and Australia demonstrate the vitality of their approaches to historical archaeology through a series of compelling case studies. For the first time to an Anglophone audience this volume presents the latest research from Finland and Spain.

This collection of essays draws inspiration from the late James Deetz's In Small Things Forgotten (1977). Deetz's seminal work broke new ground by using structuralist theory to show how artefacts reflected the `worldviews' or idealogies of their makers and users, and claimed that the American colonial world had been structured according to a British intellectual blueprint, the so-called `Georgian Order'. His central premise, that the systematic study of mundane material objects such as tombstones, architecture, and furniture, can render palpable the intangible aspects of human cognition and belief systems, has become a fundamental tenet of modern historical archaeology. Drawing on James Deetz's insight that everyday objects from the recent past are `freighted with social significance' and that material culture operates alongside language as a system of communication, this book unravels specific cultural moments in well-documented historical periods across the modern world. These studies range from the early 17th century to the late 20th century and employ theory from archaeology and anthropology to elucidate the complex links between human thought and action. The authors, drawn from North America, Europe, and Australia, make a significant contribution to archaeological knowledge, moving beyond simple materialities to create human stories that transcend purely descriptive show-and-tell accounts of archaeological sites and allow taken-for-granted constructions of race, class and gender to be probed and challenged.

This, the sixth volume in the series 'Studies in Contemporary and Historical Archaeology', assembles a series of innovative studies in the historical archaeology of graffiti. Contents: 1) Wild Signs: An Introduction (Jeff Oliver and Tim Neal); 2) Basque Aspen Carvings: The Biggest Little Secret of Western USA (Joxe Mallea-Olaetxe); 3) Elbow Grease and Time to Spare: The Place of Tree Carving (Jeff Oliver and Tim Neal); 4) Magic Markers: The Evocative Potential of Carvings on Stanton Moor Edge, Derbyshire, UK (Stella McGuire); 5) Traces of Presence and Pleading: Approaches to the Study of Graffiti at Tewkesbury Abbey (Kirsty Owen); 6) Signs of the Times: Nineteenth - Twentieth Century Graffiti in the Farms of the Yorkshire Wolds (Katherine Giles and Melanie Giles);