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Since the eighteenth century, landscape has played complex
psychological and political roles in the narrative of Irishness,
entailing questions of memory, family, home, exile, and
forgiveness. In Stepping through Origins, Holdridge explores the
interplay of these concepts in literature. For Irish writers from
Swift to Heaney, the Irish landscape has remained not only a
reflection of Irish troubles but, much like aesthetic experience, a
space in which the bitterness of family or national life can be
understood, if not entirely overcome. Through deft analysis of
works by leading Irish writers including Lady Morgan, Yeats, Joyce,
Louis MacNeice, and Elizabeth Bowen, Holdridge expands and enriches
our understanding of how landscape has served as a palimpsest for
both family and country, connecting personal with collective
memory, localized places with their regions, and individual with
national identity.
Since the eighteenth century, landscape has played complex
psychological and political roles in the narrative of Irishness,
entailing questions of memory, family, home, exile, and
forgiveness. In Stepping through Origins, Holdridge explores the
interplay of these concepts in literature. For Irish writers from
Swift to Heaney, the Irish landscape has remained not only a
reflection of Irish troubles but, much like aesthetic experience, a
space in which the bitterness of family or national life can be
understood, if not entirely overcome. Through deft analysis of
works by leading Irish writers including Lady Morgan, Yeats, Joyce,
Louis MacNeice, and Elizabeth Bowen, Holdridge expands and enriches
our understanding of how landscape has served as a palimpsest for
both family and country, connecting personal with collective
memory, localized places with their regions, and individual with
national identity.
This is a fascinating study of Yeats's aesthetics, in which the
writing is profoundly engaged with the inner world of Yeats's
poetry. Holdridge's familiarity with the internal stresses of
Yeats's vision is grounded in serious and painstaking work in
philosophy and literary theory from Kant to Kristeva. Driving the
analysis is the author's sense of the significance and the human
importance of Yeats's poetry and thought, which he links to
contemporary issues of morality, politics, and sexuality. This
elegantly written and approachable book will be central to the
future of Yeats criticism.
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