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One of the top-grossing independent films of all time (and the
first horror movie shot in Michigan), The Evil Dead (1981) sparked
a worldwide cult following, resulting in sequels, remakes,
musicals, comic books, conventions, video games and a television
series. Examining the legacy of one of the all-time great horror
films, this collection of new essays covers the franchise from a
range of perspectives. Topics include The Evil Dead as punk rock
cinema, the Deadites' (demon-possessed undead) place in the
American zombie tradition, the powers and limitations of Deadites,
evil as affect, and the films' satire of neoliberal individualism.
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