Conservative strands in American literature are often overlooked on America's largely liberal university campuses. This book focuses on the works of conservative American writers and of others who have written of America from a conservative perspective. Beginning with the work of Edgar Allan Poe, the book explores the traditionalist temper in books by Vachel Lindsay, Fyodor Dostoevsky, Alfred Hitchcock, V.S. Naipaul, and Kent Haruf. Drawing on the theories of Lewis P. Simpson, Leszek Kolakowski, Roger Scruton, and Gertrude Himmelfarb, among others, this text offers a fresh examination of a neglected but significant aspect of American culture.

Since the end of World War II, the South has experienced a greater awareness of growth and of its accompanying tensions than other regions of the United States. The rapid change that climaxed with the war in Vietnam, the Cold War, civil rights demonstrations, and Watergate has forced the traditional South to come to terms with social upheaval. As the essays collected in Southern Writers at Century's End point out, southern writing: since 1975 reflects the confusion and violence that have characterized late-twentieth-century public culture. These essays consider the work of twenty-one of the foremost southern writers whose most important fiction has appeared in the last quarter of this century. As the region's contemporary writers have begun to gain a wide audience, critics have begun to distinguish what Hugh Holman has called "the fresh, the vital, and the new" in southern literary culture. Southern Writers at Century's End is the first volume to take an extensive look at the current generation of southern writers. Authors considered include: James Lee Burke, Fred Chappell, Robert Drake, Andre Dubus, Clyde Edgerton, Richard Ford, Kaye Gibbons, John Grisham, Barry Hannah, Mary Hood, Josephine Humphreys, Randall Kenan, Richard Marius, Bobbie Ann Mason, Cormac McCarthy, Tim McLaurin, T.R. Pearson, Lee Smith, Anne Tyle,r Alice Walker, and James Wilcox.

From Richard Wright to Toni Morrison: Ethics in Modern and Postmodern American Narrative studies the relationship of literature to contemporary ethical problems. Focusing on southern and African American writers, this book employs theoretical approaches from ethnicity studies, regional criticism, and postcolonial theory. It intends to insert a reading of ethics into the critical study of fictional and nonfictional narratives by Richard Wright, James Agee, Flannery O'Connor, Ernest J. Gaines, Walker Percy, Richard Ford, Toni Morrison, and other modern and postmodern American writers.

Since the early 1970s southern fiction has been increasingly attentive to social issues, including the continuing struggles for racial justice and gender equality, the loss of a sense of social community, and the decline of a coherent regional identity. The essays in The World Is Our Home focus on writers who have explicitly addressed social and cultural issues in their fiction and drama, including Dorothy Allison, Horton Foote, Ernest J. Gaines, Jill McCorkle, Walker Percy, Lee Smith, William Styron, Alice Walker, and many others. The contributors provide valuable insights into the transformation of southern culture over the past thirty years and probe the social and cultural divisions that persist. The collection makes an important case for the centrality of social critique in contemporary southern fiction.

Drawing on the theories of philosophers of ethics including Hannah Arendt and Alasdair MacIntyre, Damaged Lives: Southern and Caribbean Narrative from Faulkner to Naipaul studies how moral skepticism harms ordinary human beings. In response to an indecisive and uncommitted culture, many writers from the American South and the Caribbean have sought unambiguous sources of order and belief. Damaged Lives shows how a yearning for conviction pervades the writing of William Faulkner, F. Scott Fitzgerald, James Agee, Flannery O'Connor, Mary Hood, and V. S. Naipaul. This book will be useful in courses on modern American and Caribbean literature as well as in course on ethics, American studies, and cultural studies.