The remarkable story of how African Americans transformed Atlanta, the former heart of the Confederacy, into today's Black mecca Atlanta is home to some of America's most prominent Black politicians, artists, businesses, and HBCUs. Yet, in 1861, Atlanta was a final contender to be the capital of the Confederacy. Sixty years later, long after the Civil War, it was the Ku Klux Klan's sacred "Imperial City." America's Black Capital chronicles how a center of Black excellence emerged amid virulent expressions of white nationalism, as African Americans pushed back against Confederate ideology to create an extraordinary locus of achievement. What drove them, historian Jeffrey O. G. Ogbar shows, was the belief that Black uplift would be best advanced by forging Black institutions. America's Black Capital is an inspiring story of Black achievement against all odds, with effects that reached far beyond Georgia, shaping the nation's popular culture, public policy, and politics.

Introduces key terms, interdisciplinary research, debates, and histories for African American Studies As the longest-standing interdisciplinary field, African American Studies has laid the foundation for critically analyzing issues of race, ethnicity, and culture within the academy and beyond. This volume assembles the keywords of this field for the first time, exploring not only the history of those categories but their continued relevance in the contemporary moment. Taking up a vast array of issues such as slavery, colonialism, prison expansion, sexuality, gender, feminism, war, and popular culture, Keywords for African American Studies showcases the startling breadth that characterizes the field. Featuring an august group of contributors across the social sciences and the humanities, the keywords assembled within the pages of this volume exemplify the depth and range of scholarly inquiry into Black life in the United States. Connecting lineages of Black knowledge production to contemporary considerations of race, gender, class, and sexuality, Keywords for African American Studies provides a model for how the scholarship of the field can meet the challenges of our social world.

This volume provides new historical and literary insights into the Harlem Renaissance, returning attention to it not only as a broad expression of artistic work but also as a movement that found catharsis in art and hope in resistance.

By examining such major figures of the era as Jessie Fauset, Paul Robeson, and Zora Neale Hurston, the contributors reframe our understanding of the interplay of art, politics, culture, and society in 1920s Harlem. The fourteen essays explore the meaning and power of Harlem theater, literature, and art during the period; probe how understanding of racial, provincial, and gender identities originated and evolved; and reexamine the sociopolitical contexts of this extraordinary black creative class. Delving into these topics anew, "The Harlem Renaissance Revisited" reconsiders the national and international connections of the movement and how it challenged cliched interpretations of sexuality, gender, race, and class. The contributors show how those who played an integral role in shattering stereotypes about black creativity pointed the way toward real freedom in the United States, in turn sowing some of the seeds of the Black Power movement.

A fascinating chapter in the history of the African American experience and New York City, the cultural flowering of the Harlem Renaissance reverberates today. This thought-provoking combination of social history and intellectual art criticism opens this powerful moment in history to renewed and dynamic interpretation and sharper discussion.

Introduces key terms, interdisciplinary research, debates, and histories for African American Studies As the longest-standing interdisciplinary field, African American Studies has laid the foundation for critically analyzing issues of race, ethnicity, and culture within the academy and beyond. This volume assembles the keywords of this field for the first time, exploring not only the history of those categories but their continued relevance in the contemporary moment. Taking up a vast array of issues such as slavery, colonialism, prison expansion, sexuality, gender, feminism, war, and popular culture, Keywords for African American Studies showcases the startling breadth that characterizes the field. Featuring an august group of contributors across the social sciences and the humanities, the keywords assembled within the pages of this volume exemplify the depth and range of scholarly inquiry into Black life in the United States. Connecting lineages of Black knowledge production to contemporary considerations of race, gender, class, and sexuality, Keywords for African American Studies provides a model for how the scholarship of the field can meet the challenges of our social world.

This volume provides new historical and literary insights into the Harlem Renaissance, returning attention to it not only as a broad expression of artistic work but also as a movement that found catharsis in art and hope in resistance.

By examining such major figures of the era as Jessie Fauset, Paul Robeson, and Zora Neale Hurston, the contributors reframe our understanding of the interplay of art, politics, culture, and society in 1920s Harlem. The fourteen essays explore the meaning and power of Harlem theater, literature, and art during the period; probe how understanding of racial, provincial, and gender identities originated and evolved; and reexamine the sociopolitical contexts of this extraordinary black creative class. Delving into these topics anew, "The Harlem Renaissance Revisited" reconsiders the national and international connections of the movement and how it challenged cliched interpretations of sexuality, gender, race, and class. The contributors show how those who played an integral role in shattering stereotypes about black creativity pointed the way toward real freedom in the United States, in turn sowing some of the seeds of the Black Power movement.

A fascinating chapter in the history of the African American experience and New York City, the cultural flowering of the Harlem Renaissance reverberates today. This thought-provoking combination of social history and intellectual art criticism opens this powerful moment in history to renewed and dynamic interpretation and sharper discussion.

In the world of hip-hop, "keeping it real" has always been a primary goal-and realness takes on special meaning as rappers mold their images for street cred and increasingly measure authenticity by ghetto-centric notions of "Who's badder?"

In this groundbreaking book, Jeffrey O. G. Ogbar celebrates hip-hop and confronts the cult of authenticity that defines its essential character--that dictates how performers walk, talk, and express themselves artistically and also influences the consumer market. "Hip-Hop Revolution" is a balanced cultural history that looks past negative stereotypes of hip-hop as a monolith of hedonistic, unthinking noise to reveal its evolving positive role within American society.

A writer who's personally encountered many of hip-hop's icons, Ogbar traces hip-hop's rise as a cultural juggernaut, focusing on how it negotiates its own sense of identity. He especially explores the lyrical world of rap as artists struggle to define what realness means in an art where class, race, and gender are central to expressions of authenticity-and how this realness is articulated in a society dominated by gendered and racialized stereotypes.

Ogbar also explores problematic black images, including minstrelsy, hip-hop's social milieu, and the artists' own historical and political awareness. Ranging across the rap spectrum from the conscious hip-hop of Mos Def to the gangsta rap of 50 Cent to the "underground" sounds of Jurassic 5 and the Roots, he tracks the ongoing quest for a unique and credible voice to show how complex, contested, and malleable these codes of authenticity are. Most important, Ogbar persuasively challenges widely held notions that hip-hop is socially dangerous-to black youths in particular-by addressing the ways in which rappers critically view the popularity of crime-focused lyrics, the antisocial messages of their peers, and the volatile politics of the word "nigga."

"Hip-Hop Revolution" deftly balances an insider's love of the culture with a scholar's detached critique, exploring popular myths about black educational attainment, civic engagement, crime, and sexuality. By cutting to the bone of a lifestyle that many outsiders find threatening, Ogbar makes hip-hop realer than it's ever been before.

Celebrants of an ever-emerging 'globalization' fly the banner of free trade, the mass marketization of once faltering economies, and rising economic and social standards for all. Many opponents to globalization rightfully point out that borders still exist largely for the purposes of keeping one 'commodity' in its place: the labor commodity or, the more familiar, immigrant. Arguments of this type are often steeped in economic and social discourse. Race and ethnicity are seen as either being subsumed by this discourse or are entirely ignored as incidental to this type of political thought. In Ethnicity, Class and Nationalism: Caribbean and Extra-Caribbean Dimensions specialists writing on the Caribbean form of the nation-state place race and ethnicity along with class in its proper context: at the very foundations of the modern nation. Editor Anton L. Allahar has handpicked scholarship that is both contemporary and expert in its consideration of Caribbean geo-politics. Furthermore, essays in this volume include comparative cases from around the globe. In the interest of locating race and ethnicity as sociological and political categories that are inimical to contemporary conceptions of the nation state, Allahar explores spaces other than the Caribbean. The result is a comparative study that is unique in scope and also in its level of scholarly reflection. This book is the first of its kind. It is essential reading for anyone interested in advancing their analysis of political, economic, social, and cultural thought in the Caribbean."