Religion in Romantic England explores the ways thattheliterature of English Christianity shaped the social, cultural, political, and religious life of the nationin texts published between 1760 and 1832. From the accession of George III and the expansion of Methodism in the late eighteenth century to the Reform Bill and the beginning of the Oxford Movement of the early nineteenth, this anthology revealshow theological ideas and ecclesial movements influenced one of the most widelystudiedperiods in English literature and history. These tumultuous decades brought religious revival in evangelical preaching and spirituality, controversial responses to the French Revolution, the abolition of the slave trade, the struggle over Roman Catholic emancipation, the proliferation of missionary societies, and intellectual battles over the nature of God, the Bible, faith, church authority, and religious pluralism. Religious writers in the Romantic period range from poets and preachers to pamphleteers and theologians. In ten thematic chapters tracing pivotal developments in belief and practice, Religion in Romantic England guidesreadersinunderstandingthe major historical and theological issues that contributed to the literary, educational, and political movements of theera. These judicious selections, drawn from a diverse body of luminariesaincluding William Carey, Edmund Burke, Mary Wollstonecraft, Joseph Priestley, Hannah More, Percy Shelley, and William Wilberforce, among many othersaintroduce newcomers and established readers alike to the ideas, controversies, and hopes that continue to affectour common life to this day.

Barbeau reconstructs the system of religion that Coleridge develops in "Confessions of an Inquiring Spirit" (1840). Coleridge's late system links four sources of divinity--the Bible, the traditions of the church, the interior work of the Spirit, and the inspired preacher--to Christ, the Word. In thousands of marginalia and private notebook entries, Coleridge challenges traditional views of the formation and inspiration of the Bible, clarifies the role of the church in biblical interpretation, and elucidates the relationship between the objective and subjective sources of revelation. In late writings that develop a robust system of religion, Coleridge conveys his commitment to biblical wisdom.

Whether on the printed page, the television screen or the digital app, we live in a world saturated with images. Some images help shape our understanding of ourselves and the world around us in positive ways, while others lead us astray and distort our relationships. Christians confess that human beings have been created in the image of God, yet we chose to rebel against that God and so became unfaithful bearers of God's image. The good news of the gospel is that Jesus, who is the image of God, restores the divine image in us, partially now and fully in the day to come. The essays collected in The Image of God in an Image Driven Age explore the intersection of theology and culture. With topics ranging across biblical exegesis, the art gallery, Cormac McCarthy, racism, sexuality and theosis, the contributors to this volume offer a unified vision-ecumenical in nature and catholic in spirit-of what it means to be truly human and created in the divine image in the world today. This collection from the 2015 Wheaton Theology Conference includes contributions by Daniela C. Augustine, Craig L. Blomberg, William A. Dyrness, Timothy R. Gaines and Shawna Songer Gaines, Phillip Jenkins, Beth Felker Jones, Christina Bieber Lake, Catherine McDowell, Ian A. McFarland, Matthew J. Milliner, Soong-Chan Rah and Janet Soskice, as well as original poems by Jill Pelaez Baumgaertner and Brett Foster.

"I felt my heart strangely warmed." That was how John Wesley described his transformational experience of God's grace at Aldersgate Street on May 24, 1738, an event that some mark as the beginning of the Methodist Church. Yet the story of Methodism, while clearly shaped by John Wesley's sermons and Charles Wesley's hymns, is much richer and more expansive. In this book, Methodist theologian Jeffrey W. Barbeau provides a brief and helpful introduction to the history of Methodism-from the time of the Wesleys, through developments in North America, to its diverse and global communion today-as well as its primary beliefs and practices. With Barbeau's guidance, both those who are already familiar with the Wesleyan tradition and those seeking to know more about this significant movement within the church's history will find their hearts warmed to Methodism.

Barbeau reconstructs the system of religion that Coleridge develops in Confessions of an Inquiring Spirit (1840). Coleridge's late system links four sources of divinity the Bible, the traditions of the church, the interior work of the Spirit, and the inspired preacher to Christ, the Word. In thousands of marginalia and private notebook entries, Coleridge challenges traditional views of the formation and inspiration of the Bible, clarifies the role of the church in biblical interpretation, and elucidates the relationship between the objective and subjective sources of revelation. In late writings that develop a robust system of religion, Coleridge conveys his commitment to biblical wisdom.

The Cambridge Companion to British Romanticism and Religion provides the first scholarly survey of the connections between literature, religion, and intellectual life during the British Romantic period (1780s-1832). Part I, 'Historical Developments,' examines diverse religious communities, texts, and figures that shaped British Romantic culture, investigating the influence of Christianity, Judaism, Islam, Hinduism, and atheism on the literature of the times. Part II, 'Literary Forms,' considers British Romanticism and religion through attention to major genres such as poetry, the novel, drama, sermons and lectures, and life writing. Part III, 'Disciplinary Connections,' explores links between religion, literature, and other areas of intellectual life during the period, including philosophy, science, politics, music, and painting.

The Cambridge Companion to British Romanticism and Religion provides the first scholarly survey of the connections between literature, religion, and intellectual life during the British Romantic period (1780s-1832). Part I, 'Historical Developments,' examines diverse religious communities, texts, and figures that shaped British Romantic culture, investigating the influence of Christianity, Judaism, Islam, Hinduism, and atheism on the literature of the times. Part II, 'Literary Forms,' considers British Romanticism and religion through attention to major genres such as poetry, the novel, drama, sermons and lectures, and life writing. Part III, 'Disciplinary Connections,' explores links between religion, literature, and other areas of intellectual life during the period, including philosophy, science, politics, music, and painting.