A madcap tale of sadistic power-play by one of the 20th century's most beloved French gay writers. My Manservant and Me is a story about the trials and tribulations of having a live-in valet. Written from the uneasy perspective of an aging, incontinent author of extremely successful middlebrow plays, we learn about his manservant, a young film actor who is easily moved to both delicate gestures and terrible tantrums; who's been authorized to handle his master's finances, who orders stock buys, dictates his master's wardrobe, sleeps in his master's bed, and yet won't let him watch variety television. My Manservant and Me reveals the rude specificities of this relationship with provocative humor and stylistic abjection. This manservant won't be going anywhere.

'Jakuta Alikavazovic writes with lyric precision while making the limits of language felt. We need all of her books in English.' Ben Lerner **Longlisted for the Oxford-Weidenfeld Translation Prize** Amelia was one of those people who destroyed everything and called it art. Paul works as a hotel night guard to make ends meet. Amelia, who studies at the same university, is the young woman who rents Room 313. Everything about her is a mystery: where she goes, who she meets - and where she comes from. The two students become compulsively and inextricably entangled, until one day, Amelia disappears. Night as It Falls is a novel of high passion and low light, tracing two young lovers who must both come to terms with their inherited bonds and the paths that shape the future. 'A dark, brooding jewel of a book.' Irish Times

It's not only grief and loneliness that have tormented Tara since her husband's death. In her, something rises and crests like a wave. As she sits in squalor in a house that once knew love, she hears the deafening cry of a past she thought was stifled and the resurgence of the person she had been before. A girl with another name, who loved to laugh and dance, who believed in the innocence of childhood until she was overtaken by her country's demons. With her characteristic lyricism and precision, Nathacha Appanah offers us total immersion into a world of lost futures and hidden pasts, in which the implacable hand of fate can only be resisted at a price. Translated from the French by Jeffrey Zuckerman

Winner of the 2017 CLMP Firecracker Award for Fiction "Devi writes about terrible and bitter events with a soft, delicate voice." Le Figaro Included in World Literature Today's "75 Notable Translations of 2016" With brutal honesty and poetic urgency, Ananda Devi relates the tale of four young Mauritians trapped in their country's endless cycle of fear and violence: Eve, whose body is her only weapon and source of power; Savita, Eve's best friend, the only one who loves Eve without self-interest, who has plans to leave but will not go alone; Saadiq, gifted would-be poet, inspired by Rimbaud, in love with Eve; Clelio, belligerent rebel, waiting without hope for his brother to send for him from France. Eve out of Her Ruins is a heartbreaking look at the dark corners of the island nation of Mauritius that tourists never see, and a poignant exploration of the construction of personhood at the margins of society. Awarded the prestigious Prix des cinq continents upon publication as the best book written in French outside of France, Eve Out of her Ruins is a harrowing account of the violent reality of life in her native country by the figurehead of Mauritian literature. The book featurues an original introduction by Nobel Prize winner J.M.G. Le Clezio, who declares Devi "a truly great writer." Ananda Devi (b. 1957, Trois-Boutiques, Mauritius) is a novelist and scholar. She has published eleven novels as well as short stories and poetry, and was featured at the PEN World Voices Festival in New York in 2015. She was made a Chevalier des Arts et des Lettres by the French Government in 2010.

A chance encounter on Portobello Road incites an unsettling, magnetic attraction between Mary, an elderly white woman, and Cub, a British-Jamaican boy, and drives her crumbling world into heightened delusion. The two struggle to keep their footing as white supremacy, desperation and class conflict collide on the streets of London. Through exquisite juxtaposition, Ananda Devi exposes the tensions of an increasingly nationalistic and polarised metropolis. At once realistic and fantastical, The Living Days encapsulates Devi's daring, unflinching talent and paints an unforgettable portrait of London at it's most bewitching, and most dangerous.

Winner of the Prix Maison de la Presse An epic love story set against a backdrop of injustice, devastating secrets, and the painful price of independence. It's 1967 in the Chagos Archipelago-a group of atolls in the Indian Ocean-and life is peaceful and easy for hardworking Marie. Her fierce independence and love for her home are quickly apparent to Gabriel, the handsome and sophisticated Mauritian secretary to the archipelago's administrator; it's love at first sight. As these two lovers from neighboring islands welcome a new son, Josephin, a bright future seems possible. But Gabriel is hiding a terrible secret. The Mauritian government is negotiating independence from Britain, and this deal with the devil will mean evacuating the Chagos, without warning or mercy-a betrayal that will put their love to the test. Inspired by a shocking travesty of justice, the repercussions of which still reverberate more than fifty years later, bestselling Franco-Mauritian author Caroline Laurent paints a shimmering portrait of island life, a sensual paradise lost, and a gorgeous star-crossed love against all odds.

Stories that map the writer's artistic development, written with candor, detachment, and passion. Herve Guibert published twenty-five books before dying of AIDS in 1991 at age 36. An originator of French "autofiction" of the 1990s, Guibert wrote with aggressive candor, detachment, and passion, mixing diary writing, memoir, and fiction. Best known for the series of books he wrote during the last years of his life, chronicling his coexistence with illness, he has been a powerful influence on many contemporary writers. Written in Invisible Ink maps the writer's artistic development, from his earliest texts-fragmented stories of queer desire-to the unnervingly photorealistic descriptions in Vice and the autobiographical sojourns of Singular Adventures. Propaganda Death, his harsh, visceral debut, is included in its entirety. The volume concludes with a series of short, jewel-like stories composed at the end of his life. These anarchic and lyrical pieces are translated into English for the first time by Jeffrey Zuckerman. From midnight encounters with strangers to tormented relationships with friends, from a blistering sequence written for Roland Barthes to a tender summoning of Michel Foucault upon his death, these texts lay bare Guibert's relentless obsessions in miniature.

A cult classic in France, the first translation of a novel that captures a subjective stroll through an underground, glamorous Paris finally there are the rolling stones who call for all these at the same time among them and around them: the policeman, the cross-dresser, the dancer, Frankenstein, the dandy, the robot -from Dusty Pink Written with the hope of achieving a "dreary distant banality," Jean-Jacques Schuhl's first novel is a subjective stroll through an underground, glamorous Paris, a city that slips into the background but never disappears, hovering on the verge of its own suppression. An elegiac and luminous cut-up, Dusty Pink brings together race wire results, editions of France-Soir, the lyrics to well-known British songs, scripts from famous old films, pharmaceutical leaflets, fashion ads, and strips and scraps of culture in which the avant-garde and academicism blur in an overview of the cultural scene. This world of atmospheres, portraits, and dazzling associations of ideas creates a plane of shimmering surfaces. Published in French in 1972, Jean-Jacques Schuhl's Dusty Pink became a cult classic. This is its first translation.

A novel that is a meditation on friendship, love, obsession, power, and abuse, by turns hyperrealist and phantasmagoric, recalling the work of Sade and Bataille. And he leaves. I'm not happy, I'm pretty upset at myself, I wasn't satisfied with him but I wouldn't have been any better without him. I sit on the couch and think. I'm not actually thinking, it's already been thought, I have to call Grampa... I need to hear his voice. I miss him. -from Now the Night Begins At the tail end of summer vacation, Gilles Heurtebise drifts between lazy afternoons, swimming, cruising the shores of a nearby lake, and absentmindedly hooking up with old lovers. He has yet to achieve material or romantic stability. He is forty, facing a precarious future with unformed fears and regrets. The one thing that seems solid is Grampa, the ninety-year-old patriarch of a family Gilles has befriended. Gilles grows obsessed by the old man, and a strange sexual bond grows between the two. When the police get involved, and Gilles is witness to a murder, the banality of interhuman violence is brought to a paroxysmal climax. The winner of France's prestigious Prix Sade, Now the Night Begins is a meditation on friendship, love, power, and abuse in a world where social relations have radically disintegrated. Interwoven with swaths of Occitan, the language of troubadours and love, and by turns hyperrealist and phantasmagoric, the novel recalls Georges Bataille's dark surrealism and the unvarnished violence of Bret Easton Ellis. It proves Alain Guiraudie's status as the preeminent writer of the vulnerability underlying our contemporary malaise. "The genial perversity of Alain Guiraudie's Now the Night Begins is something rare and fascinatingly energized, a metaphysical and moral slapstick that points to the arbitrariness of all authority and the fluidity of all desires. In its way, the most elegant, certainly the most hilarious brief for anarchy that anyone has written in a long time." -Gary Indiana "Raw, sexual, and scatological, Alain Guiraudie's novel evokes Sade and Bataille." -Elisabeth Philippe