How do you write a novel? Practising novelists and teachers of creative writing reveal their working methods and offer practical advice. Subjects covered range from magic realism to characterisation, surrealism to historical fiction, via perspective, plot twists and avoiding being boring, among many others. This book is for creative writing students writers and readers of novels teachers of creative writing With contributions from Leone Ross, Tom Bromley, Jenn Ashworth, AJ Dalton, Nikesh Shukla, Stella Duffy, Mark Morris, Alison Moore, Nicholas Royle, Alice Thompson, Kerry Hudson, Toby Litt, Livi Michael, Joe Stretch, James Miller, Sarah Butler, Will Wiles, Graeme Shimmin Featuring Eighteen specially commissioned essays Creative writing exercises Top tips Lists of recommended novels

I'm sitting on my couch, watching the local news. There's Chloe's parents, the mayor, the hangers on, all grouped round the pond for the ceremony. It's ten years since Chloe and Carl drowned. You can tell from their faces that something has gone wrong. But I'm the one who knows straightaway that the mayor has found a body. And I know who it is.

Jenn Ashworth's gripping and unforgettable Cold Light is the story of a friendship unsettling in its intensity and of one terrible summer when lies, secrets, jealousy, and perversion result in tragedy more twisted and evil than one unsuspecting community can handle. A dark tale with a surreal edge, it follows two fourteen-year-old girls, best friends, as they confront the dangers of a predatory adult world, where truth is cruelly sacrificed in the name of innocence.

'Dark, compelling, beautifully written' Andrew Michael Hurley In this eerie, atmospheric and mysterious tale, a woman returns to the house in Morecambe Bay where she grew up in the 1960s to find it falling apart, undermined by the roots of two huge sycamores. She is unaware that she has awoken the spirits of her parents, Jack and Nettie Clifford, who watch anxiously as their daughter Annette is overwhelmed by the state of the house and realise too late how far they neglected her as a child. As their memories come alive, the story unfolds of a crucial summer when Annette was 8 and Nettie became too ill to run their boarding house. The lodgers have to go - all except the newly arrived butcher's apprentice, because he seems to have miraculous healing powers and is Jack and Nettie's last, desperate hope. But is he who he says he is? Why do those he lays his hands on feel an erotic charge? And why does he despise his own gift? As everything comes to a head, so too does Annette's story in the present. But this time, someone is looking out for her and comes to her rescue. Finally, the spirits of her parents can let go.

A genre-bending meditation on sickness, spirituality, creativity, and the redemptive powers of writing.Notes Made While Falling is both a genre-bending memoir and a cultural study of traumatized and sickened selves in fiction and film. It offers a fresh, visceral, and idiosyncratic perspective on creativity, spirituality, illness, and the limits of fiction itself. At its heart is a story of a disastrously traumatic childbirth, its long aftermath, and the out-of-time roots of both trauma and creativity in an extraordinary childhood. Moving from fairgrounds to Agatha Christie, from literary festivals to neuroscience and the Bible, from Chernobyl to King Lear, Ashworth takes us on a fantastic journey through familiar landscapes transformed through unexpected encounters and comic combinations. The everyday provides the ground for the macabre and the absurd, as the narration twists and stretches time. Hovering on the edge of madness, writing, it seems, might keep us sane--or might just allow us to keep on living. In Notes Made While Falling, Ashworth calls for a redefinition of the creative work of thinking, writing, teaching, and being, and she underlines the necessity of a fearlessly compassionate and empathic attention to vulnerability and fragility.

Original tales by remarkable writers Hometown Tales is a series of books pairing exciting new voices with some of the most talented and important writers at work today. Some of the tales are fiction and some are narrative non-fiction - they are all powerful, fascinating and moving, and aim to celebrate regional diversity and explore the meaning of home. In these pages on Lancashire, you'll find two unique tales. 'After the Funeral, the Crawl' is an arresting portrait of a couple forced to confront a dark secret over the course of a pub crawl one night in Preston, by award-winning novelist Jenn Ashworth. 'JUDAS!' is a vivid, coming-of-age story that traces the political and cultural history of Manchester, from its industrial past to its eventual separation from the county, by Benjamin Webster.

* SHORTLISTED FOR THE PORTICO PRIZE 2022 * A deeply affecting and unconventional love story, shot through with anger, black humour and grief. One ordinary morning, Laurie's husband Mark vanishes, leaving behind his phone and wallet. For weeks, she tells no one, carrying on her job as a cleaner at the local university, visiting her tricky, dementia-suffering father and holing up in her tower-block flat with a bottle to hand. When she finally reports Mark as missing, the police are suspicious. Why did she take so long? Wasn't she worried? It turns out there are many more mysteries in Laurie's account of events, though not just because she glosses over the facts. At the time, she couldn't explain much of her behaviour herself. But as she looks back on the ensuing wreckage - the friendships broken, the wild accusations she made, the one-night stand - she can see more clearly what lay behind it. And if it's not too late, she can see how she might repair the damage and, most of all, forgive herself.

It's Friday in the Leeke household, but this is no ordinary Friday and the Leekes are a little unusual: they are Lancastrian Mormons, and this evening their son Gary will return from 2 years as a missionary in Salt Lake City. His mother is planning a celebratory dinner - with difficulty, since she's virtually housebound with an undiagnosed, embarrassing condition. What she doesn't realise is that the rest of the family - her meek husband, disturbed oldest son, and teenage daughter - have other plans for the evening, each involving drastic and irrevocable action. As the narrative baton passes from one Leeke to the next, disaster inexorably looms. Except that nothing goes according to plan, and the outcome is as unexpected as it is shocking. Giving a fascinating insight into the Mormon way of life, this blackly funny tale of innocence betrayed shows the havoc religion can wreak.

Annie is obese, lonely and hopeful. Armed with self-help books, her cat and a collection of cow-shaped milk jugs, she moves into her new home and sets about getting to know the neighbours, especially the man next door. She ignores her neighbour's inconvenient girlfriend, but it's not quite as easy for Annie to dismiss her own past. As Annie's murky history of violence, secrets and sexual mishaps catches up with her, she cannot see that she has done anything wrong. She's just doing what any good neighbour would do, after all...

I'm sitting on my couch, watching the local news. There's Chloe's parents, the mayor, the hangers on, all grouped round the pond for the ceremony. It's ten years since Chloe and Carl drowned, and they've finally chosen a memorial - a stupid summerhouse. The mayor has a spade decked out in pink and white ribbon, and he's started to dig. You can tell from their faces that something has gone wrong. But I'm the one who knows straightaway that the mayor has found a body. And I know who it is. This is the tale of three fourteen-year-old girls and a volatile combination of lies, jealousy and perversion that ends in tragedy. Except the tragedy is even darker and more tangled than their tight-knit community has been persuaded to believe. Blackly funny and with a surreal edge to its portrait of a northern English town, Jenn Ashworth's gripping novel captures the intensity of girls' friendships and the dangers they face in a predatory adult world they think they can handle. And it shows just how far that world is willing to let sentiment get in the way of the truth.

Scraps is the second anthology from National Flash-Fiction Day. It features more than seventy huge tales told in only a few words. All of the stories in this collection have been inspired by other works of art: paintings, sculptures, TV programmes, films, music and more. As a result they are imbued with something of the original, but then take off into new and often surprising directions. Scraps features stories from Jenny Adamthwaite, Jenn Ashworth, Oliver Barton, Alan Beard, Natalie Bowers, Cathy Bryant, Joanna Campbell, Nuala Ni Chonchuir, James Coates, Claire Collison, Chris Connolly, L.A. Craig, Judy Darley, Ariel Dawn, Vanessa Gebbie, Kylie Grant, David Gullen, David Hartley, Kevlin Henney, Tania Hershman, Sarah Hilary, H Anthony Hildebrand, Eva Holland, Holly Howitt, Thaddeus Howze, Anouska Huggins, Claire Ibarra, Paul Kavanagh, RM Kealy, John Keating, Calum Kerr, Clare Kirwan, Mark Kockelbergh, Emma J. Lannie, Cathy Lennon, Beverly C. Lucey, Amy Mackelden, R A Martens, Ana Martinez, Thomas McColl, Stephen McGeagh, Danielle McLaughlin, Siobhan McNamara, Freya Morris, Andrea Mullaney, Clay Norman, John Paul O'Neill, Sonya Oldwin, Jim O'Loughlin, Amanda Oosthuizen, Jonathan Pinnock, Dan Powell, Amanda Quinn, Eabha Rose, Sam Russell, Shelley Day Sclater, Emma Shaw, Ian Shine, Diane Simmons, Tim Stevenson, Becky Tipper, Stella Turner, Tracey Upchurch, Bart Van Goethem, Alison Wells and Brendan Way. Funny, sad, exciting, intriguing, experimental and traditional, Scraps is a snapshot of the best in contemporary flash fiction.

SHORTLISTED FOR THE PORTICO PRIZE 2022 'Unnerving, absorbing . . . Laurie is a miraculous creation . . . Piercingly human and darkly funny' Sunday Times One ordinary morning, Laurie's husband disappears, leaving behind his phone and wallet. For weeks she tells no one, carrying on her cleaning job at the university, visiting her tricky, dementia-suffering father and holing up in her high-rise flat with a bottle to hand. When she finally reports him as missing, the police are suspicious. What took her so long? Laurie can't fully explain her behaviour even to herself, or the strange presence she senses in the flat. Only when she looks back on the ensuing wreckage does she begin to understand, and see how she might repair the damage.