To write about the North West coast is to do battle with the tenacity of stereotype. It is to dodge well-worn evocations of depressed, down-at-heel seaside towns, gaudy sea-front arcades, Ferris wheels, roller coasters and caravan parks and of past-their-best Lakeland towns with stunning views and grim prospects. To write about these places is to somehow acknowledge a variety of well publicised truths about the social and economic struggles of neglected and disenfranchised populations and also to dig deeper - to find the views and perspectives that surprise and make strange. No collection, even one including writers as varied and accomplished at the ones you'll meet in this anthology, could claim to provide a complete, exhaustive account of a region which encompasses hundreds of miles of coastline with centuries of complex history, a myriad of urban and natural habitats, and the entire available spectrum of human experience. Under these grey skies and rain-spotted sands lurk teeming hidden myriad of secret wildlife. Yet the stories included in Seaside Special succeed in gifting us readers with `postcards from the edge.' These ten writers, some of them established and some being published here for the first time, answer the challenge to `surprise and make strange' in an array of startling, often discomforting and most of all vivid glimpses of some of the lives and landscapes contained in this stretch of coast.

Original tales by remarkable writers Hometown Tales is a series of books pairing exciting new voices with some of the most talented and important writers at work today. Some of the tales are fiction and some are narrative non-fiction - they are all powerful, fascinating and moving, and aim to celebrate regional diversity and explore the meaning of home. In these pages on Lancashire, you'll find two unique tales. 'After the Funeral, the Crawl' is an arresting portrait of a couple forced to confront a dark secret over the course of a pub crawl one night in Preston, by award-winning novelist Jenn Ashworth. 'JUDAS!' is a vivid, coming-of-age story that traces the political and cultural history of Manchester, from its industrial past to its eventual separation from the county, by Benjamin Webster.

How do you write a novel? Practising novelists and teachers of creative writing reveal their working methods and offer practical advice. Subjects covered range from magic realism to characterisation, surrealism to historical fiction, via perspective, plot twists and avoiding being boring, among many others. This book is for creative writing students writers and readers of novels teachers of creative writing With contributions from Leone Ross, Tom Bromley, Jenn Ashworth, AJ Dalton, Nikesh Shukla, Stella Duffy, Mark Morris, Alison Moore, Nicholas Royle, Alice Thompson, Kerry Hudson, Toby Litt, Livi Michael, Joe Stretch, James Miller, Sarah Butler, Will Wiles, Graeme Shimmin Featuring Eighteen specially commissioned essays Creative writing exercises Top tips Lists of recommended novels

I'm sitting on my couch, watching the local news. There's Chloe's parents, the mayor, the hangers on, all grouped round the pond for the ceremony. It's ten years since Chloe and Carl drowned, and they've finally chosen a memorial - a stupid summerhouse. The mayor has a spade decked out in pink and white ribbon, and he's started to dig. You can tell from their faces that something has gone wrong. But I'm the one who knows straightaway that the mayor has found a body. And I know who it is. This is the tale of three fourteen-year-old girls and a volatile combination of lies, jealousy and perversion that ends in tragedy. Except the tragedy is even darker and more tangled than their tight-knit community has been persuaded to believe. Blackly funny and with a surreal edge to its portrait of a northern English town, Jenn Ashworth's gripping novel captures the intensity of girls' friendships and the dangers they face in a predatory adult world they think they can handle. And it shows just how far that world is willing to let sentiment get in the way of the truth.

I'm sitting on my couch, watching the local news. There's Chloe's parents, the mayor, the hangers on, all grouped round the pond for the ceremony. It's ten years since Chloe and Carl drowned. You can tell from their faces that something has gone wrong. But I'm the one who knows straightaway that the mayor has found a body. And I know who it is.

Jenn Ashworth's gripping and unforgettable Cold Light is the story of a friendship unsettling in its intensity and of one terrible summer when lies, secrets, jealousy, and perversion result in tragedy more twisted and evil than one unsuspecting community can handle. A dark tale with a surreal edge, it follows two fourteen-year-old girls, best friends, as they confront the dangers of a predatory adult world, where truth is cruelly sacrificed in the name of innocence.

It's Friday in the Leeke household, but this is no ordinary Friday and the Leekes are a little unusual: they are Lancastrian Mormons, and this evening their son Gary will return from 2 years as a missionary in Salt Lake City. His mother is planning a celebratory dinner - with difficulty, since she's virtually housebound with an undiagnosed, embarrassing condition. What she doesn't realise is that the rest of the family - her meek husband, disturbed oldest son, and teenage daughter - have other plans for the evening, each involving drastic and irrevocable action. As the narrative baton passes from one Leeke to the next, disaster inexorably looms. Except that nothing goes according to plan, and the outcome is as unexpected as it is shocking. Giving a fascinating insight into the Mormon way of life, this blackly funny tale of innocence betrayed shows the havoc religion can wreak.

Annie is obese, lonely and hopeful. Armed with self-help books, her cat and a collection of cow-shaped milk jugs, she moves into her new home and sets about getting to know the neighbours, especially the man next door. She ignores her neighbour's inconvenient girlfriend, but it's not quite as easy for Annie to dismiss her own past. As Annie's murky history of violence, secrets and sexual mishaps catches up with her, she cannot see that she has done anything wrong. She's just doing what any good neighbour would do, after all...

SHORTLISTED FOR THE PORTICO PRIZE 2022 'Unnerving, absorbing . . . Laurie is a miraculous creation . . . Piercingly human and darkly funny' Sunday Times One ordinary morning, Laurie's husband disappears, leaving behind his phone and wallet. For weeks she tells no one, carrying on her cleaning job at the university, visiting her tricky, dementia-suffering father and holing up in her high-rise flat with a bottle to hand. When she finally reports him as missing, the police are suspicious. What took her so long? Laurie can't fully explain her behaviour even to herself, or the strange presence she senses in the flat. Only when she looks back on the ensuing wreckage does she begin to understand, and see how she might repair the damage.

'Dark, compelling, beautifully written' Andrew Michael Hurley In this eerie, atmospheric and mysterious tale, a woman returns to the house in Morecambe Bay where she grew up in the 1960s to find it falling apart, undermined by the roots of two huge sycamores. She is unaware that she has awoken the spirits of her parents, Jack and Nettie Clifford, who watch anxiously as their daughter Annette is overwhelmed by the state of the house and realise too late how far they neglected her as a child. As their memories come alive, the story unfolds of a crucial summer when Annette was 8 and Nettie became too ill to run their boarding house. The lodgers have to go - all except the newly arrived butcher's apprentice, because he seems to have miraculous healing powers and is Jack and Nettie's last, desperate hope. But is he who he says he is? Why do those he lays his hands on feel an erotic charge? And why does he despise his own gift? As everything comes to a head, so too does Annette's story in the present. But this time, someone is looking out for her and comes to her rescue. Finally, the spirits of her parents can let go.

Scraps is the second anthology from National Flash-Fiction Day. It features more than seventy huge tales told in only a few words. All of the stories in this collection have been inspired by other works of art: paintings, sculptures, TV programmes, films, music and more. As a result they are imbued with something of the original, but then take off into new and often surprising directions. Scraps features stories from Jenny Adamthwaite, Jenn Ashworth, Oliver Barton, Alan Beard, Natalie Bowers, Cathy Bryant, Joanna Campbell, Nuala Ni Chonchuir, James Coates, Claire Collison, Chris Connolly, L.A. Craig, Judy Darley, Ariel Dawn, Vanessa Gebbie, Kylie Grant, David Gullen, David Hartley, Kevlin Henney, Tania Hershman, Sarah Hilary, H Anthony Hildebrand, Eva Holland, Holly Howitt, Thaddeus Howze, Anouska Huggins, Claire Ibarra, Paul Kavanagh, RM Kealy, John Keating, Calum Kerr, Clare Kirwan, Mark Kockelbergh, Emma J. Lannie, Cathy Lennon, Beverly C. Lucey, Amy Mackelden, R A Martens, Ana Martinez, Thomas McColl, Stephen McGeagh, Danielle McLaughlin, Siobhan McNamara, Freya Morris, Andrea Mullaney, Clay Norman, John Paul O'Neill, Sonya Oldwin, Jim O'Loughlin, Amanda Oosthuizen, Jonathan Pinnock, Dan Powell, Amanda Quinn, Eabha Rose, Sam Russell, Shelley Day Sclater, Emma Shaw, Ian Shine, Diane Simmons, Tim Stevenson, Becky Tipper, Stella Turner, Tracey Upchurch, Bart Van Goethem, Alison Wells and Brendan Way. Funny, sad, exciting, intriguing, experimental and traditional, Scraps is a snapshot of the best in contemporary flash fiction.