Few materials have experienced a similar revaluation in contemporary art as clay has in the past few years. This timely publication accompanies a large-scale exhibition at the Hayward Gallery, London, exploring how contemporary artists are using clay and ceramics in inventive and surprising ways, and pushing the boundaries of the medium. Featuring the work of over 20 international artists-from Grayson Perry to Woody De Othello-an introductory essay by curator Cliff Lauson, a text on the history of fine art and ceramics by writer and critic Amy Sherlock, and a round table discussion with artists from the exhibition, this catalogue is a meaningful contribution to the ongoing conversation about the relationship between art and craft.

From Bauhaus jewellery and West African textiles to contemporary portraiture and sculpture, this unique volume explores the rituals of making that underpin an artist's work. Accompanying an exhibition curated by the groundbreaking Nigerian-born British fashion designer Duro Olowu at Camden Art Centre, London, this book offers the opportunity to re-evaluate art and textiles from the nineteenth-century to the present. Olowu selects material by more than 60 artists from around the world, including rarely seen works by Anni Albers, Wangechi Mutu, Alice Neel, Chris Ofili and Irving Penn, and newer paintings by Lynette Yiadom-Boakye. By setting up unexpected dialogues between historic and contemporary artists working in a myriad of media - textile, painting, sculpture, photography and collage - Olowu reveals a shared preoccupation with themes of gender, race, beauty, sexuality and the body. The volume includes an in-depth conversation between Olowu and artist Glenn Ligon, along with texts by Jennifer Higgie and Shanay Jhaveri, that together highlight the intricate layers of history and place that influence the making of art.