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Jennifer Clement grew up in 1960s Mexico City living next door to
Frida Kahlo and Diego Rivera. It was a bohemian childhood alongside
artists, communists, revolutionaries and poets, one that, thanks to
her markedly absent parents, allowed an awakening of a creative
freedom and curiosity about the world. Passionate about dance,
Clement left behind the revolutions in Latin America and took up a
place at dance school in New York City in 1981. She quickly becomes
a fixture in the art scene of the early 80s inhabiting the world of
Jean-Michel Basquiat, Keith Haring, Colette Lumiere, and William
Burroughs, among others, and frequenting The Mudd Club, Danceteria
and Studio 54. From the author of Widow Basquiat, this memoir
recreates the fury, ecstasy and danger that made '70s Mexico City
and 80's New York two of the greatest places to be living, young
and free.
'I believe that despite the enormous odds which exist, unflinching,
unswerving, fierce intellectual determination, as citizens, to
define the real truth of our lives and our societies is a crucial
obligation which devolves upon us all. It is in fact mandatory.'
Harold Pinter, English PEN President and Literature Nobel 2005 PEN
- 'Poets, Essayists, Novelists' - was founded in London in 1921 to
promote friendship, intellectual co-operation and exchange between
writers from around the world. It has since become a worldwide
network of writers, a community extended to more than 100 countries
who for 100 years has worked to celebrate all literatures without
exception and protect freedom of expression. What was PEN's role in
shaping the very concept of human rights even before it was adopted
by the United Nations in 1948? How did PEN develop fundamental
ideas on free speech as well as the equality of languages and
literatures? This book tells the extraordinary story of how writers
from around the world placed the celebration of literature and the
defence of free speech at the centre of humanity's struggle against
repression and terror. From opposing book burning and the
persecution of writers in Nazi Germany, to supporting dissident
writers during the Cold War and campaigning for imprisoned writers
in China today, PEN has worked to safeguard against all kinds of
censorship and self-censorship. The extraordinary writers who have
been PEN cases is a history of bravery and include Federico Garcia
Lorca, Stefan Zweig, Musine Kokalari, Wole Soyinka, Salman Rushdie,
Ngugi wa Thiong'o, Anna Politkovskaya, Hrant Dink and Svetlana
Alexievich. Those writers' voices, and those of the many others who
have battled to uphold the opening phrase of PEN's Charter -
'Literature knows no frontiers' - are still very much with us.
Without them, PEN International could not have become the strong,
vibrant, active movement it is today.
MADONNA. ANDY WARHOL. KEITH HARING. FAB 5 FREDDIE. DEBBIE HARRY.
JULIAN SCHNABEL. Jean-Michel Basquiat's transition from the subways
to the chic gallery spaces of Manhattan brought the artist into the
company of many of New York's established and aspiring stars.
Unable to deal with the demands that his new fame brought, in 1988,
at the age of twenty-seven Basquiat, the most successful black
visual artist in history, died from a heroin overdose. Widow
Basquiat is an exploration of the artist as seen through the eyes
of his muse, Suzanne. It is a love story like no other.
While humility is not especially valued in modern Western culture,
Jennifer Clement argues here, it is central to sixteenth- and
seventeenth-century understandings of Christian faith and behavior,
and is vital to early modern concepts of the self. As this study
shows, early modern literary engagements with humility link it to
self-knowledge through the practice of right reading, and make
humility foundational to any proper understanding of human agency.
Yet humility has received little critical interest, and has often
been misunderstood as a false virtue that engenders only
self-abjection. This study offers an overview of various ways in
which humility is discussed, deployed, or resisted in early modern
texts ranging from the explicitly religious and autobiographical
prose of Katherine Parr and John Donne, to the more politically
motivated prose of Queen Elizabeth I and the seventeenth-century
reformer and radical Thomas Tryon. As part of the wider 'turn to
religion' in early modern studies, this study seeks to complicate
our understanding of a mainstream early modern virtue, and to
problematize a mode of critical analysis that assumes agency is
always defined by resistance.
While humility is not especially valued in modern Western culture,
Jennifer Clement argues here, it is central to sixteenth- and
seventeenth-century understandings of Christian faith and behavior,
and is vital to early modern concepts of the self. As this study
shows, early modern literary engagements with humility link it to
self-knowledge through the practice of right reading, and make
humility foundational to any proper understanding of human agency.
Yet humility has received little critical interest, and has often
been misunderstood as a false virtue that engenders only
self-abjection. This study offers an overview of various ways in
which humility is discussed, deployed, or resisted in early modern
texts ranging from the explicitly religious and autobiographical
prose of Katherine Parr and John Donne, to the more politically
motivated prose of Queen Elizabeth I and the seventeenth-century
reformer and radical Thomas Tryon. As part of the wider 'turn to
religion' in early modern studies, this study seeks to complicate
our understanding of a mainstream early modern virtue, and to
problematize a mode of critical analysis that assumes agency is
always defined by resistance.
A haunting story of love and survival that introduces an
unforgettable literary heroine
Ladydi Garcia Martinez is fierce, funny and smart. She was born
into a world where being a girl is a dangerous thing. In the
mountains of Guerrero, Mexico, women must fend for themselves, as
their men have left to seek opportunities elsewhere. Here in the
shadow of the drug war, bodies turn up on the outskirts of the
village to be taken back to the earth by scorpions and snakes.
School is held sporadically, when a volunteer can be coerced away
from the big city for a semester. In Guerrero the drug lords are
kings, and mothers disguise their daughters as sons, or when that
fails they "make them ugly" - cropping their hair, blackening their
teeth- anything to protect them from the rapacious grasp of the
cartels. And when the black SUVs roll through town, Ladydi and her
friends burrow into holes in their backyards like animals, tucked
safely out of sight.
While her mother waits in vain for her husband's return, Ladydi and
her friends dream of a future that holds more promise than mere
survival, finding humor, solidarity and fun in the face of so much
tragedy. When Ladydi is offered work as a nanny for a wealthy
family in Acapulco, she seizes the chance, and finds her first
taste of love with a young caretaker there. But when a local murder
tied to the cartel implicates a friend, Ladydi's future takes a
dark turn. Despite the odds against her, this spirited heroine's
resilience and resolve bring hope to otherwise heartbreaking
conditions.
An illuminating and affecting portrait of women in rural Mexico,
and a stunning exploration of the hidden consequences of an unjust
war, PRAYERS FOR THE STOLEN is an unforgettable story of
friendship, family, and determination.
"From the Hardcover edition."
The beautifully written, deeply affecting story of Jean-Michel
Basquiat's partner, her past, and their life together
New York City in the 1980s was a mesmerizing, wild place. A hotbed
for hip hop, underground culture, and unmatched creative energy, it
spawned some of the most significant art of the 20th century. It
was where Jean-Michel Basquiat became an avant-garde street artist
and painter, swiftly achieving worldwide fame. During the years
before his death at the age of 27, he shared his life with his
lover and muse, Suzanne Mallouk.
A runaway from an unhappy home in Canada, Suzanne first met
Jean-Michel in a bar on the Lower East Side in 1980. Thus began a
tumultuous and passionate relationship that deeply influenced one
of the most exceptional artists of our time.
In emotionally resonant prose, award-winning author Jennifer
Clement tells the story of the passion that swept Suzanne and
Jean-Michel into a short-lived, unforgettable affair. A poetic
interpretation like no other, "Widow Basquiat" is an expression of
the unrelenting power of addiction, obsession and love.
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The Soft Land (Paperback)
Ramon Lopez Velarde; Translated by Jennifer Clement; Illustrated by Gustavo Monroy
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R537
Discovery Miles 5 370
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Ships in 10 - 15 working days
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`La suave patria’ is often regarded as the Mexican national poem,
an extraordinary tour-de-force that would change forever the way
that poetry would develop in Mexico. It was one of the last works
by Ramón López Velarde, who died of pneumonia at the age of only
33 in 1921, and is the work for which he is most remembered today.
After his death, his reputation took some time to grow, but his
later espousal by major figures such Xavier Villaurrutia and
Octavio Paz has ensured that he will remain central to the story of
Mexican 20th century literature. The translation offered here, by
poet-novelist (and current President of PEN International),
Jennifer Clement, is a remarkable achievement and brings the poem
into English for a new generation of readers. The poem is
contextualised in an essay by the Mexican poet, Luis Miguel
Aguilar, and is embellished by a startling suite of paintings by
Gustavo Monroy, from his `New Screen of the Conquest’—a
21st-century companion work to the original folding `Screen of the
Conquest and View of the City of Mexico’, an anonymous work from
the late 17th century which measures some 2.1 meters high by 5.5
meters wide. Monroy’s brutally ironic modern equivalent stands in
the same museum as the original screen.
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Selected Poems (Paperback, New)
Victor Manuel Mendiola; Translated by Ruth Fainlight, Jennifer Clement, Sylvia Macduff
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R534
Discovery Miles 5 340
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Ships in 10 - 15 working days
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This is the first collection in the UK for Mexican poet Victor
Manuel Mendiola, although his work has been appearing in
small-press editions, in others' collections and in journals for
some time. His collected poems 1987-2002, Tan oro y negro (UNAM,
Mexico City), won New York's Premio Latino de Literatura (Latino
Literature Prize) in 2005. This Selected shows the full range of
his work, but begins with his astonishing erotic long poem 'Tu Mano
Mi Boca' (Your Hand, My Mouth), which was so well received in Ruth
Fainlight's translation when it was included in her latest
collection of poems.
Jennifer Clement studied English Literature and Anthropology at New
York University and French Literature in Paris. Clement is the
author of the memoir 'Widow Basquiat', which made the UK
Booksellers' Choice list, and a novel 'A True Story Based on Lies',
which was a finalist in the Orange Prize for Fiction. She was
awarded the Canongate Prize for New Writing in 2001, and is also
the author of several books of poetry: 'The Next Stranger',
'Newton's Sailor', and 'Lady of the Broom', each published in
bilingual editions in Mexico. Clement's work has been translated
into eight languages. Canongate Books is publishing her next novel
'The Poison That Fascinates' in 2008. Jennifer Clement lives in
Mexico City and, with her sister Barbara Sibley, is co-director and
-founder of the annual San Miguel Poetry Week. The present volume
offers several new poems, the complete 'Lady of the Broom'
sequence, plus selections from her two earlier books.
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Gun Love (Paperback)
Jennifer Clement
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R307
R249
Discovery Miles 2 490
Save R58 (19%)
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Ships in 9 - 15 working days
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**Longlisted for the National Book Award for Fiction 2018**
'Haunting ... poetic ... Full of sorrow and aching sweetness'
Washington Post Gun Love is a hypnotic story of family, community
and violence. Told from the perspective of a sharp-eyed teenager,
it exposes America's love affair with firearms and its painful
consequences. 'My mother called anyone or anything that seemed
alone, or ended up in the wrong place, a stray. There were stray
people, stray dogs, stray bullets, and stray butterflies.'
Fourteen-year-old Pearl France lives in the front seat of a broken
down car and her mother Margot lives in the back. Together they
survive on a diet of powdered milk and bug spray, love songs and
stolen cigarettes. Life on the edge of a Florida trailer park is
strange enough, but when Pastor Rex's 'Guns for God' programme
brings Eli Redmond to town Pearl's world is upended. Eli pays
regular visits to Margot in the back seat, forcing Pearl to find a
world beyond the car. Margot is given a gift by Eli, a gun of her
own, just like he's given her flowers. It sits under the driver's
seat, a dark presence... 'One of those rare books that the reader
might wish to be a few dozen pages longer, to spend more time in
this fully realised world ' Observer *Soon to be a film adaptation
directed by Julie Taymor*
'Now we make you ugly,' my mother said. 'The best thing you can be
in Mexico is an ugly girl.' On the mountainside in rural Mexico
where Ladydi lives, being a girl is dangerous. Especially a pretty
one. If the Narcos hear there is a pretty girl on the mountain,
they steal her. So when the black SUVs roll into town, Ladydi and
her friends hide in the warren of holes scattered across the
mountain, safely out of sight. Because the stolen girls don't come
back. Ladydi is determined to get out, to find a life that offers
more than just the struggle to survive. But she soon finds that the
drug cartels have eyes everywhere, and the cities are no safer than
the mountains.
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