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Most women who elect to have cosmetic surgery want a "natural"
outcome-a discrete alteration of the body that appears unaltered.
Under the Knife examines this theme in light of a cultural paradox.
Whereas women are encouraged to improve their appearance, there is
also a stigma associated with those who do so via surgery. Samantha
Kwan and Jennifer Graves reveal how women negotiate their
"unnatural"-but hopefully (in their view)
natural-looking-surgically-altered bodies. Based on in-depth
interviews with 46 women who underwent cosmetic surgery to enhance
their appearance, the authors investigate motivations for surgery
as well as women's thoughts about looking natural after the
procedures. Under the Knife dissects the psychological and physical
strategies these women use to manage the expectations, challenges,
and disappointments of cosmetic surgery while also addressing
issues of agency and empowerment. It shows how different cultural
intersections can produce varied goals and values around body
improvement. Under the Knife highlights the role of deep-seated yet
contradictory gendered meanings about women's bodies, passing, and
boundary work. The authors also consider traditional notions of
femininity and normalcy that trouble women's struggle to preserve
an authentic moral self.
Most women who elect to have cosmetic surgery want a "natural"
outcome-a discrete alteration of the body that appears unaltered.
Under the Knife examines this theme in light of a cultural paradox.
Whereas women are encouraged to improve their appearance, there is
also a stigma associated with those who do so via surgery. Samantha
Kwan and Jennifer Graves reveal how women negotiate their
"unnatural"-but hopefully (in their view)
natural-looking-surgically-altered bodies. Based on in-depth
interviews with 46 women who underwent cosmetic surgery to enhance
their appearance, the authors investigate motivations for surgery
as well as women's thoughts about looking natural after the
procedures. Under the Knife dissects the psychological and physical
strategies these women use to manage the expectations, challenges,
and disappointments of cosmetic surgery while also addressing
issues of agency and empowerment. It shows how different cultural
intersections can produce varied goals and values around body
improvement. Under the Knife highlights the role of deep-seated yet
contradictory gendered meanings about women's bodies, passing, and
boundary work. The authors also consider traditional notions of
femininity and normalcy that trouble women's struggle to preserve
an authentic moral self.
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