Acclaimed New York Times bestselling author Jennifer Haigh returns to the Pennsylvania town at the center of her iconic novel Baker Towers in this ambitious, achingly human story of modern America and the conflicting forces at its heart-a bold, moving drama of hope and desperation, greed and power, big business and small-town families. Forty years ago, Bakerton coal fueled the country. Then the mines closed, and the town wore away like a bar of soap. Now Bakerton has been granted a surprise third act: it sits squarely atop the Marcellus Shale, a massive deposit of natural gas. To drill or not to drill? Prison guard Rich Devlin leases his mineral rights to finance his dream of farming. He doesn't count on the truck traffic and nonstop noise, his brother's skepticism or the paranoia of his wife, Shelby, who insists the water smells strange and is poisoning their frail daughter. Meanwhile his neighbors, organic dairy farmers Mack and Rena, hold out against the drilling-until a passionate environmental activist disrupts their lives. Told through a cast of characters whose lives are increasingly bound by the opposing interests that underpin the national debate, Heat and Light depicts a community blessed and cursed by its natural resources. Soaring and ambitious, it zooms from drill rig to shareholders' meeting to the Three Mile Island nuclear reactor to the ruined landscape of the "strippins," haunting reminders of Pennsylvania's past energy booms. This is a dispatch from a forgotten America-a work of searing moral clarity from one of the finest writers of her generation, a courageous and necessary book.

Acclaimed New York Times bestselling author Jennifer Haigh returns to the Pennsylvania town at the center of her iconic novel Baker Towers in this ambitious, achingly human story of modern America and the conflicting forces at its heart--a bold, moving drama of hope and desperation, greed and power, big business and small-town families. Forty years ago, Bakerton coal fueled the country. Then the mines closed, and the town wore away like a bar of soap. Now Bakerton has been granted a surprise third act: it sits squarely atop the Marcellus Shale, a massive deposit of natural gas. To drill or not to drill? Prison guard Rich Devlin leases his mineral rights to finance his dream of farming. He doesn't count on the truck traffic and nonstop noise, his brother's skepticism or the paranoia of his wife, Shelby, who insists the water smells strange and is poisoning their frail daughter. Meanwhile his neighbors, organic dairy farmers Mack and Rena, hold out against the drilling--until a passionate environmental activist disrupts their lives. Told through a cast of characters whose lives are increasingly bound by the opposing interests that underpin the national debate, Heat and Light depicts a community blessed and cursed by its natural resources. Soaring and ambitious, it zooms from drill rig to shareholders' meeting to the Three Mile Island nuclear reactor to the ruined landscape of the "strippins," haunting reminders of Pennsylvania's past energy booms. This is a dispatch from a forgotten America--a work of searing moral clarity from one of the finest writers of her generation, a courageous and necessary book.

NATIONAL BESTSELLER Named a Best Book of the Year by the Washington Post, the New Yorker, and the Boston Globe “Ms. Haigh is an expertly nuanced storyteller long overdue for major attention. Her work is gripping, real, and totally immersive, akin to that of writers as different as Richard Price, Richard Ford, and Richard Russo.�—Janet Maslin, New York Times The highly praised, “extraordinary� (New York Times Book Review) novel about the disparate lives that intersect at a women’s clinic in Boston, by New York Times bestselling author Jennifer Haigh  For almost a decade, Claudia has counseled patients at Mercy Street, a clinic in the heart of the city. The work is consuming, the unending dramas of women in crisis. For its patients, Mercy Street offers more than health care; for many, it is a second chance. But outside the clinic, the reality is different. Anonymous threats are frequent. A small, determined group of anti-abortion demonstrators appears each morning at its door. As the protests intensify, fear creeps into Claudia’s days, a humming anxiety she manages with frequent visits to Timmy, an affable pot dealer in the midst of his own existential crisis. At Timmy’s, she encounters a random assortment of customers, including Anthony, a lost soul who spends most of his life online, chatting with the mysterious Excelsior11—the screenname of Victor Prine, an anti-abortion crusader who has set his sights on Mercy Street and is ready to risk it all for his beliefs. Mercy Street is a novel for right now, a story of the polarized American present. Jennifer Haigh, “an expert natural storyteller with a keen sense of her characters’ humanity� (New York Times), has written a groundbreaking novel, a fearless examination of one of the most divisive issues of our time.  

In News from Heaven, Jennifer Haigh--bestselling author of Faith and The Condition--returns to the territory of her acclaimed novel Baker Towers with a collection of short stories set in and around the fictionalized coal-mining town of Bakerton, Pennsylvania.Exploring themes of restlessness, regret, redemption and acceptance, Jennifer Haigh depicts men and women of different generations shaped by dreams and haunted by disappointments. Janet Maslin of the New York Times has called Haigh's Bakerton stories "utterly, entrancingly alive on the page," comparable to Richard Russo's Empire Falls.

In a stunning follow-up to her best-selling debut, Mrs. Kimble, Jennifer Haigh′s second novel, BAKER TOWERS, is a compelling story of love and loss in a western Pennsylvania mining town in the years after World War II.

Bakerton is a company town, built on coal; a town of church festivals and ethnic neighborhoods, hunters′ breakfasts and firemen′ s parades. Its children are raised in company houses - three rooms upstairs, three rooms down. Its ball club leads the coal company league. The twelve Baker mines offer good union jobs, and the looming black piles of mine dirt don′t bother anyone. Called Baker Towers, they are local landmarks, clear evidence that the mines are booming. Baker Towers mean good wages and meat on the table, two weeks′ paid vacation and presents under the Christmas tree.

The mines were not named for Bakerton; Bakerton was named for the mines. This is an important distinction. It explains the order of things.

Born and raised on Bakerton′s Polish Hill, the five Novak children come of age in wartime, a thrilling moment when the world seems on the verge of changing forever. The oldest, Georgie, serves on a mine sweeper in the South Pacific and glimpses life beyond Bakerton, a promising future he is determined to secure at all costs. His sister Dorothy, a fragile beauty, takes a wartime job in Washington D.C. and finds herself unprepared for city life. Brilliant Joyce longs to devote herself to something of consequence but instead becomes the family′s keystone, bitterly aware of the opportunities she might have had elsewhere. Her brother Sandy sails through life on looks and charm, and Lucy, the volatile baby, devours the family′s attention and develops a bottomless appetite for love.

BAKER TOWERS is a family saga and a love story, a hymn to a time and place long gone, to America′s industrial past and the men and women we now call the Greatest Generation. This is a feat of imagination from an extraordinary new voice in American fiction, a writer of enormous power and skill.

In Faith, Jennifer Haigh explores the repercussions of one family's history of silence, when a priest's sex scandal forces his family's untold past to surface.

Art, Sheila, and Mike are siblings in a large extended Irish-American family from the Boston suburbs. Though their father is a non-believer, their mother is lace curtain Irish-Catholic, having raised her children to keep family secrets in a home where most subjects are taboo.

Sheila is concerned when Art, beloved priest leading a major Catholic parish outside Boston, seems to fall off the grid just days before Easter. Then the news breaks that he has been accused of sexual misconduct. The media coverage shatters the community and pits Art's family members against one another, leaving Sheila determined to uncover the truth and -she hopes - clear his name.

Determined to help prove Art's innocence, Sheila finds herself locking horns with her younger brother, Mike, who cannot shake the feeling that Art might be guilty.

It is the spring of 2002 and a perfect storm has hit Boston. Across the city's archdiocese, trusted priests have been accused of the worst possible betrayal of the souls in their care. Estranged for years from her difficult and demanding family, Sheila McGann has remained close to her older brother, Art, the popular, dynamic pastor of a large suburban parish. When Art finds himself at the center of the maelstrom, Sheila returns to Boston, ready to fight for him and his reputation. But what she discovers is more complicated than she imagined as the scandal forces long-buried secrets to surface.

Elegantly crafted and sharply observed, Jennifer Haigh's Faith is a haunting meditation on loyalty and family that demonstrates how the truth can shatter our deepest beliefs--and restore them.

In the summer of 1976, during their annual retreat on Cape Cod, the McKotch family came apart. Now, twenty years after daughter Gwen was diagnosed with Turner's syndrome--a rare genetic condition that keeps her trapped forever in the body of a child--eminent scientist Frank McKotch is divorced from his pedigreed wife, Paulette. Eldest son Billy, a successful cardiologist, lives a life built on secrets and compromise. His brother Scott awakened from a pot-addled adolescence to a soul-killing job and a regrettable marriage. And Gwen--bright and accomplished but hermetic and emotionally aloof--spurns all social interaction until, well into her thirties, she falls in love for the first time. With compassion and almost painful astuteness, "The Condition" explores the power of family mythologies--the self-delusions, denials, and inescapable truths that forever bind fathers and mothers and siblings.

A chameleon, an enigma, all things to all women -- a lifeline to which powerful needs and nameless longings may be attached -- Ken Kimble is revealed through the eyes of the women he seduces: Birdie, his first wife, struggling to hold herself together after his desertion; second wife, Joan, a lonely, tragic heiress who sees her unknowable husband as her last chance for happiness; and Dinah, a beautiful but damaged woman half his age.

In the spring of 2002, a perfect storm hits Boston: Trusted priests are accused of the worst possible betrayal. "Faith" explores the fallout for one devout family.

Estranged from her family, Sheila McGann returns home when her older brother, Art--a popular pastor--finds himself at the center of the maelstrom. Her strict mother is in a state of angry denial. Sheila's younger brother, Mike, has convicted his brother in his heart. But most disturbing of all is Art himself, who dodges Sheila's questions and refuses to defend himself.

As secrets begin to surface, "Faith" explores the corrosive consequences of one family's history of silence--and the resilience it finds through forgiveness. A suspenseful tale of one woman's quest for the truth, "Faith" is a haunting meditation on loyalty and family, doubt and belief. Elegantly crafted, sharply observed, this is Jennifer Haigh's most ambitious novel to date.

The Condition" tells the story of a proper New England family that comes apart one fateful summer. To "their dismay, Frank and Paulette McKotch's daughter, Gwen, has been diagnosed with Turner's syndrome--a genetic condition that leaves her trapped forever in the body of a child, and sparks heated dispute between the couple.

Twenty years later, their three children--now grown, and each struggling with secret conditions of their own--are still dealing with the fallout of Frank and Paulette's divorce. Then, suddenly, Gwen falls in love for the first time, and the family's world is again tilted on its axis.

In an era when individual quirks look increasingly like symptoms and every symptom demands to be treated, the McKotches are determined to fix themselves and each other. They are a family for our time.