He puts his hand against my chest. "It's still beating," he whispers, his words a soft kiss against my lips. "As long as it's beating, you're okay."

When Cora Lawson attends her sister's birthday party, she expects at most a hangover or a walk of shame by the end of it. She doesn't anticipate a stolen wallet, leaving her stranded and dependent on her sister's fiancé, Dean Asher―her archnemesis and perpetual thorn in her side.

And she really doesn't anticipate getting knocked out and waking up chained in a madman's basement, Dean in his own shackles beside her.

After fifteen years of teasing, insults, and never-ending pranks, the ultimate joke seems to be on them. The two people who always thought they'd end up killing each other must now work together if they want to survive long enough to escape.

But Cora and Dean don't know that their abductor has a plan for them. A plan that will alter the course of their relationship, blur the line between hate and love, and shackle them to each other long after they are freed from their chains. They're in this together―no matter what their unexpected bond might cost them.

Want to know what happens to a man who barely claws his way out of a tragedy, only to fall right into the arms of the one girl in the world he isn't allowed to love? Another tragedy, that's what.When Brant was six years old, his father made a choice that altered the course of his entire life. Because of what he did, the only girl Brant ever loved became the only girl he couldn't have. Though in a lot of ways, he did have her... He had her first steps, her first words, her first smile. He had her milestones, her heartbreaks, her dreams. He had her heart so woven in with his, he didn't know where she ended, and he began. Only, as the years pressed on, lines became blurred-and the blurrier the line, the easier it is to cross. They say tragedy comes in threes. For Brant, that was true. The first one changed him, the second one broke him, and the third one healed him. But at the center of all that tragedy, there is a love story. And at the center of that love story, there is June. Want to know what happens to a man who barely claws his way out of a tragedy, only to fall right into the arms of the one girl in the world he isn't allowed to love? Another tragedy, that's what. When Brant was six years old, his father made a choice that altered the course of his entire life. Because of what he did, the only girl Brant ever loved became the only girl he couldn't have. Though in a lot of ways, he did have her... He had her first steps, her first words, her first smile. He had her milestones, her heartbreaks, her dreams. He had her heart so woven in with his, he didn't know where she ended, and he began. Only, as the years pressed on, lines became blurred-and the blurrier the line, the easier it is to cross. They say tragedy comes in threes. For Brant, that was true. The first one changed him, the second one broke him, and the third one healed him. But at the center of all that tragedy, there is a love story. And at the center of that love story, there is June.

"All these years, I've never given my heart to anyone... The truth is, I didn't have a heart to give. My heart was with a ghost." To the rest of the world, he was the little boy who went missing on the Fourth of July. But to Sydney Neville, he was everything. Her heart hasn't been the same since her best friend disappeared, but she's learned to build her life around that missing piece. Twenty-two years later, the last thing Sydney expects is for Oliver Lynch to return. Having been captive underground for decades, he's unfamiliar with the strange new world that awaits him-but he's alive. He's here. And no matter how he's changed, he and Sydney both still feel the connection that runs between them. But as their reborn friendship begins to feel like something more, Sydney and Oliver realize there are still jagged, painful truths creating space between them. The walls Sydney's built don't want to come down, and as Oliver hunts for his missing memories and lost time, he realizes his nightmare is not yet over. With nothing as it seems, is there space for love to bloom in this dark place?

"He's not my enemy down here. He's my lifeline." When Cora attends her sister's birthday party, she expects at most a hangover or a walk of shame. She doesn't anticipate a stolen wallet, leaving her stranded and dependent on Dean-her arch nemesis and ultimate thorn in her side. And she really doesn't anticipate waking up in shackles in a madman's basement. To make matters worse, Dean shares the space in his own set of chains. After fifteen years of teasing, insults, and practical jokes, the ultimate joke seems to be on them. The two people who always thought they'd end up killing each other must now work together if they want to survive. But Cora and Dean have no idea their abductor has a plan for them. A plan that will alter the course of their relationship, blur the line between hate and love, and shackle them together with far more than just chains.

"All these years, I've never given my heart to anyone… The truth is, I didn't have a heart to give. My heart was with a ghost."

To the rest of the world, he was the little boy who went missing on the Fourth of July. But to Sydney Neville, he was everything. Her heart hasn't been the same since her best friend disappeared, but she's learned to build her life around that missing piece.

Twenty-two years later, the last thing Sydney expects is for Oliver Lynch to return. Having been captive underground for decades, he's unfamiliar with the strange new world that awaits him―but he's alive. He's here. And no matter how he's changed, he and Sydney both still feel the connection that runs between them.

But as their reborn friendship begins to feel like something more, Sydney and Oliver realize there are still jagged, painful truths creating space between them. The walls Sydney's built don't want to come down, and as Oliver hunts for his missing memories and lost time, he realizes his nightmare is not yet over.

With nothing as it seems, is there space for love to bloom in this dark place?

Mothering and music are complex and universal events, the structure and function of each show remarkable variability across social domains and different cultures. Al- though motherhood studies and studies in music are each recognized as important areas of research, the blending of the two topics is a recent innovation. The chapters in this collection bring together artists and scholars in conversations about the multiple profound relationships that exist between music and mothering. The discussions are varied and exciting. Several of the chapters revolve around the challenges of mothering partnered with a musical career; others look at the affordances that music offers to mothers and children; and some of the chapters examine the ways in which music inspires social and political change, as well as acknowledging the rise of the mom rock phenomenon.