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Mamie, the caretaker of a performing hall, lives in its dusty
attic. Taking little care of the building and less of herself, she
spends most of her time and money on whiskey and cigarettes. Mamie
hears Romeo and Juliet which is being performed and it brings back
happy and sad memories. 2 women, 2 men
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Hopscotch in the Sky (Hardcover, None Ed.)
Lucinda Jacob; Illustrated by Lauren O'Neill; Preface by Marie Heaney; Read by Jennifer Johnston
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R327
R248
Discovery Miles 2 480
Save R79 (24%)
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Ships in 12 - 17 working days
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Full colour, illustrated and hardback poetry book containing poetry
on all the seasons for young readers. It includes poems about
nature, the landscape, the weather and children's experiences of
the seasons from ice-creams to Christmas trees. An accompanying
ebook will be free to download, introducing children to the poetic
forms used in the book and chock-full of ideas to encourage readers
to try their hand at writing their own poems. It will be especially
helpful also to teachers who would like to include writing poetry
as a classroom activity with their pupils. The full-colour
illustrations are by Lauren O'Neill, winner of the Children's Books
Ireland Award for Illustration in 2016.
Alec and Jerry shouldn't have been friends: Alec's life was one of
privilege, while Jerry's was one of toil. But this hardly mattered
to two young men whose shared love of horses brought them together
and whose whole lives lay ahead of them. When war breaks out in
1914, both Jerry and Alec sign up - yet for quite different
reasons. On the fields of Flanders they find themselves standing
together, but once again divided: as officer and enlisted man. And
it is there, surrounded by mud and chaos and death, that one of
them makes a fateful decision whose consequences will test their
friendship and loyalty to breaking point.
Johnny, an outstanding young swimmer, went missing nearly thirty
years ago: drowned, or so everyone except his sister Imogen
believes. How could this have happened? Encouraged, pushed even,
from a child by his father, Johnny could have made the Olympic
team, couldn't he? As Imogen gradually pieces together bits of her
family history, we hear the tragic echoes that connect her with the
Great War and Ireland in the nineteen-twenties.
Constance Keating has lived a life of internal exile, alienated
from her family and from Ireland. Now she has returned to her
family home to die. While that painful, messy process takes place
she replays, like a home movie, the fragments of her past. And, as
the festooned Christmas tree awaits its day, so Constance also
waits, hoping her child's father will come and that the final
outcome will be on her terms.
In a house overlooking Dublin Bay, Mimi and her daughter Grace are
disturbed by the unexpected arrival of Grace's daughter Polly, and
her striking new boyfriend. The events of the next few days will
lead both of them to reassess the shape of their lives. For while
Grace's visitors focus her attention on an uncertain future, Mimi,
who receives a messenger of a very different kind, must begin to
set herself to rights with the betrayals and disappointments of the
past.
Derry in the 1970s: teenager Joe Logan is growing up in the teeth
of the Troubles, having to cope with embittered parents, a brother
who's been away and come back with money and a gun in his pocket,
harsh school teachers, and the constant awareness of the military
presence in the background. Central to the story is the friendship
that tentatively grows up between Joe and Kathleen, a young
school-teacher who brings a fresh perspective to his familiar
world.
All families are complicated, but some are more complicated than
others. And Christmas can only make matters worse. After Ciara's
estranged father is nearly killed by his second wife in a car
accident - or was it an accident? - Ciara begins, gingerly, to
reenter his life. As her troubled family gather for the holidays,
is it too much to hope that they begin to find peace at last? Of
course it is. With cross-dressing twins, new loves and an
unpredicatably monstrous matriarch, Christmas was never going to be
easy. But it proves both more disastrous and happier than any of
them could have guessed.
Sally, a successful actress, returns to her house in Goatstown from
a European tour, just wanting to rest and to see her husband,
Charlie, again. When Charlie announces that he's leaving her, Sally
angrily forces him to pack his bags at once. But maybe, she wonders
later, she really is too hard to live with? Hoping for some glimmer
of insight into the family secrets that have always dogged her,
Sally turns to her grandfather, the frosty old Bishop she has never
really known.
On a rainy afternoon on Killiney Hill a young man walking, without
his overcoat, happens upon a woman gazing out over Dublin bay,
standing perilously close to the edge. From their testy encounter
develops a remarkable friendship which will enable each to face
afresh their very different, damaged pasts, and to look, however
tentatively, towards the future.
The Great War is over; but the war in Ireland is only just
beginning, as the IRA and the Black and Tans move on to the attack.
It all seems very remote to Miranda Martin, during that miraculous
Indian summer. Her father, hoping to forget his dead wife, thinks
of nothing but his trees; Miranda thinks of the future, a future
which must surely include Cathal, who brings news from Dublin.
Everything seems calm and serene. But then Andrew, her officer
brother, comes home, bringing his eccentric, likeable friend Harry,
and as the Indian summer fades, the scene is set for tragedy.
When Stella first meets Martyn, he's just a stranger on a train.
She knows nothing at all about him. But very quickly she is won
over by his charm and breathtaking illusions, and when he asks her
to marry him, she agrees. However, as they begin their life
together, Stella starts to feel uneasy. What exactly is the
show-stopping illusion he claims to be working on, locked away in
that room? Who are those men that visit the house at strange hours?
And why are her questions never answered? As Stella realises that
she barely knows the man she married, her thoughts turn to escape.
Helen has retreated to the remote north-west coast of Ireland to
paint the sea and the shore, and to be alone with her past. English
war hero Roger Hawthorne has settled in the neglected railway
station house nearby. Mutilated and sick at heart, with the help of
a young lad he has begun painstakingly to restore the derelict
branch line station. Soon Roger and Helen form a bond which, over
gramophone music, dancing and champagne, deepens into love. But
Helen, enjoying her first taste of happiness in years, is to learn
just how brutally fleeting it can be.
From early adolescence, I had committed myself to joining the
seemingly growing legions of women pumping their fists with a
can-do spirit and a perfect balance of career and family. I fancied
myself a textbook candidate for the League of Female Marvels.until
the narcolepsy and nausea set in, and I chickened out. Sacrificing
a few rungs on the corporate ladder to stay home and be a Full-Time
Mom (FTM) surely would prove a noble, not to mention more orderly,
move. And think of all the discretionary time and energy Cue
laughter. Except within those rare close-knit and blackmail-toting
friendships, the more maddening (yet equally funny) stories of
motherhood are seldom shared-until now. From sex to sippy cups, the
stories contained herein are told with candor, albeit through the
eyes of a woman with a slight flair for the dramatic. Still, you
may find them to serve as a mirror, a memoir, or a medicine to your
own life-or that of any mom with whom you've ever lived.
Occasionally sweet, always straight, The Myth of The Bonbons will
strike a nerve with many women-and the men who find a well-timed
placement of it on their nightstands.
Mr Prendergast, an elderly Anglo-Irishman, is living out his last
years in the decaying splendour of his family mansion. As his mind
wanders through the gloom he finds it peopled with memories of his
neglected wife, his pale shadow of a father, his icily glamorous
mother and Alexander, the son she so jealously loved, killed in the
First World War. With only his ill-tempered alcoholic gardener left
to attend to him, Mr Prendergast is content to pass his days in
such ghostly company. Until young Diarmid arrives, keen-eyed and
carrot-haired, to disperse the gathering darkness with curiosity,
and the promise of friendship.
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