Oedipus Tyrannus by the great tragedian Sophocles is one of the most famous works of ancient Greek literature. The play has always been admired for the tight unity of its plot; every bit of every scene counts towards the dramatic effect. The action is concentrated into a single day in Oedipus' life; his heinous crimes of unwittingly killing his father and marrying his mother all lie long ago in the past, and now, in the action of this one day, there awaits for him only the discovery of the truth. Oedipus is portrayed as a noble king, deeply devoted to his people and they to him. Proud of his earlier defeat of the Sphinx, he is determined to save his city once again, and he unflinchingly pursues the truth of who he is and what he has done, unaware that it will bring him to disaster. The spectators, familiar with Oedipus' story, wait in horrified suspense for that terrible moment of realisation to arrive. And when it does, Oedipus survives it: he takes full responsibility for what he has done, accepts the grief and the pain, and carries on, remaining indomitable to the end. Sophocles gives no answer as to why Oedipus is made to suffer his tragic fate. He simply shows us how human life is; how even a great and good man can be brought to the utmost misery through no fault of his own. The gods may, for no apparent reason, deal out unbelievable suffering, but humankind can survive it. Jenny March's new facing-page translation brings alive the power and complexities of Sophocles' writing, with a substantial introduction and a detailed commentary.

Jenny March’s acclaimed Dictionary of Classical Mythology, first published in 1998 but long out of print, has been extensively revised and expanded including a completely new set of beautiful line-drawing illustrations for this Oxbow edition. It is a comprehensive A – Z guide to Greek and Roman mythology. All major myths, legends and fables are here, including gods and goddesses, heroes and villains, dangerous women, legendary creatures and monsters. Characters such as Achilles and Odysseus have extensive entries, as do epic journeys and heroic quests, like that of Jason and the Argonauts to win the Golden Fleece, all alongside a plethora of information on the creation of the cosmos, the many metamorphoses of gods and humans, and the Trojan War, plus more minor figures – nymphs, seers, kings, rivers, to name but a few. In this superbly authoritative work the myths are brilliantly retold, along with any major variants, and with extensive translations from ancient authors that give life to the narratives and a sense of the vibrant cultures that shaped the development of classical myth. The 172 illustrations give visual immediacy to the words, by showing how ancient artists perceived their gods and heroes. The impact of myths on ancient art is also explored, as is and their influence in the post-classical arts, emphasising the ongoing inspiration afforded by the ancient myths. Also included are two maps of the ancient world, a list of the ancient sources and their chronology, the more important genealogies, and an index of recurrent mythical motifs. Praise for the first edition: “… the Dictionary of Classical Mythology is exemplary, indeed the best I have consulted … clearly and engagingly written …it not only gives reliable answers but also encourages reading on.” Simon Goldhill, Times Literary Supplement “a prodigious, authoritative gazetteer, each entry both typographically and stylistically readable, and if you know more than is contained in these pages then you have no need of it.” Nicholas Lezard, Guardian Book of the Week “Greek myths pervade our own art and literature almost as much as they influenced that of classical times, and this will be an invaluable guide.” The Good Book Guide “… a modern encyclopaedia of myth and legend which is user-friendly in layout, presentation and style … vivid and readable.” Paula James, The Classical Review “These stories are frequently the spark that ignites a wider interest in the classical world, and March provides a wealth of inflammatory material.” Charles Paterson, JACT Review “This dictionary will still be valuable all through the next century.” Sir Hugh Lloyd-Jones “… vivid, detailed where it matters, yet concise, accurate, no padding, always to the point – it’s a joy to read.” Herwig Maehler

King Agamemnon is long dead and his murderers rule at Argos. His son Orestes returns from exile to kill themuhis own mother Clytemnestra and her seducer Aegisthus. Thus he will release his sister Electra from oppression and reclaim his home and kingdom. This is the only episode from Greek legend treated in surviving plays by all three of the great Athenian tragedians of the fifth century B.C.uAeschylus in his Libation-bearers (part of the Oresteia trilogy), Sophocles and Euripides each in plays called Electra. Together these plays give us a unique opportunity to compare and contrast the very different treatments by the three playwrights of a central Greek legend. In SophoclesAE hands the focus of the play is on Electra herself: her endurance and loyalty to the dead Agamemnon while oppressed and persecuted by Clytemnestra and Aegistus; her intense grief when she believes Orestes dead; her equally intense joy when she discovers him actually at her side; her final deliverance through his triumphant execution of vengeance on the murderers. But is there more to the play than this story of triumphant revenge and restorations? The introduction of this book includes a survey of the main interpretative issues, as well as a summary of other treatments of the myth and a discussion of the problematic question of dating. The commentary, which is based on the translation, elucidates the action.