Following the death of her beloved mother Jennifer Worth in 2011, Suzannah Worth discovered amongst her manuscripts a folder simply labelled 'Fifth Book'. Imagine her excitement when she sat down to read and her mother's distinctive voice came flooding back. This enchanting new collection from Jennifer Worth's Call the Midwife takes you back to the East End of London in the 1950s. Heart-warming and funny, these never-before-seen stories feature all Worth's beloved characters, with a particular focus on Fred, the irresistible Poplar boiler man. A selection of Suzannah's favourites from the original memoirs, featuring Chummy and Sister Monica Joan, join the new stories to make a very special addition to the Call the Midwife family.

Jennifer Worth's tales of being a midwife in 1950s London, now a major BBC TV series. Jennifer Worth came from a sheltered background when she became a midwife in the Docklands in the 1950s. The conditions in which many women gave birth just half a century ago were horrifying, not only because of their grimly impoverished surroundings, but also because of what they were expected to endure. But while Jennifer witnessed brutality and tragedy, she also met with amazing kindness and understanding, tempered by a great deal of Cockney humour. She also earned the confidences of some whose lives were truly stranger, more poignant and more terrifying than could ever be recounted in fiction. Attached to an order of nuns who had been working in the slums since the 1870s, Jennifer tells the story not only of the women she treated, but also of the community of nuns (including one who was accused of stealing jewels from Hatton Garden) and the camaraderie of the midwives with whom she trained. Funny, disturbing and incredibly moving, Jennifer's stories bring to life the colourful world of the East End in the 1950s.

The sequel to Jennifer Worth's New York Times bestselling memoir and the basis for the PBS series Call the Midwife

When twenty-two-year-old Jennifer Worth, from a comfortable middle-class upbringing, went to work as a midwife in the direst section of postwar London, she not only delivered hundreds of babies and touched many lives, she also became the neighborhood's most vivid chronicler. Woven into the ongoing tales of her life in the East End are the true stories of the people Worth met who grew up in the dreaded workhouse, a Dickensian institution that limped on into the middle of the twentieth century.

Orphaned brother and sister Peggy and Frank lived in the workhouse until Frank got free and returned to rescue his sister. Bubbly Jane's spirit was broken by the cruelty of the workhouse master until she found kindness and romance years later at Nonnatus House. Mr. Collett, a Boer War veteran, lost his family in the two world wars and died in the workhouse.

Though these are stories of unimaginable hardship, what shines through each is the resilience of the human spirit and the strength, courage, and humor of people determined to build a future for themselves against the odds. This is an enduring work of literary nonfiction, at once a warmhearted coming-of-age story and a startling look at people's lives in the poorest section of postwar London.

A fascinating slice of East End life, from the No.1 bestsellilng author of CALL THE MIDWIFE, soon to be a major BBC TV series. In this follow up to CALL THE MIDWIFE, Jennifer Worth, a midwife working in the docklands area of East London in the 1950s tells more stories about the people she encountered. There's Jane, who cleaned and generally helped out at Nonnatus House - she was taken to the workhouse as a baby and was allegedly the illegitimate daughter of an aristocrat. Peggy and Frank's parents both died within 6 months of each other and the children were left destitute. At the time, there was no other option for them but the workhouse. The Reverend Thornton-Appleby-Thorton, a missionary in Africa, visits the Nonnatus nuns and Sister Julienne acts as matchmaker. And Sister Monica Joan, the eccentric ninety-year-old nun, is accused of shoplifting some small items from the local market. She is let off with a warning, but then Jennifer finds stolen jewels from Hatton Garden in the nun's room. These stories give a fascinating insight into the resilience and spirit that enabled ordinary people to overcome their difficulties.

When the CALL THE MIDWIFE books became bestsellers, Jennifer Worth was inundated with correspondence. People felt moved to write to her because the books had touched them, and because they wanted to share memories of the world her books described, the East End of London in the late 1940s and early 1950s. LETTERS TO THE MIDWIFE is a collection of the correspondence she received offering a fascinating glimpse into a long-lost world. Along with readers' responses and personal histories, it is filled with heartwarming gems such as letters and drawings sent by one of the nuns featured in Call the Midwife and a curious list of the things Jennifer would need to become a missionary. There are stories from other midwives, lorry drivers, even a seamstress, all with tales to tell. Containing previously unpublished material describing her time spent in Paris, and some journal entries, this is also a portrait of Jennifer herself, complete with a moving introduction by her family about the Jennifer Worth they knew and loved.

Jennifer Worth's bestselling memoirs of her time as a midwife have inspired and moved readers of all ages. Now, in In the Midst of Life she documents her experiences as a nurse and ward sister, treating patients who were nearing the end of their lives. Interspersed with these stories from Jennifer's post-midwife career are the histories of her patients, from the family divided by a decision nobody could bear to make, to the mother who comes to her son's adopted country and joins his family without being able to speak a word of English. In the Midst of Life also gives moving insights not just into Jennifer's life and career, but also of a period of time which seems very different to today's, fast-paced world.

The third and final book in the bestselling CALL THE MIDWIFE series, the basis of the major BBC TV series. This final book in Jennifer Worth's memories of her time as a midwife in London's East end brings her story full circle. As always there are heartbreaking stories such as the family devastated by tuberculosis and a ship's woman who 'serviced' the entire crew, as well as plenty of humour and warmth, such as the tale of two women who shared the same husband! Other stories cover backstreet abortions, the changing life of the docklands, infanticide, as well as the lives of the inhabitants of Nonnatus House. We discover what happens with the gauche debutant Chummy and her equally gauche policeman; will Sister Monica Joan continue her life of crime? Will Sister Evangelina ever crack a smile? And what of Jennifer herself? The book not only details the final years of the tenements but also of Jennifer's journey as she moves on from the close community of nuns, and her life takes a new path.

The last book in the trilogy begun by Jennifer Worth's New York Times bestseller and the basis for the PBS series Call the Midwife

When twenty-two-year-old Jennifer Worth, from a comfortable middle-class upbringing, went to work as a midwife in the poorest section of postwar London, she not only delivered hundreds of babies and touched many lives, she also became the neighborhood's most vivid chronicler. Call the Midwife: Farewell to the East End is the last book in Worth's memoir trilogy, which the Times Literary Supplement described as "powerful stories with sweet charm and controlled outrage" in the face of dire circumstances.

Here, at last, is the full story of Chummy's delightful courtship and wedding. We also meet Megan'mave, identical twins who share a browbeaten husband, and return to Sister Monica Joan, who is in top eccentric form. As in Worth's first two books, Call the Midwife: A Memoir of Birth, Joy, and Hard Times and Call the Midwife: Shadows of the Workhouse, the vividly portrayed denizens of a postwar East End contend with the trials of extreme poverty--unsanitary conditions, hunger, and disease--and find surprising ways to thrive in their tightly knit community.

A rich portrait of a bygone era of comradeship and midwifery populated by unforgettable characters, Call the Midwife: Farewell to the East End will appeal to readers of Frank McCourt, Katherine Boo, and James Herriot, as well as to the fans of the acclaimed PBS show based on the trilogy.

An unforgettable story of the joy of motherhood, the bravery of a community, and the hope of one extraordinary woman
At the age of twenty-two, Jennifer Worth leaves her comfortable home to move into a convent and become a midwife in post war London's East End slums. The colorful characters she meets while delivering babies all over London-from the plucky, warm-hearted nuns with whom she lives to the woman with twenty-four children who can't speak English to the prostitutes and dockers of the city's seedier side-illuminate a fascinating time in history. Beautifully written and utterly moving, "The Midwife" will touch the hearts of anyone who is, and everyone who has, a mother.

A fascinating slice of social history - Jennifer Worth's tales of being a midwife in 1950s London, now a major BBC TV series. Jennifer Worth came from a sheltered background when she became a midwife in the Docklands in the 1950s. The conditions in which many women gave birth just half a century ago were horrifying, not only because of their grimly impoverished surroundings, but also because of what they were expected to endure. But while Jennifer witnessed brutality and tragedy, she also met with amazing kindness and understanding, tempered by a great deal of Cockney humour. She also earned the confidences of some whose lives were truly stranger, more poignant and more terrifying than could ever be recounted in fiction. Attached to an order of nuns who had been working in the slums since the 1870s, Jennifer tells the story not only of the women she treated, but also of the community of nuns (including one who was accused of stealing jewels from Hatton Garden) and the camaraderie of the midwives with whom she trained. Funny, disturbing and incredibly moving, Jennifer's stories bring to life the colourful world of the East End in the 1950s.

Jennifer Worth was just twenty-two when she volunteered to spend her early years of midwifery training in London's East End in the 1950s. Coming from a sheltered background there were tough lessons to be learned. The conditions in which many women gave birth just half a century ago were horrifying.

Following the death of her beloved mother Jennifer Worth in 2011, Suzannah Worth discovered amongst her manuscripts a folder simply labelled 'Fifth Book'. Imagine her excitement when she sat down to read and her mother's distinctive voice came flooding back. She found herself once again immersed in the world of the 1950s East End of London. The voices of much loved, familiar characters spoke loud and clear, particularly that of Fred the boiler man, who features extensively in this joyful collection. From Fred and Maisie's romance, to Fred's little earners including boat tours on the Thames, a fledgling singing career and raising pigs on the allotment, these new stories are as heart-warming and funny as the originals. Published here for the first time and accompanied by a selection of Suzannah's favourite chapters from the original memoirs, featuring Chummy and Sister Monica Joan, this is a very special addition to the Call the Midwife family.