How do archaeologists and artists reimagine what life was like during the Greek Bronze Age? How do contemporary conditions influence the way we understand the ancient past? This innovative book considers two imaginative restorations of the ancient world that test the boundaries of interpretation and invention by bringing together the discovery of Minoan culture by the British archaeologist Sir Arthur Evans (1851-1941) and the work of the Turner Prize-winning video artist Elizabeth Price (b. 1966). Featured essays examine Evans's interpretation and restoration of the Knossos palace and present fresh photography of Minoan artifacts and archival photographs of the dig alongside beautiful, previously unpublished watercolors and drawings by the archaeological illustrators and restorers who worked on the site: Emile Gillieron pere(1850-1924), Emile Gillieron fils (1885-1939), Piet de Jong (1887-1967), and others. An interview with Price explores how her attraction to the Sir Arthur Evans Archive became the basis for her commissioned video installation at the University of Oxford's Ashmolean Museum and offers insight into her creative practice. Exhibition dates: October 5, 2017-January 7, 2018

As archaeologists unearth the past, they seek meaning or purpose for the objects they uncover by looking at the objects themselves and their archaeological context. Art historians, on the other hand, primarily focus on aesthetics, asking why a particular object stimulates our senses, and what that tells us about ourselves. From Ancient to Modern offers a lens for understanding ancient objects through the perspectives and processes of both archaeology and aesthetics, and, in so doing, illuminates the multiple layers of meaning that a single object can take on--sometimes simultaneously--over the course of its existence. This beautifully illustrated volume is the accompanying catalog for the exhibition at New York University's Institute for the Study of the Ancient World and focuses on fifty objects from three iconic sites in the ancient Near East: Ur, Diyala, and Kish. The excavation, unique characteristics, and transformative journey of each object--from archaeological artifact to aesthetic item--are examined. Select contemporary artworks are also considered in the investigation of how ancient objects acquire meaning in the present day. Contributors include Kim Benzel, Jennifer Chi, Jean Evans, Lynn Grant, Jack Green, William Hafford, Marc Marin, Naomi Miller, Holly Pittman, Clemens Reichel, Karen Wilson, and Richard Zettler. Cover photograph (c) Bruce M. White, 2016

The catalogue for the groundbreaking exhibition at New York University's Institute for the Study of the Ancient World, Nomads and Networks presents an unparalleled overview of the sophisticated culture of pastoral nomadic populations who lived on the territory of present-day Kazakhstan from roughly the middle of the first millennium BCE to the early centuries CE. Focusing on material from the Altai and Tianshan regions, Nomads and Networks explores the specific conditions of mobile lifeways that resulted from particular ecological conditions in the steppes and high valleys of Inner Eurasia. Highlights of the exhibition are grave goods from the burial mounds at the site of Berel and gold mortuary ornaments from Shilikty, Zhalauli, and Kargaly. Attesting to a sophisticated decorative art flourishing among these nomadic populations, the objects skillfully combine older iconographic traditions of animal style in the steppe with more recent influences from foreign cultures--most notably Persia and China. Contributors include Nursan Alimbai, Nikolay A. Bokovenko, Claudia Chang, Bryan K. Hanks, Sagynbay Myrgabayev, Karen S. Rubinson, Zainolla S. Samashev, Soren Stark, and Abdesh T. Toleubaev. Cover photograph (c) Bruce M. White, 2016