The Bloomsbury Companion to Holocaust Literature is a comprehensive reference resource including a wealth of critical material on a diverse range of topics within the literary study of Holocaust writing. At its centre is a series of specially commissioned essays by leading scholars within the field: these address genre-specific issues such as the question of biographical and historical truth in Holocaust testimony, as well as broader topics including the politics of Holocaust representation and the validity of comparative approaches to the Holocaust in literature and criticism. These original essays are complemented by a host of other features designed to benefit scholars and students within this subject area, including a substantial section detailing new and emergent trends within the literary study of the Holocaust, a concise glossary of major critical terminology, and an annotated bibliography of relevant research material. The volume will be of interest and value to scholars and students of Holocaust literature, memorial culture, Jewish Studies, genocide studies, and twentieth and twenty-first century literature more broadly.Contributors: Victoria Aarons, Jenni Adams, Michael Bernard-Donals, Matthew Boswell, Stef Craps, Richard Crownshaw, Brett Ashley Kaplan and Fernando Herrero-Matoses, Adrienne Kertzer, Erin McGlothlin, David Miller, and Sue Vice.

The Bloomsbury Companion to Holocaust Literature is a comprehensive reference resource including a wealth of critical material on a diverse range of topics within the literary study of Holocaust writing. At its centre is a series of specially commissioned essays by leading scholars within the field: these address genre-specific issues such as the question of biographical and historical truth in Holocaust testimony, as well as broader topics including the politics of Holocaust representation and the validity of comparative approaches to the Holocaust in literature and criticism. The volume includes a substantial section detailing new and emergent trends within the literary study of the Holocaust, a concise glossary of major critical terminology, and an annotated bibliography of relevant research material. Featuring original essays by: Victoria Aarons, Jenni Adams, Michael Bernard-Donals, Matthew Boswell, Stef Craps, Richard Crownshaw, Brett Ashley Kaplan and Fernando Herrero-Matoses, Adrienne Kertzer, Erin McGlothlin, David Miller, and Sue Vice.

An office affair Being hired to type up famous reclusive author Alex Markoff's new manuscript is a dream come true for Kelsey Albertelli. Until Kelsey meets her new boss! Alex doesn't want Kelsey there and isn't afraid to tell her... except resentment isn't the only emotion simmering between the two... * Dumped by her cheating ex-fiance, Marissa Warren joins a dating website to find Mr Ordinary and Safe. Instead she finds Mr Tall, Dark and Totally Not Right For Her in her boss! He may everything she doesn't want but as she gets to know her new boss Marissa can't stop falling for Mr Imperfect! * When Aideen Ryan turns to her reclusive billionaire neighbour for business help, Patrick Fitzsimon can't say no. Working together to help save her business soon Aideen is swept into a world she doesn't recognise with a man she finds herself falling for...

Power Play The Literature and Politics of Chess in the Late Middle Ages Jenny Adams The game of chess reached western Europe by the year 1000, and within several generations it had become one of the most popular pastimes ever. Both men and women, and even priests played the game despite the Catholic Church's repeated prohibitions. Characters in countless romances, "chansons de geste," and moral tales of the eleventh through twelfth centuries also played chess, which often symbolized romantic attraction or sexual consummation. In "Power Play," Jenny Adams looks to medieval literary representations to ask what they can tell us both about the ways the game changed as it was naturalized in the West and about the society these changes reflected. In its Western form, chess featured a queen rather than a counselor, a judge or bishop rather than an elephant, a knight rather than a horse; in some manifestations, even the pawns were differentiated into artisans, farmers, and tradespeople with discrete identities. "Power Play" is the first book to ask why chess became so popular so quickly, why its pieces were altered, and what the consequences of these changes were. More than pleasure was at stake, Adams contends. As allegorists and political theorists connected the moves of the pieces to their real-life counterparts, chess took on important symbolic power. For these writers and others, the game provided a means to figure both human interactions and institutions, to envision a civic order not necessarily dominated by a king, and to imagine a society whose members acted in concert, bound together by contractual and economic ties. The pieces on the chessboard were more than subjects; they were individuals, playing by the rules. Jenny Adams teaches English at the University of Massachusetts, Amherst. The Middle Ages Series 2006 264 pages 6 x 9 9 illus. ISBN 978-0-8122-3944-7 Cloth $59.95s 39.00 ISBN 978-0-8122-0104-8 Ebook $59.95s 39.00 World Rights Literature Short copy: Reading through influential texts of the later Middle Ages, Adams shows how specific representations of chess encoded concerns about political organization, civic community, and individual autonomy.

Flagler Beach Florida is quite the small town, eclectic and quirky... and filled with many unique characters. Nerdz Comics And More offers not only great comics and collectibles but great characters as well The fifth book in the Flagler Beach Fiction series. Contemporary Fiction and a fun beach read Includes 10 short stories and Author Notes