This book offers an historical portrait of the first generations of women home scientists at the University of New Zealand in the early decades of the twentieth century. It adopts the tools of biographical research to interrogate their professional lives in a new colonial university. With a specific focus on Home Science, this book contests contemporary views that a university education would produce glorified housekeepers. Previous scholarship has not fully considered how Home Science expanded the range of professional, academic and career options for educated women. Drawing extensively on archival material from New Zealand, the United States, and England, this book examines how women worked with, around, and against gender stereotypes to establish themselves as professional scholars in the field of Home Science. This book is a rich micro-history of gender identities and roles. It demonstrates how Home Science, intended by male academic administrators to confine women to their "proper" domestic sphere, was used by home scientists to create new professional opportunities for women, both in the academy and in the scientific community at large. These determined and talented women were not victims of patriarchy but creative agents of change and promise. As activist women before them, they worked with, around, and against gender stereotypes to expand the area of "women's sphere." The portraits sketched in this book illuminate the extent to which New Zealand home scientists established connections with women in the US and England and their contribution to this transnational community of scholars. The authors go beyond arguments that Home Science, as a subject and field of study, hindered women to ask instead how and why it developed as it did. They trace the lives and careers of early home scientists to understand how these educated and mobile women transcended gendered views that their work was little more than "glorified housekeeping." The careers of academic women were deeply marked by the gendered boundaries of the Academy as well as the profoundly gendered expectations of their daily lives. The portraits presented in this book suggest that academic women were politically astute. That is, they were able to 'read' the context in which they lived and worked and while on the one hand they appeared to accept their gendered positioning, on the other, they used these opportunities to neutralize their marginal status and create a specialized education for women. Successive generations of graduate women derived benefits from the professionalization of women's work and were able to consider a range of career options that provided real alternatives to domesticity. There can be little doubt that these first generations of academic women occupied dangerous territory; and it is this terrain that contemporary women academics inhabit. The history of women's higher education continues to be deeply marked by enduring struggles for recognition of their scholarly contribution and expertise. Historical Portraits of Women Home Scientists is an important book for those interested in the history of women's higher education, gender and the professions, historical methodology, and transnational histories of women home scientists.

Turtle wanted to go to the party in the clouds, but how would she get there without wings? She had an idea, but, unfortunately, things didn't go quite according to plan. Orange/ Band 6 books offer varied text and characters, with action sustained over several pages. Text type - A traditional tale. A story map on pages 22-23 allows children to look back at Turtle's changing emotions along her journey.

Follow one girl as she visits the park at different points of the year, collecting objects and pictures for her scrapbook to show the differences between the seasons. Wonderfully illustrated in vivid colours by Christine Jenny, this non-fiction book is written by Charlotte Raby. What would you put in your seasons scrapbook? Pink B/Band 1B books offer simple, predictable text with familiar objects and actions Children can re-cap the changing seasons on pages 14–15. Text type: A non-fiction recount Curriculum links: Geography: Weather around the world

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

In 1871 Jennie Collins became one of the first working-class American women to publish a volume of her own writings: "Nature's Aristocracy." Merging autobiography, social criticism, fictionalized vignettes, and feminist polemics, her book examines the perennial problem of class in America. Collins loosely structures her series of sketches around the argument that nineteenth-century U.S. society, by deviating dangerously from the ideals set forth in the Constitution and the Bill of Rights, had created a corrupt aristocracy and a gulf between the rich and the poor that the United States' founders had endeavored to prevent. Collins's text serves as a mouthpiece for the little-heard voices of nineteenth-century poor and laboring women, employing sarcasm, irony, and sentimentality in condemning the empty philanthropic gestures of aristocratic capitalists and calling for justice instead of charity as a means to elevate the poor from their destitution. She also explores the necessity of suffrage for female workers who, while expected to work alongside men as their equals in labor, were hampered by lower wages and lack of control by their exclusion from the voting process.