The book explores ancient interpretations and usages of the famous Delphic maxim “know yourself�. The primary emphasis is on Jewish, Christian and Greco-Roman sources from the first four centuries CE. The individual contributions examine both direct quotations of the maxim as well as more distant echoes. Most of the sources included in the book have never previously been studied in any detail with a view to their use and interpretation of the Delphic maxim. Thus, the book contributes significantly to the origin and different interpretations of the maxim in antiquity as well as to its reception history in ancient philosophical and theological discourses. The chapters of the book are linked to each other by numerous cross-references which makes it possible to compare the different views of the maxim with each other. It also helps readers to notice relationships and trajectories within the material. The explorations of the relevant sources are also set in the context of ongoing debates about the shape and nature of ancient conceptions of self and self-knowledge. The book thus demonstrates the wide variety of philosophical and theological approaches in that the injunction to know oneself could be viewed and how these interpretations provide windows into ancient discourses about self and self-knowledge.

“A landmark…If you have time to read only one book on the Bible this year, make sure that it is this one.�—Katherine J. Dell, Church Times “Excellent…With a sure touch, the authors lead the reader through the geopolitical context of the Hebrew Bible and the setting and background of the New Testament, finding something to say about practically every book’s origins and development.�—John Barton, The Tablet “A remarkable deep dive into foundational books whose origins are often taken for granted.�—Publishers Weekly In this revelatory account of the making of the foundational text of western civilization, a world-renowned scholar of the Hebrew scriptures joins a noted authority on the New Testament to reconstruct Jewish and Christian scriptural histories and reveal the underappreciated contest between them. The New Testament, they show, did not develop in the wake of an Old Testament set in stone. The two evolved in parallel, often in conversation with each other, ensuring a continuing mutual influence of Jewish and Christian traditions. A remarkable synthesis of the latest Old and New Testament scholarship, The Making of the Bible is the most comprehensive history yet of the long, transformative journeys of these texts on route to inclusion in the holy books, revealing their buried lessons and secrets.

Jesus of Nazareth continues to fascinate. From antiquity onwards countless people have found meaning for their lives through Jesus' teaching. His life led to the establishment of a community that subsequently grew into what is today the world's largest religion. At the center of the Christian faith stands the confession that this Jesus is both "true human being and true God."

In Jesus of Nazareth, noted German New Testament scholar Jens Schroter directly addresses the connection between Jesus' humanity and divinity--how the historical Jesus can also be the Christ of confession. Schroter begins by looking at the modern quest for the "historical Jesus" from its beginnings down to the present. In the process Schroter isolates key questions of historical method--how can we reconstruct the past? What is the relationship between these reconstructions and past reality itself? Schroter then examines the words and deeds of Jesus, including his death and resurrection, in their Galilean and Greco-Roman contexts. Schroter finally measures the impact that Jesus has had in literature, film, music, and the fine arts. Jesus of Nazareth thus narrates the remarkable story of how a Jew from Galilee became the savior of the world, how Jesus can be said to be both God and human, and how this Jesus continues to exert influence.

Digital technologies have profoundly impacted the arts and expanded the field of sculpture since the 1950s. Art history, however, continues to pay little attention to sculptural works that are conceived and ‘materialized’ using digital technologies. How can we rethink the artistic medium in relation to our technological present and its historical precursors? A number of theoretical approaches discuss the implications of the so-called ‘Aesthetics of the Digital’, referring, above all, to screen-based phenomena. For the first time, this publication brings together international and trans-historical research perspectives to explore how digital technologies re-configure the understanding of sculpture and the sculptural leading into the (post-)digital age. Up-to-date research on digital technologies’ expansion of the concept of sculpture Linking historical sculptural debates with discourse on the new media and (post-)digital culture

Das Jesus Handbuch präsentiert die Forschung zum historischen Jesus und Rezeptionen seiner Person auf dem aktuellen Stand der internationalen Diskussion. Es gibt einen Überblick über Deutungen Jesu in der Christentumsgeschichte von den Anfängen bis zum Beginn des 21. Jahrhunderts. Behandelt werden des Weiteren Wirken, Lehre und Geschick Jesu in ihrem religiösen, sozialen und politischen Kontext. Dabei werden aktuelle geschichtswissenschaftliche Diskurse, archäologische Forschungen sowie Deutungen Jesu in neutestamentlichen und weiteren frühchristlichen Texten berücksichtigt. Schließlich richtet sich der Blick auf wichtige Wirkungen Jesu im frühen Christentum. Geboten wird somit ein Überblick über Person und Wirken Jesu sowie Deutungen seiner Person aus unterschiedlichen Perspektiven. An dem Handbuch mitgewirkt haben renommierte Forscherinnen und Forscher aus verschiedenen Kontexten. Das Handbuch bietet deshalb zugleich einen repräsentativen Überblick über die gegenwärtige Jesusforschung.