Die Schwarze Spinne is a religious allegory about morals and religious living in the mid-nineteenth century, written by Jeremias Gotthelf. This work is an interlinear translation of Gotthelf's Die Schwarze Spinne with introductions to both the author and the work itself. In a small Swiss community, a baptism is the backdrop for a village elder to tell the story of his family and their life and death struggle with the devil himself. The elder relates the story of a knight and his ill treatment of the farmers of the area. The knight's inhuman demands upon the peasants bring about unforeseen consequences, which lead to the decimation of the village and, ultimately, the knight's own death. The plague released through a pact with the devil, the black spider, haunts the village for hundreds of years and must be fought with religious piety, courage, and devotion to traditional values. It is when one forgets God and his commandments that the black spider is at its most deadly. A true tale of morality written by a pastor in 1842, The Black Spider serves as a warning to those who, according to Gotthelf, go against the will of God.

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It is a sunny summer Sunday in a remote Swiss village, and a christening is being celebrated at a lovely old farmhouse. One of the guests notes an anomaly in the fabric of the venerable edifice: a blackened post that has been carefully built into a trim new window frame. Thereby hangs a tale, one that, as the wise old grandfather who has lived all his life in the house proceeds to tell it, takes one chilling turn after another, while his audience listens in appalled silence. Featuring a cruelly overbearing lord of the manor and the oppressed villagers who must render him service, an irreverent young woman who will stop at nothing, a mysterious stranger with a red beard and a green hat, and, last but not least, the black spider, the tale is as riveting and appalling today as when Jeremias Gotthelf set it down more than a hundred years ago. The Black Spider can be seen as a parable of evil in the heart or of evil at large in society (Thomas Mann saw it as foretelling the advent of Nazism), or as a vision, anticipating H. P. Lovecraft, of cosmic horror. There's no question, in any case, that it is unforgettably creepy.