In Bolt from the Blue, Jeremy Cooper, the winner of the 2018 Fitzcarraldo Editions Novel Prize, charts the relationship between a mother and daughter over the course of thirty-odd years. In October 1985, Lynn moves down to London to enrol at Saint Martin's School of Art, leaving her mother behind in a suburb of Birmingham. Their relationship is complicated, and their primary form of contact is through the letters, postcards and emails they send each other periodically, while Lynn slowly makes her mark on the London art scene. A novel in epistolary form, Bolt from the Blue captures the waxing and waning of the mother-daughter relationship over time, achieving a rare depth of feeling with a deceptively simple literary form.

Perennially on the outside, Brian has led a solitary life; he works at Camden Council, lunches every day at Il Castelletto café and then returns to his small flat on Kentish Town Road. It is an existence carefully crafted to avoid disturbance and yet Brian yearns for more. A visit one day to the BFI brings film into his life, and Brian introduces a new element to his routine: nightly visits to the cinema on London’s South Bank. Through the works of Yasujirō Ozu, Federico Fellini, Agnes Varda, Yilmaz Güney and others, Brian gains access to a rich cultural landscape outside his own experience, but also achieves his first real moments of belonging, accepted by a curious bunch of amateur film buffs, the small informal group of BFI regulars. A tender meditation on friendship and the importance of community, Brian is also a tangential work of film criticism, one that is not removed from its subject matter, but rather explores with great feeling how art gives meaning to and enriches our lives.

Published in 1997, an edited collection of essays by a group of international public interest scholars and activists that examines the role and function of the law school in developing, transmitting and understanding the use of law to bring about social change to the advantage of subordinated people. The book traces this influence from the early days of the law school and its induction of legal principles and client responsibilities, through training for practices in a variety of settings, including teaching, social action research, client empowerment programs, to the outer limits of law school in community legal education and awareness. An important and pioneering series of international case studies.

Published in 1999, this volume contributes to the debate on convergence and differences in the role of law and legal institutions throughout the world. Globalization and technology may allow convergence of lawyers training, practices and values. However, local conditions may create resistances and barriers which must be acknowledged and studied. The book focuses on social values in legal education and practice in four regions: East Asia, South Asia, South-East Asia and Latin America.

Published in 1997, an edited collection of essays by a group of international public interest scholars and activists that examines the role and function of the law school in developing, transmitting and understanding the use of law to bring about social change to the advantage of subordinated people. The book traces this influence from the early days of the law school and its induction of legal principles and client responsibilities, through training for practices in a variety of settings, including teaching, social action research, client empowerment programs, to the outer limits of law school in community legal education and awareness. An important and pioneering series of international case studies.

Published in 1999, this volume contributes to the debate on convergence and differences in the role of law and legal institutions throughout the world. Globalization and technology may allow convergence of lawyers training, practices and values. However, local conditions may create resistances and barriers which must be acknowledged and studied. The book focuses on social values in legal education and practice in four regions: East Asia, South Asia, South-East Asia and Latin America.

Ash before Oak is a novel in the form of a fictional journal written by a solitary man on a secluded Somerset estate. Ostensibly a nature diary, chronicling the narrator's interest in the local flora and fauna and the passing of the seasons, Ash before Oak is also the story of a breakdown told slantwise, and of the narrator's subsequent recovery through his reengagement with the world around him. Written in prose that is as precise as it is beautiful, winner of the 2018 Fitzcarraldo Editions Novel Prize, Jeremy Cooper's first novel in over a decade is a stunning investigation of the fragility, beauty and strangeness of life.

The accessibility and familiarity of a postcard makes it an artistic medium rich with potential for subversion, appropriation or manipulation for political, satirical, revolutionary or playful intent. The inexpensiveness of production encourages artists to experiment with their design; the only artistic restriction: that it fits through a letterbox. Unlike traditional works of art, the postcard requires nothing more than a stamp for it to be seen on the other side of the world. Made of commonplace material, postcards invite handling, asking to be picked up, turned over, and shown to friends – to be included in our lives. The world exists to be put on a postcard features postcards, several reproduced at actual size, designed by notable modern and contemporary artists, including Carl Andre, Eleanor Antin, Joseph Beuys, Tacita Dean, Gilbert & George, Richard Hamilton, Susan Hiller, Richard Long, Bruce Nauman, Yoko Ono, Dieter Roth, Gavin Turk, Mark Wallinger, Rachel Whiteread and Hannah Wilke, many of which are published here for the first time. Organized thematically into chapters, such as ‘Graphic Postcards’, ‘Political Postcards’, ‘Portrait Postcards’ and ‘Composite Postcards’, this book demonstrates the significance of artists’ postcards in contemporary art. Written by artists’ postcard expert and collector Jeremy Cooper, this remarkable publication will inspire, educate and delight all fans of the genre and lovers of contemporary art.

This comprehensive volume assesses the relationship between legal rights and disability and the effect of law, legal process and third party professional intervention on the lives of people with disabilities. Stressing the crucial role played by disabled people themselves in fulfilling the promise of the worldwide rights movement, the chapters examine this relationship across a variety of themes, stressing the legal elements of each issue, and the extent to which law can assist in strengthening individual rights in that area. The contributors, who are all either academics or other professional experts in their field, write in a jargon free accessible style. The volume will be of interest to lawyers, human rights activists, health care professionals and to disabled people generally. The main areas covered in the volume are: * new perspectives on working in partnership with disabled people; * the changing attitudes to the rights of people with disabilities across the globe; * improvements to the rights of disabled people through legal process, using national and international law; * an examination of the rights and entitlement of disabled people to community care, housing, employment, education, and special services for children; * disabled people and mental health law; * messages from disability research for law, practice and reform implications for research.