Experiencing disco, hip hop, house, techno, drum 'n' bass and garage, Discographies plots a course through the transatlantic dance scene of the last last twenty-five years. It discusses the problems posed by contemporary dance culture of both academic and cultural study and finds these origins in the history of opposition to music as a source of sensory pleasure.
Discussing such issues as technology, club space. drugs, the musical body, gender, sexuality and pleasure, Discographies explores the ecstatic experiences at the heart of contemporary dance culture. It suggests why politicians and agencies as diverse as the independent music press and public broadcasting should be so hostile to this cultural phenomenon.

Although nomadic peoples are scattered worldwide and have highly heterogeneous lifestyles, they face similar threats to their mobile livelihood and survival. Commonly, nomadic peoples are facing pressure from the predominant sedentary world over mobility, land rights, water resources, access to natural resources, and migration routes. Adding to these traditional problems, rapid growth in the extractive industry and the need for the exploitation of the natural resources are putting new strains on nomadic lifestyles. This book provides an innovative rights-based approach to the issue of nomadism looking at issues including discrimination, persecution, freedom of movement, land rights, cultural and political rights, and effective management of natural resources. Jeremie Gilbert analyses the extent to which human rights law is able to provide protection for nomadic peoples to perpetuate their own way of life and culture. The book questions whether the current human rights regime is able to protect nomadic peoples, and highlights the lacuna that currently exists in international human rights law in relation to nomadic peoples. It goes on to propose avenues for the development of specific rights for nomadic peoples, offering a new reading on freedom of movement, land rights and development in the context of nomadism.

Under neoliberalism the cult of individualism reigns supreme, forced upon us through culture, media and politics, it fatally limits our capacity to escape the current crisis of democratic politics. In Common Ground, Jeremy Gilbert asks us to reimagine the philosophical relationship between individuality, collectivity, affect and agency, proposing a radically non-individualist mode of imagining social life. The book considers how opponents of neoliberal hegemony, and of the individualist tradition in Western thought, might protect collective creativity and democratic possibility. Examination of the historical roots of individualism's 'Leviathan logic' and fresh readings of theorists such as Hobbes, Lazzarato, Simondon, Lyotard, Laclau and Deleuze and Guattari, force us to confront longstanding assumptions about the nature of the individual and of collectivity. Exploration of this fundamental faultline in contemporary politics is accompanied by analysis of the different ideas and practices of collectivity, from conservative notions of hierarchical and patriarchal communities to the politics of 'horizontality' and 'the commons' which lie at the heart of radical movements today. Through an understanding of the philosophy shaping contemporary relations and disrupting hegemonic values, we can re-imagine the present moment.

Experiencing disco, hip hop, house, drum 'n' bass and garage, Discographies plots a course through the transatlantic dance scene of the last twenty-five years. It discusses the problems posed by contemporary dance culture and of both academic and cultural study and finds these origins in the history of opposition to music as a source of sensory pleasure.
Discussing such issues as technology, club space, drugs, the musical body, gender, sexuality and pleasure, Discographies explores the ecstatic experiences at the heart of contemporary dance culture. It suggests why politicians and agencies as diverse as the independent music press and public broadcasting should be so hostile to this cultural phenomenon.

eBook available with sample pages: 0203012062

Jeremy Gilbert-Rolfe brings to Melville's work the insight not only of an art critic and theorist, but of a practicing artist as well. Navigating through the complexity of contemporary thought and philosophy, Gilbert-Rolfe unravels the Gordian knot of the diverse discourses that circumscribe Melville's views, revealing the practicality and clarity of Melville's speculative narratives.
Stephen Melville is one of the most thoughtful critics to emerge in recent years. He has applied the tools developed by Jacques Derrida and Jacques Lacan to the problems of contemporary art. With his roots in Kant, Hegel, and Heidegger, he reopens questions of art's reception, interpretation, and commentary. Not only does he articulate the limitations of these categories, and how they are set into motion-stasis and balance are not the goal. He demonstrates how the territory of each of these discourses is maintained by their relationship to one another. Melville's texts not only represent the complexity of his subjec

Stephen Melville is one of the most thoughtful critics to emerge in recent years. He has applied the tools developed by Jacques Derrida and Jacques Lacan to the problems of contemporary art. With his roots in Kant, Hegel and Heidegger, he reopens questions of art's reception, interpretation and commentary. He demonstrates how the territory of each of these discourses is maintained by their relationship to one another. Melville's texts not only represent the complexity of his subject, but also the intricate interface between the art object, history and philosophical interpretation. Jeremy Gilbert-Rolfe brings to Melville's work the insight not only of an art critic and theorist, but of a practicing artist as well. Navigating the complexity of contemporary thought and philosophy, Gilbert-Rolfe unravels the Gordian knot of the diverse discourses that circumscribe Melville's views, revealing the practicality and clarity of Melville's speculative narratives.

What does 'anticapitalism' really mean for the politics and culture of the twenty-first century?

Anticapitalism is an idea which, despite going global, remains rooted in the local, persisting as a loose collection of grassroots movements and actions. Anti-capitalism needs to develop a coherent and cohering philosophy, something which cultural theory and the intellectual legacy of the New Left can help to provide, notably through the work of key radical thinkers, such as Ernesto Laclau, Stuart Hall, Antonio Negri, Gilles Deleuze and Judith Butler.
"Anticapitalism and Culture" argues that there is a strong relationship between the radical tradition of cultural studies and the new political movements which try to resist corporate globalization. Indeed, the two need each other: whilst theory can shape and direct the huge diversity of anticapitalist activism, the energy and sheer political engagement of the anticapitalist movement can breathe new life into cultural studies.

Frank Gehry: The City and Music is the result of a unique collaboration between the architect and leading critic Jeremy Gilbert-Rolfe. It focuses on two projects, Gehry's unrealised proposal for the rehabilitation of Berlin's Museum Island and his soon to be completed Disney Concert Hall in Los Angeles, while discussing other projects such as the Pavilion for the Performing Arts in Concord, California, the Guggenheim Museum in Bilbao, and the Experience Music Project in Seattle. Gehry's much debated relationship to Minimalist sculpture, use of new building materials and attitude to tradition, are discussed with regard to his belief in architecture as a democratic practice which is at once practical and expressive.

Frank Gehry: The City and Music is the result of a unique collaboration between the architect and leading critic Jeremy Gilbert-Rolfe. It focuses on two projects, Gehry's unrealised proposal for the rehabilitation of Berlin's Museum Island and his soon to be completed Disney Concert Hall in Los Angeles, while discussing other projects as well. Gehry's much debated relationship to Minimalist sculpture, use of new building materials and attitude to tradition, are discussed with regard to his belief in architecture as a democratic practice which is at once practical and expressive.

Today power is in the hands of Wall Street and Silicon Valley. How do we understand this transformation in power? And what can we do about it? We cannot change anything until we have a better understanding of how power works, who holds it, and why that matters. Through upgrading the concept of hegemony-understanding the importance of passive consent; the complexity of political interests; and the structural force of technology-Jeremy Gilbert and Alex Williams offer us an updated theory of power for the twenty-first century. Hegemony Now explores how these forces came to control our world. The authors show how they have shaped the direction of politics and government as well as the neoliberal economy to benefit their own interests. However, this dominance is under threat. Following the 2008 financial crisis, a new order emerged in which the digital platform is the central new technology of both production and power. This offers new opportunities for counter hegemonic strategies to win back power. Hegemony Now outlines a dynamic socialist strategy for the twenty-first century.

What does 'anticapitalism' really mean for the politics and culture of the twenty-first century?

Anticapitalism is an idea which, despite going global, remains rooted in the local, persisting as a loose collection of grassroots movements and actions. Anti-capitalism needs to develop a coherent and cohering philosophy, something which cultural theory and the intellectual legacy of the New Left can help to provide, notably through the work of key radical thinkers, such as Ernesto Laclau, Stuart Hall, Antonio Negri, Gilles Deleuze and Judith Butler.
"Anticapitalism and Culture" argues that there is a strong relationship between the radical tradition of cultural studies and the new political movements which try to resist corporate globalization. Indeed, the two need each other: whilst theory can shape and direct the huge diversity of anticapitalist activism, the energy and sheer political engagement of the anticapitalist movement can breathe new life into cultural studies.

In this collection, innovative and eminent social and policy analysts, including Colin Crouch, Anna Coote, Grahame Thompson and Ted Benton, challenge the failing but still dominant ideology and policies of neo-liberalism. The editors synthesise contributors' ideas into a revised framework for social democracy; rooted in feminism, environmentalism, democratic equality and market accountability to civil society. This constructive and stimulating collection will be invaluable for those teaching, studying and campaigning for transformative political, economic and social policies.

Although nomadic peoples are scattered worldwide and have highly heterogeneous lifestyles, they face similar threats to their mobile livelihood and survival. Commonly, nomadic peoples are facing pressure from the predominant sedentary world over mobility, land rights, water resources, access to natural resources, and migration routes. Adding to these traditional problems, rapid growth in the extractive industry and the need for the exploitation of the natural resources are putting new strains on nomadic lifestyles. This book provides an innovative rights-based approach to the issue of nomadism looking at issues including discrimination, persecution, freedom of movement, land rights, cultural and political rights, and effective management of natural resources. Jeremie Gilbert analyses the extent to which human rights law is able to provide protection for nomadic peoples to perpetuate their own way of life and culture. The book questions whether the current human rights regime is able to protect nomadic peoples, and highlights the lacuna that currently exists in international human rights law in relation to nomadic peoples. It goes on to propose avenues for the development of specific rights for nomadic peoples, offering a new reading on freedom of movement, land rights and development in the context of nomadism.

What kind of thing is 'neoliberalism'? This collection of essays explores a range of possible answers to this question, arguing that neoliberalism is a complex, but specifiable and analysable phenomenon: a discursive formation, an ideology, a governmental programme, a hegemonic project, an assemblage of ideas, techniques and technologies, and what Deleuze and Guattari call an 'abstract machine'.Following an introductory essay by Jeremy Gilbert which contextualises the meaning and significance of neoliberalism, the collection considers the genesis, persistence and polyvalency of the concept across a range of cultural sites and discursive genres from political philosophy to pornography, from economics to photographic technology. Chapters examine the intersection of neoliberal ideology and political practice with experiences of race, gender, sexuality and class; with grand politics, technical innovation and hard economics.This book is essential reading for anyone interesting in the contemporary cultural climate, and the impact of the pervasive concept of neoliberalism on society in the present.

Since the election of a New Labour government, the cultural domain has been politically charged like never before. Official manifestos have been published and public projects have proliferated, signalling a level of ideological attention to culture unprecedented in democratic societies. This is an era of 'cultural capitalism', in which an extremely static conception of culture is required to absorb or efface ideological conflict, rather than give expression to it, or otherwise resolve it. Art and design, film and architecture take on the roles of cementing national identity, of staging the collapse of artistic into economic value, of categorically separating political commitment from individual experience.

"Cultural Capitalism" presents a series of differing inflections of the relationship between politics and culture. Its contributors include a veteran of the cultural studies wars in America, a business consultant on cultural affairs in Europe, and scholars working in the fields of politics and cultural theory. The first half of the book examines the state of interdisciplinary studies, critically assesssing their ability to grapple with the current phase of capitalist expansion. The second half looks explicity at the cultural politics of New Labour, including its relationship to discourses of managerialism, its fascination with "grands projets," and its self- mythologising investment in the concept of spin.

This book resists the defeatist suggestion that politics is now merely 'cultural politics', but also challenges those who find the 'contamination' of politics by culture unacceptable. It will be indispensable to students and observers of the contemporary political scene, to those curious about whatever happened to cultural studies, and to everyone frustrated at the impoverishment of art, culture and politics in the current climate.

A celebrated theorist examines the conditions of work, employment, and unemployment in neoliberalism's flexible and precarious labor market. In Experimental Politics, Maurizio Lazzarato examines the conditions of work, employment, and unemployment in neoliberalism's flexible and precarious labor market. This is the first book of Lazzarato's in English that fully exemplifies the unique synthesis of sociology, activist research, and theoretical innovation that has generated his best-known concepts, such as "immaterial labor." The book (published in France in 2009) is also groundbreaking in the way it brings Foucault, Deleuze, and Guattari to bear on the analysis of concrete political situations and real social struggles, while making a significant theoretical contribution in its own right. Lazzarato draws on the experiences of casual workers in the French entertainment industry during a dispute over the reorganization ("reform") of their unemployment insurance in 2004 and 2005. He sees this conflict as the first testing ground of a political program of social reconstruction. The payment of unemployment insurance would become the principal instrument for control over the mobility and behavior of the workers. The flexible and precarious workforce of the entertainment industry prefigured what the entire workforce in contemporary societies is in the process of becoming: in Foucault's words, a "floating population" in "security societies." Lazzarato argues further that parallel to economic impoverishment, neoliberalism has produced an impoverishment of subjectivity-a reduction in existential intensity. A substantial introduction by Jeremy Gilbert situates Lazzarato's analysis in a broader context.

Natural resources and their effective management are necessary for securing the realisation of human rights. The management of natural resources is linked to broad issues of economic development, as well as to political stability, peace and security, but it is also intimately connected to the political, economic, social and cultural rights of individuals and communities relying on these resources. The management of natural resources often leads to ill-planned development, misappropriation of land, corruption, bad governance, misaligned budget priorities, lack of strong institutional reforms and weak policies coupled with a continued denial of the human rights of local communities. This book argues that human rights law can play an important role in ensuring a more effective and sustainable management of natural resources, putting forward the idea of a human rights-based normative framework for natural resource management. It offers a comprehensive analysis of the different norms, procedures, and approaches developed under human rights law that are relevant to the management of natural resources. Advocating for a less market and corporate approach to the control, ownership, and management of natural resources, this book supports the development of holistic and coherent integration of human rights law in the overall international legal framework governing the management of natural resources.