KURT JACKSON A new book about the British landscape painter Kurt Jackson (b. 1961). One of Kurt Jackson's appealing concepts is that the ocean is one of the last true wildernesses left on the planet. Jackson's art can be seen as an art that is the border region between humanity and nature, between culture and nature, as well as literally tackling that area - the coast - which is neither land nor sea. This new edition includes a text which has been completely updated. There are also many new illustrations. including photographs taken for this new edition. Fully illustrated, with a revised text. Bibliography and notes.

RAINER MARIA RILKE: Dance the Orange: Selected Poems

Translated by Michael Hamburger and edited by Jeremy Mark Robinson This edition has been revised and updated. www.crmoon.com

This new collection includes poems taken from the time of the great German poet's New Poems through the Duino Elegies to the last pieces. These are some of Rainer Maria Rilke's best works; they are intense, compact, lyrical and lucid, by turns erotic, heartfelt and mystical. Hamburger's excellent translations have the German original facing each poem.

Rainer Maria Rilke (1875-1926) is one of the greatest of all lyrical poets. Rilke is part of that group of European poets and writers which includes Friedrich Nietzsche, Arthur Rimbaud, Georg Trakl, Marina Tsvetajeva, and friends such as Andre Gide, Lou Andreas-Salome and Paul Valery.

Rilke was an incredibly inventive creator of poetry, who could forge the myriad states and images of love, from the delicate, detailed and subtle, to the passionate, illuminating and ecstatic.

Rilke was adept at inflecting language with blissful tones: while he could describe the many experiences of love, he found it difficult to turn them into realities, to act on his words. For him love could be a transitory, fragile state between two people. 'Why do people who love each other separate before there is any need? Because it is after all so very temporary a thing, to be together and to love one another'. Rilke saw life as a 'continuous flow of vicissitudes', change following change, so that parting was inevitable, and people should become used to it ('at any moment be ready to give each other up, let be and not hold each other back'.

THE SACRED CINEMA OF ANDREI TARKOVSKY

A major new study of Russian filmmaker Andrei Tarkovsky (1932-1986), director of seven feature films, including Mirror, Andrei Roublyov, Solaris and The Sacrifice. ?This book explores every aspect of Andrei Tarkovsky's output in the most detailed fashion - including scripts, budget, production, shooting, editing, camera, sound, music, acting, themes, symbols, motifs, and spirituality. Tarkovsky's films are analyzed in depth, with scene-by-scene discussions.

This is an important addition to film studies, the most painstaking study of Andrei Tarkovsky's work available.

Contains 150 illustrations, of Tarkovsky's films, Tarkovsky at work, his contemporaries, and his favourite painters.

Andrei Tarkovsky is one of the most fascinating of filmmakers. He is supremely romantic, an old-fashioned, traditional artist - at home in the company Leonardo da Vinci, Pieter Brueghel, Aleksandr Pushkin, Fyodor Dostoievsky and Byzantine icon painters. Tarkovsky is a magician, no question, but argues for demystification (even while films celebrate mystery). His films are full of magical events, dreams, memory sequences, multiple viewpoints, multiple time zones and bizarre occurrences.

As genre films, Andrei Tarkovsky's movies are some of the most accomplished in cinema. As science fiction films, Stalker and Solaris have no superiors, and very few peers. Only the greatest sci-fi films can match them: Metropolis, King Kong, Close Encounters of the Third Kind and 2001: A Space Odyssey. Tarkovsky happily and methodically rewrote the rules of the sci-fi genre: Stalker and Solaris are definitely not routine genre outings. They don't have the monsters, the aliens, the visual effects, the battles, the laser guns, the stunts and action set-pieces of regular science fiction movies.

No one could deny that Andrei Roublyov is one of the greatest historical films to explore the Middle Ages, up there with The Seventh Seal, El Cid, The Navigator and Pier Paolo Pasolini's 'Life' trilogy. If you judge Andrei Roublyov in terms of historical accuracy, epic spectacle, serious themes, or cinematic poetry, it comes out at the top. Finally, in the religious film genre, The Sacrifice and Nostalghia are among the finest in cinema, the equals of the best of Ingmar Bergman, Luis Bunuel, Robert Bresson and Carl-Theodor Dreyer.

This is the first major critical study of the art of Cornish painter Kurt Jackson. Jackson's landscapes have been exhibited widely, and are becoming more popular.