Incredible discoveries from the fringes of the universe to the inner workings of our minds all from nothing

It turns out that almost nothing is as curious or as enlightening as, well, nothing. What is nothingness? Where can it be found? The writers of the world's top-selling science magazine investigate from the big bang, dark energy, and the void to superconductors, vestigial organs, hypnosis, and the placebo effect and discover that understanding nothing may be the key to understanding everything: What came before the big bang, and will our universe end?How might cooling matter down almost to absolute zero help solve our energy crisis?How can someone suffer from a false diagnosis as though it were true?Does nothingness even exist? Recent experiments suggest that squeezing a perfect vacuum somehow creates light.Why is it unfair to accuse sloths animals who do nothing of being lazy? And more Contributors Paul Davies, Jo Marchant, and Ian Stewart, along with two former editors of Nature and 16 other leading writers and scientists, marshal up-to-the-minute research to make one of the most perplexing realms in science dazzlingly clear. Prepare to be amazed at how much more there is to nothing than you ever realized."

In an age over-saturated with photographic imagery, Design Principles for Photography demonstrates how design awareness can add a new level of depth to your images. By adapting and experimenting with the tried and tested techniques used by graphic designers every day, you can add dynamism and impact to your imagery, whatever the style or genre - something that today's editors, curators and publishers are all crying out for.The second edition includes examples of unsuccessful compositions, annotated images highlighting key techniques and an expanded glossary. There's also a new section on movements in photography and their reflection in composition, including modernism, expressionism, and surrealism and interviews with international practitioners discussing how they've included design principles in their work. Featured topics: Basic design theory; the use of space; positional decisions; the elements of design; line; shape or form; space; texture; light; colour; pattern; rhythm; contrast; scale and proportion; abstraction; movement and flow; containment; emphasis and emotion; justaposition; incongruity; mood and emotion.

In an age over-saturated with photographic imagery, Design Principles for Photography demonstrates how design awareness can add a new level of depth to your images. By adapting and experimenting with the tried and tested techniques used by graphic designers every day, you can add dynamism and impact to your imagery, whatever the style or genre - something that today's editors, curators and publishers are all crying out for.The second edition includes examples of unsuccessful compositions, annotated images highlighting key techniques and an expanded glossary. There's also a new section on movements in photography and their reflection in composition, including modernism, expressionism, and surrealism and interviews with international practitioners discussing how they've included design principles in their work. Featured topics: Basic design theory; the use of space; positional decisions; the elements of design; line; shape or form; space; texture; light; colour; pattern; rhythm; contrast; scale and proportion; abstraction; movement and flow; containment; emphasis and emotion; justaposition; incongruity; mood and emotion.