Throughout history, maps have been fundamental in shaping our view of the world, and our place in it. But far from being purely scientific objects, maps of the world are unavoidably ideological and subjective, intimately bound up with the systems of power and authority of particular times and places. Mapmakers do not simply represent the world, they construct it out of the ideas of their age. In this scintillating book, Jerry Brotton examines the significance of 12 maps - from the almost mystical representations of ancient history to the satellite-derived imagery of today. He vividly recreates the environments and circumstances in which each of the maps was made, showing how each conveys a highly individual view of the world. Brotton shows how each of his maps both influenced and reflected contemporary events and how, by reading it, we can better understand the worlds that produced it. Although the way we map our surroundings is changing, Brotton argues that maps today are no more definitive or objective than they have ever been, but that they continue to define, shape and recreate the world. Readers of this book will never look at a map in quite the same way again.

From medieval maps to digital cartograms, this book features highlights from the Bodleian Library's extraordinary map collection together with rare artefacts and some stunning examples from twenty-first-century map-makers. Each map is accompanied by a narrative revealing the story behind how it came to be made and the significance of what it shows. The chronological arrangement highlights how cartography has evolved over the centuries and how it reflects political and social change. Showcasing a twelfth-century Arabic map of the Mediterranean, highly decorated portolan charts, military maps, trade maps, a Siberian sealskin map, maps of heaven and hell, C.S. Lewis's map of Narnia, J.R.R. Tolkien's cosmology of Middle-earth and Grayson Perry's tapestry map, this book is a treasure-trove of cartographical delights spanning over a thousand years.

The world's finest maps explored and explained.

From Ptolemy's world map to the Hereford's Mappa Mundi, through Mercator's map of the world to the latest maps of the Moon and Google Earth, "Great Maps" provides a fascinating overview of cartography through the ages.

Revealing the stories behind 55 historical maps by analyzing graphic close-ups, "Great Maps" also profiles key cartographers and explorers to look why each map was commissioned, who it was for and how they influenced navigation, propaganda, power, art, and politics.

More than ever before, the Renaissance stands as one of the defining moments in world history. Between 1400 and 1600, European perceptions of society, culture, politics and even humanity itself emerged in ways that continue to affect not only Europe but the entire world. This wide-ranging exploration of the Renaissance sees the period as a time of unprecedented intellectual excitement and cultural experimentation and interaction on a global scale, alongside a darker side of religion, intolerance, slavery, and massive inequality of wealth and status. It guides the reader through the key issues that defined the period, from its art, architecture, and literature, to advancements in the fields of science, trade, and travel. In its incisive account of the complexities of the political and religious upheavals of the period, the book argues that Europe's reciprocal relationship with its eastern neighbours offers us a timely perspective on the Renaissance that still has much to teach us today. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

A superbly illustrated guide to 64 maps from all around the world! From examples of medieval Mappa Mundi and the first atlas to Google Earth and maps of the moon, this captivating maps book is a must-have for all history and geography enthusiasts and explorers! Embark on a visual tour of the world's finest maps! This fascinating world atlas book: - Analyses each map visually, with the help of pull-outs and graphic close-up details - Traces the history of maps chronologically, providing a fascinating overview of cartography through the ages - Tells the story behind each map - why it was created, who it was for, and how it was achieved - Profiles key cartographers, explorers, and artists - Draws together navigation, propaganda, power, art, and politics through the world's greatest maps Maps are much more than just geographical data. They are an accurate reflection of the culture and context of different time frames in history. This remarkable geography book puts cartography on the map! It tells the stories behind great maps through stunning pull-out details and reveals how they have helped people make sense of the world. Embark on a global adventure of a lifetime with this world map book and see our planet like never before! On this mind-blowing journey, you'll encounter maps that show the way to heaven, depict lands with no sunshine and even the world ocean floor. With incredible secret stories from British historian, Jerry Brotton, and insight into how mapmakers have expressed their world views, Great Maps is a welcome addition to any armchair cartographer's bookshelf.

Set against the backdrop of war, revolution, and regicide, and moving from London to Venice, Mantua, Madrid, Paris and the Low Countries, Jerry Brotton’s colourful and critically acclaimed book, The Sale of the Late King's Goods, explores the formation and dispersal of King Charles I’s art collection. Following a remarkable and unprecedented Parliamentary Act for ‘The sale of the late king’s goods’, Cromwell’s republican regime sold off nearly 2,000 paintings, tapestries, statues and drawings in an attempt to settle the dead king’s enormous debts and raise money for the Commonwealth’s military forces.

Brotton recreates the extraordinary circumstances of this sale, in which for the first time ordinary working people were able to handle and own works by the great masters. He also examines the abiding relationship between art and power, revealing how the current Royal Collection emerged from this turbulent period, and paints its own vivid and dramatic picture of one of the greatest lost collections in English history.

A New York Times Bestseller "Maps allow the armchair traveler to roam the world, the diplomat to argue his points, the ruler to administer his country, the warrior to plan his campaigns and the propagandist to boost his cause... rich and beautiful." - Wall Street Journal Throughout history, maps have been fundamental in shaping our view of the world, and our place in it. But far from being purely scientific objects, maps of the world are unavoidably ideological and subjective, intimately bound up with the systems of power and authority of particular times and places. Mapmakers do not simply represent the world, they construct it out of the ideas of their age. In this scintillating book, Jerry Brotton examines the significance of 12 maps - from the almost mystical representations of ancient history to the satellite-derived imagery of today. He vividly recreates the environments and circumstances in which each of the maps was made, showing how each conveys a highly individual view of the world. Brotton shows how each of his maps both influenced and reflected contemporary events and how, by considering it in all its nuances and omissions, we can better understand the world that produced it. Although the way we map our surroundings is more precise than ever before, Brotton argues that maps today are no more definitive or objective than they have ever been. Readers of this beautifully illustrated and masterfully argued book will never look at a map in quite the same way again. "A fascinating and panoramic new history of the cartographer's art." - The Guardian "The intellectual background to these images is conveyed with beguiling erudition.... There is nothing more subversive than a map." - The Spectator "A mesmerizing and beautifully illustrated book." -The Telegraph

Trading Territories tells the compelling story of maps and geographical knowledge in the early modern world from the fifteenth to the early seventeenth century. Examining how European geographers mapped the territories of the Old World -Africa and Southeast Asia - this book shows how the historical preoccupation with Columbus's `discovery' of the New World of America in 1492 obscured the ongoing importance of mapping territories that have since been defined as `eastern', especially those in the Muslim world. In this book, now available in paperback and updated with a new preface by the author, Jerry Brotton shows that trade and diplomacy defined the development of maps and globes in this period, far more than the disinterested pursuit of scientific accuracy and objectivity, and challenges our preconceptions about not just maps, but also the history and geography of what we call East and West.

In this groundbreaking, highly provocative examination of the Renaissance, Jerry Brotton and Lisa Jardine raise questions about the formation of cultural identity in Western Europe. Through an analysis of the circulation of art and luxury objects, the authors challenge the view that Renaissance culture defined itself in large part against an exotic, dangerous, always marginal East. Featuring more than seventy illustrations, including many in color and some published for the first time, their book provides fascinating insights into the works of Pisanello, Leonardo, Durer, Holbein, and Titian.

Global Interests explores the trade in portrait medals, tapestries, and equestrian art, all items that Brotton and Jardine demonstrate were markers of power and influence in both the West and the East. The authors reveal that this trade represented a remarkably equal exchange between Renaissance Europe and the Ottoman East. Their findings lead them to argue that the East, and in particular the Ottoman Empire of Mehmet the Conqueror and Suleiman the Magnificent, was not the antithetical "other" to the emergence of a Western European identity in the sixteenth century. Instead, Paris, Venice, and London were linked with Istanbul and the East through networks of shared political and commercial interests. By showing that the traditional view of Renaissance culture is misleading, the authors offer a more truly global understanding of historical experience.

In this generously illustrated book, Jerry Brotton documents the dramatic changes in the nature of geographical representation which took place during the sixteenth century, explaining how much they convey about the transformation of European culture at the end of the early modern era. He examines the age's fascination with maps, charts, and globes as both texts and artifacts that provided their owners with a promise of gain, be it intellectual, political, or financial.

From the Middle Ages through most of the sixteenth century, Brotton argues, mapmakers deliberately exploited the partial, often conflicting accounts of geographically distant territories to create imaginary worlds. As long as the lands remained inaccessible, these maps and globes were politically compelling. They bolstered the authority of the imperial patrons who employed the geographers and integrated their creations into ever more grandiose rhetorics of expansion.

As the century progressed, however, geographers increasingly owed allegiance to the administrators of vast joint-stock companies that sought to exploit faraway lands and required the systematic mapping of commercially strategic territories. By the beginning of the seventeenth century, maps had begun to serve instead as scientific guides, defining objectively valid images of the world

The Renaissance range in changes at a breathtaking pace, changes that shape the world to this day. Now Jerry Brotton deftly captures this remarkable age, in a book that places Europe's great flowering in a revealing global context.
It was Europe's contact with the outside world, Brotton argues, especially with the rich and cultivated East, that made the Renaissance what it was. Indeed, Europeans saw themselves through the mirror of the East--it was during this age, for instance, that they first spoke of themselves as "Europeans." Here is cultural history of the best kind, as Brotton muses on the meanings of Holbein's painting "The Ambassadors"--which is virtually a catalog of the international influences on Europe--or on the Arabic influence in the burgeoning sciences of astronomy and geography. This global approach offers revealing new insights into such men as Dante and Leonardo da Vinci and highlights the international influences behind Chaucer's Canterbury Tales. Along with fresh and original discussions of well-known figures from Copernicus to Durer to Shakespeare, Brotton offers a far-reaching exploration that looks at paintings and technology, patterns of trade and the printed page, as he illuminates the overarching themes that defined the age.
From architecture to medicine, from humorists to explorers, the teeming world of the Renaissance comes to life in this thoughtful, insightful, and beautifully written book, which offers us a timely perspective on the Renaissance as a moment of global inclusiveness that still has much to teach us today."

WINNER OF THE HISTORICAL WRITERS ASSOCIATION NON-FICTION CROWN AS HEARD ON BBC RADIO 4 'Fabulous, timely, a marvellous achievement' Spectator 'A richly resonant work which recasts our understanding of the Elizabethan era' Daily Telegraph In 1570, after plots and assassination attempts against her, Elizabeth I was excommunicated by the Pope. It was the beginning of cultural, economic and political exchanges with the Islamic world of a depth not again experienced until the modern age. England signed treaties with the Ottoman Porte, received ambassadors from Morocco and shipped munitions to Marrakech in the hope of establishing an accord which would keep the common enemy of Catholic Spain at bay. This awareness of the Islamic world found its way into many of the great English cultural productions of the day - especially, of course, Shakespeare's Othello and The Merchant of Venice. This Orient Isle shows that England's relations with the Muslim world were far more extensive, and often more amicable, than we have ever appreciated, and that their influence was felt across the political, commercial and domestic landscape of Elizabethan England.