Many animals build shelters, but only humans build homes. No other species creates such a variety of dwellings. Drawing examples from across the archaeological record and around the world, archaeologist Jerry D. Moore recounts the cultural development of the uniquely human imperative to maintain domestic dwellings. He shows how our houses allow us to physically adapt to the environment and conceptually order the cosmos, and explains how we fabricate dwellings and, in the process, construct our lives. "The Prehistory of Home" points out how houses function as symbols of equality or proclaim the social divides between people, and how they shield us not only from the elements, but increasingly from inchoate fear.

The objective of this project is identifying and attracting a higher quality pool of applicants for the South Carolina Highway Patrol. The goals of data collection and analysis surround the identification of and information regarding three areas: Improve Recruiting and Retention; Forecast Future Staffing Needs; Identify Proven Recruiting Techniques and Initiatives.

Visions of Culture: A Reader, Second Edition, has been revised and expanded with new selections and is coordinated for use with Visions of Culture: An Introduction to Anthropological Theories and Theorists, Fifth Edition. Each selection is prefaced with a brief introduction about the anthropologist and the text. Each primary text is followed by a section titled "Queries and Connections," a series of questions designed to help students focus on the central issues in each text and to relate them to other readings. NEW TO THIS EDITION Part VII: Neo-Darwinian Evolutionary Theories 25: Leda Cosmides and John Toobey, from The Evolutionary Primer 26: Eric Alden Smith, from Why Do Good Hunters Have Higher Reproductive Success? 27. Robert Boyd and Peter Richerson, from "Introduction" from The Origin and Evolution of Culture Part VIII-The Ontological Turn 28: Philippe Descola, from Beyond Nature and Culture 29: Tim Ingold, from Anthropology beyond Humanity 30: Bruno Latour, from "Introduction" from Reassembling the Social: An Introduction to Actor-Network-Theory

Visions of Culture: An Introduction to Anthropological Theories and Theorists, Fifth Edition, has been updated and expanded and provides a succinct, clear, and balanced introduction to theoretical developments in the field. The key ideas of thirty major theorists are briefly described and-unique to this textbook-linked to the biographical and fieldwork experiences that helped shape their theories. The impact of each scholar on contemporary anthropology is presented, along with numerous examples, quotations from the theorists' writings, and a description of the broader intellectual setting in which these anthropologists worked. In addition to six new chapters, Moore has updated all the profiles to incorporate recent scholarship. The book is linked to the companion work, Visions of Culture: A Reader, Second Edition, to encourage the fullest intellectual engagement for students. NEW TO THIS EDITION Part VII: Neo-Darwinian Evolutionary Theories 25: Eric Alden Smith: Human Behavioral Ecology 26: John Tooby and Leda Cosmides: The Evolved Mind 27: Robert Boyd and Peter Richerson: Culture and Evolution-Dual-Inheritance Theory Part VIII-The Ontological Turn 28: Tim Ingold: An Intersubjective World 29: Philippe Descola: Nature and Culture 30: Bruno Latour: The Creation of Knowledge

In Ancient Andean Houses, Jerry Moore offers an extensive survey of vernacular architecture from across the entire length of the Andes, drawing on ethnographic and archaeological information from Sierra Nevada de Santa Marta in Colombia to the Patagonia region of Argentina and Chile. This book explores the diverse ways ancient peoples made houses, the ways houses re-create culture, and new perspectives and methods for studying houses.In the first part of this multidimensional approach, Moore examines the construction of houses and how they shaped different spheres of household life, considering commonalities and variations among cultural traditions. In the second part, Moore discusses how domestic architecture serves as both constructed template and lived-in environment, expressing social relationships between men and women, adults and children, household members and the community, and the living and the dead. Finally, Moore critiques archaeological approaches to the subject, arguing for a far-reaching and engaged reassessment of how we study the houses and lives of people in the past. Moore emphasizes that the house has always been a pivotal space around which complex human meanings orbit. This book demonstrates that the material traces of dwellings offer insight into significant questions regarding the development of sedentism, the spread of cultural traditions, and the emergence of social identities and inequalities.

Performances in the premodern communities shaped identities, created meanings, generated and maintained political control. But unlike other social scientists, archaeologists have not worked much with these concepts. Archaeology of Performance shows how the notions of theatricality and spectacle are as important economics and politics in understanding how ancient communities work. Without sacrificing conceptual rigor, the contributors draw on the wide-ranging literature on performance. Without sacrificing material evidence, they try to see how performance creates meaning and ideology. Drawing on evidence from societies large and small, Archaeology of Performance offers an important new ways of understanding ancient theaters of power.

Performances in the premodern communities shaped identities, created meanings, generated and maintained political control. But unlike other social scientists, archaeologists have not worked much with these concepts. Archaeology of Performance shows how the notions of theatricality and spectacle are as important economics and politics in understanding how ancient communities work. Without sacrificing conceptual rigor, the contributors draw on the wide-ranging literature on performance. Without sacrificing material evidence, they try to see how performance creates meaning and ideology. Drawing on evidence from societies large and small, Archaeology of Performance offers an important new ways of understanding ancient theaters of power.

In this innovative volume, Jerry D. Moore discusses public architecture in the context of the cultural, political and religious life of the pre-hispanic Andes. Archaeologists have invested enormous effort in excavating and documenting prehistoric buildings, but analytical approaches to architecture remain as yet undeveloped. Architecture and Power in the Ancient Andes uses new analytical methods to approach architecture and its relationship to Andean society, exploring three themes in particular: the architecture of monuments, the architecture of ritual, and the architecture of social control. It provides both a methodology for the study of public architecture and an example of how that methodology can be applied. Jerry D. Moore's clear and richly illustrated discussion represents an original perspective on architecture and its role in ritual, ideology, and power in the ancient world.

In this innovative volume, Jerry D. Moore discusses public architecture in the context of the cultural, political and religious life of the pre-Hispanic Andes. He uses new analytical methods to approach architecture and its relationship to Andean society, exploring three themes in particular: the architecture of monuments, the architecture of ritual, and the architecture of social control. His clear and richly illustrated discussion represents an original perspective on architecture and its role in the ancient world.