This volume attempts to throw fresh light on two areas of Benjamin Franklin's intellectual world, namely: his self-fashioning and his political thought. It is an odd thing that for all of Franklin's voluminous writings-a fantastically well-documented correspondence over many years, scientific treatises that made his name amongst the brightest minds of Europe, newspaper articles, satires, and of course his signature on the Declaration of Independence and the U.S. Constitution-and yet scholars debate how to get at his political thought, indeed, if he had any political philosophy at all. It could be argued, that he is perhaps the American Founder most closely associated with the Enlightenment. Similarly, for a man who left so much evidence about his life as a printer, bookseller, postmaster, inventor, diplomat, politician, scientist, among other professions, one who wrote an autobiography that has become a piece of American national literature and, indeed, a contribution to world culture, the question of who Ben Franklin continues to engage scholars and those who read about his life. His identity seems so stable that we associate it with certain virtues that apply to the way we live our lives, time management, for example. The image of the stable figure of Franklin is applied to create a sense of trust in everything from financial institutions to plumbers. His constant drive to improve and fashion himself reveal, however, a man whose identity was not static and fixed, but was focused on growth, on bettering his understanding of himself and the world he lived in and attempted to influence and improve.

Moral Soundings takes a fresh new approach to introducing students and general readers to contemporary ethics. Rather than surveying the standard fare in a typical anthology format, Furrow collects diversified essays around a structured theme: does Western culture face a moral crisis of values? Prominent voices in the humanities and social sciences provide a range of perspectives on a concentrated set of ethical questions dealing with such topics as family values, the morality of capitalism, the benefits and dangers of new technologies, global conflict, and the role of religion. Unlike point/counterpoint books that often oversimplify the complexity of ethical questions, the readings in Moral Soundings provoke critical engagement and help students to recognize and emulate the logical development of arguments-all in engaging and easily accessible language. Readings are supplemented with helpful chapter introductions, study questions, and strategically placed editorial commentary to encourage further discussion and reflection. These features make Moral Soundings an ideal primary or supplementary text for undergraduate courses in ethics, contemporary moral issues, and social and political philosophy.

With the end of the Cold War, the death of Communism, and the decline of Socialism, what are the primary issues, ideologies, and parties that now structure politics? Melzer, Zinman, and Weinberger have compiled essays from prominent experts to examine the politics of the past to help plot the political future. The first half of the volume addresses OIdentity PoliticsO and OBig GovernmentO and their respective places in the shaping of the United States political environment since the end of the Cold War. The second half of the volume focuses on the political climate in Western Europe, Russia, India, and China.

This volume attempts to throw fresh light on two areas of Benjamin Franklin s intellectual world, namely: his self-fashioning and his political thought. It is an odd thing that for all of Franklin s voluminous writings a fantastically well-documented correspondence over many years, scientific treatises that made his name amongst the brightest minds of Europe, newspaper articles, satires, and of course his signature on the Declaration of Independence and the U.S. Constitution and yet scholars debate how to get at his political thought, indeed, if he had any political philosophy at all. It could be argued, that he is perhaps the American Founder most closely associated with the Enlightenment. Similarly, for a man who left so much evidence about his life as a printer, bookseller, postmaster, inventor, diplomat, politician, scientist, among other professions, one who wrote an autobiography that has become a piece of American national literature and, indeed, a contribution to world culture, the question of who Ben Franklin continues to engage scholars and those who read about his life. His identity seems so stable that we associate it with certain virtues that apply to the way we live our lives, time management, for example. The image of the stable figure of Franklin is applied to create a sense of trust in everything from financial institutions to plumbers. His constant drive to improve and fashion himself reveal, however, a man whose identity was not static and fixed, but was focused on growth, on bettering his understanding of himself and the world he lived in and attempted to influence and improve."

For forty years, Harvey Mansfield has been worth reading. Whether plumbing the depths of MachiavelliOs Discourses or explaining what was at stake in Bill ClintonOs impeachment, MansfieldOs work in political philosophy and political science has set the standard. In Educating the Prince, twenty-one of his students, themselves distinguished scholars, try to live up to that standard. Their essays offer penetrating analyses of Machiavellianism, liberalism, and America., all of them informed by MansfieldOs own work. The volume also includes a bibliography of MansfieldOs writings.

From "Brown v. Board of Education" to "Roe v. Wade" to "Bush v. Gore," the Supreme Court has, over the past fifty years, assumed an increasingly controversial place in American national political life. As the recurring struggles over nominations to the Court illustrate, few questions today divide our political community more profoundly than those concerning the Court's proper role as protector of liberties and guardian of the Constitution. If the nation is today in the midst of a "culture war," the contest over the Supreme Court is certainly one of its principal battlefields.In this volume, distinguished constitutional scholars aim to move debate beyond the sound bites that divide the opposing parties to more fundamental discussions about the nature of constitutionalism. Toward this end, the volume includes chapters on the philosophical and historical origins of the idea of constitutionalism; on theories of constitutionalism in American history in particular; on the practices of constitutionalism around the globe; and on the parallel emergence of--and the persistent tensions between--constitutionalism and democracy throughout the modern world.In democracies, the primary point of having a constitution is to place some matters beyond politics and partisan contest. And yet it seems equally clear that constitutionalism of this kind results in a struggle over the meaning or proper interpretation of the constitution, a struggle that is itself deeply political. Although the volume represents a variety of viewpoints and approaches, this struggle, which is the central paradox of constitutionalism, is the ultimate theme of all the essays.

Politics has taken a cultural turn in America, and the arts are at the center of today's culture wars. In this book, some of our most prominent cultural critics explore the relationships between culture and politics as played out in the world of novels, television, museums, and even fashion. The authors -- John Simon, Greil Marcus, Arthur C. Danto, and other well-known commentators from across the political spectrum -- examine the arts in their relation to democracy and consider whether and how they serve one another.

The authors consider such topics as high and popular culture in democratic America; the relation of democracy to classical, jazz, and folk music; and the artistic potential of the most democratic of all arts, the movies. All of the essays are as entertaining as they are thoughtful.

With its roots in popular sentiment, democracy will forever be entwined with art, a force that powerfully molds popular taste. Democracy and the Arts speaks elegantly to that relationship and reminds readers of its enduring importance.

Jerry Weinberger reinterprets the meaning of Francis Bacon's History and defines its importance to the rise of modern republicanism, liberalism and the politics of progress. His introduction describes the background of Bacon's History placing it in the context of Bacon's work and the sources he may have used. Weinberger comments on the changing reputation and interpretation of The History and discusses its significance as a work of early modern political philosophy. The text of The History follows, accompanied by extensive explanatory footnotes. Weinberger's annotations establish the relationship of text to the surviving manuscript, the first printed edition, and the Latin translation. In addition, they show Bacon's differences from the earlier historians on whom he relied, explaining obsolete words, and clarifying matters of historical chronology and fact. In his interpretive essay, Weinberger discusses contemporary debates on how best to approach and understand The History. He suggest that Bacon's apparently contradictory work is a subtle and seamless picture of the modern state. The History is not just an account of the first Tudor monarch, Weinberger claims; it also presents Bacon's teachings about the moral and political ends of modern progress. At its deepest level, Bacon's work addresses the justification of modern times and reopens the ageless questions of political philosophy.