Collection of four comedies following the Griswold family's vacations. In 'National Lampoon's Vacation' (1983), the West Coast Wally World theme park is the Griswold's holiday destination, and they intend to drive there cross-country all the way from their Chicago home. Father Clark (Chevy Chase) has planned the trip down to its last detail, but the trouble begins as soon as they hit the road. In 'National Lampoon's European Vacation' (1985), the family win a holiday to Europe. Contrary to their expectations, however, it is not a luxurious, all-expenses-paid kind of trip, but rather a cut-price, economy deal which takes them to some of the Old World's seedier locations. Of course, it's not long before they are caught up in all manner of misadventures. In 'National Lampoon's Christmas Vacation' (1989), the Griswolds decide to spend the Christmas season at home. Needless to say, it is not as quiet as they had planned. Finally, in 'Vegas Vacation' (1997), the clan head for the gleaming lights of Las Vegas. Unfortunately, Clark is soon transformed into a compulsive gambler, daughter Audrey (Marisol Nichols) becomes an exotic dancer and son Rusty (Ethan Embry) begins posing as a suave high roller.

Here is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him--the club rooms of Brooklyn, the Mafia dives of New York's Lower East Side, the wilds of Alaska, or the hills of Hollywood--he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'"
In WHEN I STOP TALKING, YOU'LL KNOW I'M DEAD, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God , The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen.
Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs, to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer . . .well, the list goes on.
And of course, the story is not yet over . . . As Weintraub says, "When I stop talking, you'll know I'm dead."

Cobra (1986)
Lt. Cobretti (Sylvester Stallone) is a one-man assault team whose laser-mount submachine gun and pearl-handled Colt .45 spit pure crime-stopping venom! Director George P. Cosmatos teams up again with Stallone for this thriller, pitting Cobretti against a merciless serial killer. The trail leads to not one murderer but also an army of psychos bent on slashing their way to a "New Order", and killing a witness (Brigitte Nielsen) along the way. Fortunately, her protector is Cobra, a man who delivers vigilante justice like no other!

Assassins (1995)
Sylvester Stallone and Antonio Banderas star as professional killers, for whom life is survival of the ruthless. And the only retirement is in a body bag. Robert Rath (Stallone) is the best in the business, but he wants out. New competition Miguel Bain (Banderas) aims to do the one thing that will clinch the job: murder Rath. And Rath must dodge an assassin's bullets while hunting his current target, a beautiful electronic surveillance expert (Julianne Moore), who may be his most dangerous assignment ever. Now, for Rath to stop killing--and live--he must do the one thing his instinct and training scream not to do--trust the enemy.

Tango and Cash (1989)
Ray Tango And Gabe Cash (Sylvester Stallone, Kurt Russell) are rival policemen with one thing in common: each thinks he is the best. Team them up and they're like oil and water. But frame them for a crime and they're like a match and kerosene. After being found guilty in court and sentenced to do time, the two stage a prison breakout that's a breathless rush of weapons and wisecracks - then roar after the shadowy crimelord who set them up. Tango & Cash are out to clear their names. Join them and feel the rush.

The Specialist (1994)
Sharon Stone is May Munro, a beauty with a fatal past. She's sworn death to the mobsters who murdered her parents. To do the job, she recruits ex-CIA explosives expert Ray Quick (Sylvester Stallone). Miami grows white-hot as May lures the killers and Ray detonates them into ashes. But a vicious mob boss (Rod Steiger), his brash son (Eric Roberts) and a psychotic hired gun (James Woods) with a lethal grudge against Quick won't go without a fight. The passion the two avengers share can't hide Ray's ominous question. Is May falling for him... or setting him up, too?

Demolition Man (1993)
The future isn't big enough for the both of them--the 21st century's most dangerous cop and the 21st century's most ruthless criminal. John Spartan (Sylvester Stallone) is a no-holds-barred 20th century cop who had been sentenced to cryoprison, a cop known in an earlier century as the Demolition Man. But when psychopathic killer Simon Phoenix (Wesley Snipes) escapes cryoprison during a mandatory parole hearing, only officer Lenina Huxley (Sandra Bullock) has a plan to stop a criminal rampage from causing havoc in her now-peaceful world: free the one man capable of stopping Phoenix - the Demolition Man himself. Now, two men from another time bring a level of nonstop action long unseen in this future, idyllic world.