Women, Art, and Spirituality: The Poor Clares of Early Modern Italy situates the art made between the thirteenth and sixteenth centuries for the Franciscan nuns in its historical and religious contexts. Evaluating its production from sociological and intellectual perspectives, this study also addresses the discourse between spirituality, devotional practices, and aesthetic attitudes as formalized in the construction and decoration of the women's convents and in their didactic literature. Based on a range of sources, it integrates important primary texts, such as Saint Clare's rule, poetry composed by the nuns, financial records, and family history in analysis of paintings, sculpture, and architecture commissioned by the order. Also synthesized in this ground-breaking study are recent theoretical developments in anthropology, women's studies, history, and literature with traditional iconographical and social approaches of art history.

Originally published in 1996, Women, Art, and Spirituality: The Poor Clares of Early Modern Italy situates the art made between the thirteenth and sixteenth centuries for the Franciscan nuns in its historical and religious contexts. Evaluating its production from sociological and intellectual perspectives, this study also addresses the discourse between spirituality, devotional practices, and aesthetic attitudes as formalised in the construction and decoration of the women's convents and in their didactic literature. Based on a range of sources, it integrates important primary texts, such as Saint Clare's rule, poetry composed by the nuns, financial records, and family history in the analysis of paintings, sculpture, and architecture commissioned by the order. The text also synthesises theories from anthropology, women's studies, history, and literature with traditional iconographical and social approaches from art history.

As a great master of the early Renaissance, Piero della Francesca created paintings for ecclesiastics, confaternities, and illustrious nobles throughout the Italian peninsula. Since the early twentieth century, the rational space, abstract designs, lucid illumination and naturalistic details of his pictures have attracted wide audiences. Piero's treatises on mathematics and perspective fascinate scholars in a wide range of disciplines. This Companion brings together new essays that offer a synthesis and overview of Piero's life and accomplishments as a painter and theoretician.

As a great master of the early Renaissance, Piero della Francesca created paintings for ecclesiastics, confaternities, and illustrious nobles throughout the Italian peninsula. Since the early twentieth century, the rational space, abstract designs, lucid illumination and naturalistic details of his pictures have attracted wide audiences. Piero's treatises on mathematics and perspective fascinate scholars in a wide range of disciplines. This Companion brings together new essays that offer a synthesis and overview of Piero's life and accomplishments as a painter and theoretician.