Cupid is hot to trot!

One fateful weekend at a country estate, a beautiful, well-bred widow is caught between a rock and a very hard place when she must choose between two deliciously irresistible lovers...in Lacy Danes's seductive tale of courtship a la mode, "Torn Desires."

Long-distance lovers Edie and Ty are counting the hours until their scorching Valentine's Day reunion, each titillating the other with steamy letters describing their erotic journeys. And getting there is definitely half the fun in Megan Hart's wickedly wild "Get There."

Eternal damnation has its perks--especially for a voluptuous succubus who is about to receive a very special, very hot Valentine's Day "gift" from her demon lover...in Jackie Kessler's ode to paranormal passion, "Hell Is Where the Heart Is."

London's most irresistible rake has one week to prevent the woman he loves from marrying another. And he plans to do so by adeptly employing his most well-practiced arts--seduction...sensation...and erotic love--in Jess Michaels's sumptuous feast of juicy Regency romance, "By Valentine's Day."

Do you dare open the door and enter a place like no other?

In these three historical tales of sensual awakening, nothing that stimulates and titillates is taboo, ecstasy comes in many sizes, and pleasure is its own reward . . . a world of seduction and sensation, where inhibitions are unlaced and desires long corseted are gloriously freed. . . .

Fallen Angel Jess Michaels

London's greatest beauty and most notorious madam employs the services of a disgraced Bow Street Runner to keep her safe from a stalker . . . and satisfied after dark.

Parlor Games Leda Swann

An innocent virgin enters a brothel to escape starvation and receives expert tutelage in the steamy Victorian parlor games that rakish gentlemen indulge in. . . .

Border Lord Julia Templeton

Fleeing an unfaithful fiance, a nubile young lovely finds herself the prisoner of a lustful Scottish laird and must bow to his every erotic whim. . . .

When Claire found out a devastating secret about her family, the famous Woodley clan, she ran straight into the arms of a criminal and disappeared for years, utterly ruined in the eyes of Society and leaving her family terrified for her safety. But now she’s desperate to escape his clutches and get back what he’s stolen from her: her child. She turns to longtime family horse master Warrick Blackwood, knowing his secrets can get her close to her target.

War doesn’t want to return to the dangerous life he left behind, even to help Claire, but he has no choice. Not only does she know the truth about his past, but he’s never been able to resist her. Her frantic attempt to save her daughter will bring them close, revealing both War’s dominant nature and his heart, but it may also destroy any hope at the future both secretly long for.

This is the 4th Book in the Wicked Woodleys series, but can be read as a standalone title.

The San Francisco artist Jess (1923-2004) has for decades been known to cognoscenti as an inventive and sophisticated master of the collage aesthetic. Recently however, his works are receiving fresh attention from a younger generation attuned to Jess' interests in myth, narrative and appropriation. Jess used images taken from sources ranging from "Dick Tracy" to Durer, from a Beatles bubblegum card to medical textbook drawings, from 1887 "Scientific American" line engravings to frames from George Herriman's "Krazy Kat." In reexamining myth through a synthesis of art and literature, Jess' work remains a crucial assemblage of the meanings of our time. This volume brings to light collages, collage books, word poems and altered comics that have been largely inaccessible or unavailable since their making. Originally published in small editions and hard-to-find journals, or made as one-off artist's books, these works demonstrate the full range of Jess's extraordinary verbal and visual play. Several of Jess's surreal comic-strip manipulations, "Tricky Cad" (1954-1959), are reproduced for the first time in their entirety, as are others such as "Ben Big Bolt" and "Nance" that have never before been published. The book also includes a group of complex wraparound book covers, several unpublished collage poems, and two artist's books never before reproduced in full: "From Force of Habit," a "fantastic tale" which plays with the pages of a Swedish cult sci-fi novel, and "When a Young Lad Dreams of Manhood," a homoerotic paean (and naughty parody) of the priapic urge. A facsimile reproduction of the 20-page collage masterpiece "O " is included as a separate booklet, and the book sports a dustjacket that folds out into a poster-size collage.